tag:blogger.com,1999:blog-57675808813001249892024-03-26T23:35:09.993-07:00Brazilian Rock 1957 - 1964Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.comBlogger100125tag:blogger.com,1999:blog-5767580881300124989.post-6551116620684021542023-03-24T05:57:00.029-07:002023-04-28T10:52:57.678-07:00Cizinha Moura's 'Brotinho Lili' <p style="text-align: justify;"><span style="font-family: arial;">Cizinha Moura was one of the many young singers who came into prominence in the <b><span style="color: #ffa400;">mid-to-late</span></b><span style="color: #ffa400;"> <b>1950s</b></span>. After singing as crooner of bands or orchestras in night clubs, radio & TV, Miss Moura finally got to record a 78 rpm single for <b>Chantecler</b> in <b>late 1958</b>: '</span><span style="font-family: arial;"><b><span style="color: #ffa400;">Fim de ano</span></b>', a lively waltz to celebrate the end of the year b/w '<b><span style="color: #ffa400;">Meu barquinho</span></b>' which was none other that 'My bonnie lies over the ocean' translated by the guitar player Paulo Barreiros.</span></p><p style="text-align: justify;"><span style="font-family: arial;">In <b>1959</b>, with rock'n'roll already firmly established in the whole country by the likes of <b>Celly</b> <b>Campello</b> and <b>Carlos Gonzaga</b>, Cizinha recorded her second and last 78 rpm for Chantecler which ended up being a valuable collector's item: '<b><span style="color: #ffa400;">Viver a sonhar</span></b>', a rock-ballad b/w '<b><span style="color: #ffa400;">Brotinho Lili</span></b>' which is seen in retrospect as her greatest hit.</span></p><p style="text-align: justify;"><span style="font-family: arial;">In the latter part of 1959, Cizinha managed to associate herself with <b><span style="color: #ffa400;">The Beverlys</span></b>, the very first Black Brazilian do-wop group who had just recorded two singles for the Young label. Cizinha would sing on TV Paulista and other stations accompanied by The Beverlys during this period.</span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqQdXwnqkGBZfzvJxv8lWYi8rCQCecirvwXNw277jFz2hmnejBW7j2Kro1sb3PZ8uzCoT1sGxM65IS3ABBzaCitl3xwg4dO6hI85_Sb8GhDsSjpj0qrKn9O7ZP_hqe_7pRXtRuoLnOfM79i9FF5sfOZXNkTjUp9l2wQftgqT-souUQCNbwgh28IG_mOg/s463/Cizinha.pernas%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="463" data-original-width="283" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqQdXwnqkGBZfzvJxv8lWYi8rCQCecirvwXNw277jFz2hmnejBW7j2Kro1sb3PZ8uzCoT1sGxM65IS3ABBzaCitl3xwg4dO6hI85_Sb8GhDsSjpj0qrKn9O7ZP_hqe_7pRXtRuoLnOfM79i9FF5sfOZXNkTjUp9l2wQftgqT-souUQCNbwgh28IG_mOg/s16000/Cizinha.pernas%20(2).jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1M4ZR4prymwh13lxjoyt6f1UKc-QM8T4wzpCbS5yCagFepd8SOfykRKrO75nOgcu2W5S4dUCSKgVJ7o4DvBiT0WoDDCm2B93Mbn-5GE5GedYFcztBMUbU9NNVPuiOsVdlUeMHJN9yu_OwUZl6pFTSnIME1QjKvHdjBJ6gcoT3HuMqmpma9cYPPxAc6g/s752/Cizinha.Moura.RR.1958%20(2).PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="257" data-original-width="752" height="219" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1M4ZR4prymwh13lxjoyt6f1UKc-QM8T4wzpCbS5yCagFepd8SOfykRKrO75nOgcu2W5S4dUCSKgVJ7o4DvBiT0WoDDCm2B93Mbn-5GE5GedYFcztBMUbU9NNVPuiOsVdlUeMHJN9yu_OwUZl6pFTSnIME1QjKvHdjBJ6gcoT3HuMqmpma9cYPPxAc6g/w640-h219/Cizinha.Moura.RR.1958%20(2).PNG" width="640" /></a></div><span style="font-family: arial;"><div style="text-align: justify;">Revista do Radio, <b><span style="color: #ffa400;">22nd March 1958</span></b>, publishes a 2-page article about <b>Cizinha Moura</b> and her musical career. Cizinha was born on <b><span style="color: #ffa400;">15 September 1933</span></b>, in São Paulo. Started singing professionally at night-club <b>Lido</b>. Next she moved to Campos de Jordão-SP where she was signed by <b>Radio Emissora Campos de Jordão</b>. After a long stint there Cizinha became the crooner of <b>Nancy Montez Orchestra</b> having toured São Paulo state and Northern Paraná stopping at Curitiba-PR.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">In Curitiba she performed at night-club <b>Blue Sky</b> where she met composer <b>Ataulpho Alves</b> who invited her to become part of his group of 'cabrochas' (young Black ladies who sang and dance as part of Ataulpho's act) when they would next perform at <span style="color: #ffa400;"><b>Hotel</b> <b>Comodoro</b></span>'s night-club in São Paulo and Radio & TV Record. She ended up learning a lot about her trade with Ataulpho and his group. She stayed with them for 3 months - from <b>December 1956</b> to <b>February 1957</b>. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Cizinha then decided it was time for her to resume her solo career and signed with night-club <b>Caprice</b> and at the same time appeared at '<b>Variedades Orniex</b>' on <b>TV Tupi</b>, channel 3. Cizinha took part in the competition to elect the <b>Queen of the</b> <b>Musicians</b> (Rainha dos Músicos) in São Paulo which was won by <b>Luely Figueiró</b> but with Cizinha having got herself a good position. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Now, as of March 1958, Cizinha sings at night-club <b>African</b> which is one of the best in São Paulo and sings at Radio Record's '<b>Alegria dos Bairros</b>' and '<b>Programa Blota Júnior</b>'. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">As <b><span style="color: #ffa400;">1958</span></b> was approaching its end Cizinha's fate took a turn to the bright side when she was signed by <b>Chantecler Records</b>, an independent Brazilian label located in São Paulo which was growing at a breakneck pace being in fierce competition with established multinacionals such as RCA, Columbia, EMI-Odeon. In <b>November 1958</b>, Cizinha recorded two sides of a 78 rpm single. A side contained '<b><span style="color: #ffa400;">Fim de ano</span></b>' (Valter Melo) b/w '<b><span style="color: #ffa400;">Meu barquinho</span></b>' (My bonnie lies over the ocean) an English traditional tune translated by guitar-player Paulo Barreiros. Both songs had a fair amount of air-play even though it didn't get to be a Top 10. </div><div style="text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7KBqsl0uURxqw2EJcc-tV2YU51EO0xecgrcm5e5eCNKkrRkIss5ThngXEj35V-qF3NIkGP_6JU2Rg8zZccYMQFWeu1yaZq_fLJ2zX22Pv2EbOh4ZX-k-lvIGuDiVJe_-mMNen2xAe9Mh1JljzHFcu56OGTfDS6tivg9LyZhfJ2TCmfhwYpW2PXK3tAw/s680/Ciizinha.Moura.Ataulfo%20(2).PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="680" data-original-width="611" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7KBqsl0uURxqw2EJcc-tV2YU51EO0xecgrcm5e5eCNKkrRkIss5ThngXEj35V-qF3NIkGP_6JU2Rg8zZccYMQFWeu1yaZq_fLJ2zX22Pv2EbOh4ZX-k-lvIGuDiVJe_-mMNen2xAe9Mh1JljzHFcu56OGTfDS6tivg9LyZhfJ2TCmfhwYpW2PXK3tAw/s16000/Ciizinha.Moura.Ataulfo%20(2).PNG" /></a></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: left;"><b>Revista do Radio</b>, <b>22nd March 1958</b>, says former Ataulpho Alves' pupil has almost been crowned a queen concerning her <b>Rainha dos Músicos de São Paulo</b> contest. </span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJHwANEo9Eq7pD-654aHvEgGNIonmcAQSCPnRp4gZ_LXmu28IBc0uONGS7WI1JhNiVQ-l6olyZvd1a_nCsPj-WGGCPpTY7o59kQrONlg06tUHvXNVJtwHffIMYDmg5GtlFQ3fwfNymypskwxbOUeiCUq-BDG6xN7gNKiBOPOzyOJr0Bv6vLZ6WW7zJpA/s588/Cizinha.pernas%20(3).PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="588" data-original-width="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJHwANEo9Eq7pD-654aHvEgGNIonmcAQSCPnRp4gZ_LXmu28IBc0uONGS7WI1JhNiVQ-l6olyZvd1a_nCsPj-WGGCPpTY7o59kQrONlg06tUHvXNVJtwHffIMYDmg5GtlFQ3fwfNymypskwxbOUeiCUq-BDG6xN7gNKiBOPOzyOJr0Bv6vLZ6WW7zJpA/s16000/Cizinha.pernas%20(3).PNG" /></a></div><div class="separator" style="clear: both; text-align: center;">Cizinha shows her legs...</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMfflIDCx-7ohXmgf4aZ04QFkFKlN9JfzohioqLpjJzzAzSF9Nbc438JLmxwCUoLiazdaSjOKginqGyxo35DFtTN3gEw9D5nEHnWnaRvt_TOUrq9TGrNTCHGupSD7t3HkVWTLdgB8eC8DeYy8-MiBbraFolUVy0cltJZwqbP9w8RxtBzk2Czr3jXI0cQ/s715/Cizinha.RR.22.March.1958%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="580" data-original-width="715" height="519" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMfflIDCx-7ohXmgf4aZ04QFkFKlN9JfzohioqLpjJzzAzSF9Nbc438JLmxwCUoLiazdaSjOKginqGyxo35DFtTN3gEw9D5nEHnWnaRvt_TOUrq9TGrNTCHGupSD7t3HkVWTLdgB8eC8DeYy8-MiBbraFolUVy0cltJZwqbP9w8RxtBzk2Czr3jXI0cQ/w640-h519/Cizinha.RR.22.March.1958%20(2).jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div style="text-align: center;"><b><span style="color: #ffa400;">Discography of Cizinha Moura at Chantecler</span></b></div></div><div class="separator" style="clear: both; text-align: justify;"><br /><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; font-family: "Times New Roman"; text-align: justify;"><span style="font-family: arial;">074 - <b>Fim de ano</b> (Valter Melo) / <b>Meu barquinho</b> (My bonnie lies over the ocean) translated by Paulo Barreiros - December 1958</span></div><div class="separator" style="clear: both; font-family: "Times New Roman"; text-align: justify;"><span style="font-family: arial;">132 - Cinzas do passado / Meu primeiro beijo - Claudio de Barros - June 1959</span></div><div class="separator" style="clear: both; font-family: "Times New Roman"; text-align: justify;"><span style="font-family: arial;">134 - <b>Viver a sonhar</b> (José Nomonio Santos-Venâncio) / <b>Brotinho Lili </b>(Alberto Roy-Domingos Paulo Mamoni) .</span></div><div class="separator" style="clear: both; font-family: "Times New Roman"; text-align: justify;"><span style="font-family: arial;"><div class="separator" style="clear: both; font-family: "Times New Roman"; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAFbW-fVP2jPJBSmRPj8W_3RFsf_SBFFrSx4NKbNlblpy4YTBLAm2DEe0rdolc4TqOUDwsVWRyfq5gfbhtWL085F2_QkE0fA6HmiIGZVpoMocxS1btvie42CvH2erhKFPB18xd2j-fiQo/s1600/Sexo-e-vida-Cizinha.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" height="176" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAFbW-fVP2jPJBSmRPj8W_3RFsf_SBFFrSx4NKbNlblpy4YTBLAm2DEe0rdolc4TqOUDwsVWRyfq5gfbhtWL085F2_QkE0fA6HmiIGZVpoMocxS1btvie42CvH2erhKFPB18xd2j-fiQo/s200/Sexo-e-vida-Cizinha.jpg" width="200" /></span></a></div><div class="separator" style="clear: both; font-family: "Times New Roman"; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKulIEpZOUet1CyAY13Xu4sAyhMc1RHX5or5aZQiA9u1QxYricR8-ndOM_oTBsuWrmyXocCWBIBJ0wqcBP_WHUZ4Nl4RMMH2CzIwnR2y3T4yMCK7LmzNRB1ySWnaSTQ3y3JpkHvJ9ZuPk/s1600/Sexo-Cisinha-Moura.Oct.23.60.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKulIEpZOUet1CyAY13Xu4sAyhMc1RHX5or5aZQiA9u1QxYricR8-ndOM_oTBsuWrmyXocCWBIBJ0wqcBP_WHUZ4Nl4RMMH2CzIwnR2y3T4yMCK7LmzNRB1ySWnaSTQ3y3JpkHvJ9ZuPk/s1600/Sexo-Cisinha-Moura.Oct.23.60.jpg" width="400" /></span></a></div><div style="font-family: "Times New Roman";"><span style="font-family: arial;"><b><span style="color: orange;">23 October 1960</span></b> - Adults-only Cine Aurea premieres '<b><span style="color: orange;">Sexo e vida</span></b>', according to OESP (Estadão) is only a sensacionalist 'local production' looking for a fast-buck. <b><span style="color: orange;">Cizinha Moura</span></b> a young rock singer who had a mid-sized hit called '<b>Brotinho Lili</b>' appears as 'who knows what' in this pre-pornography flick.</span></div><div style="font-family: "Times New Roman";"><span style="font-family: arial;"><br />from <b>Carlus Maximus </b>to <b>Ricardo Santos</b>: Imagina que encontrei anúncio de filme nacional chamado '<b>Sexo e vida</b>', e tendo Cizinha Moura no elenco. Fiquei cabreiro! Haveria duas Cizinhas nesse mundo? Depois achei outra citação assim: Cizinha Moura (Brotinho Lili)... Agora, eu não sei o que a 'brotinho Lili' estava fazendo nessa espécie de filme!<br /><br />from <b>Ricardo Santos</b> to <b>Carlus Maximus</b>: Ihhh, não acho estranho, não. A Cizinha era lindona. E aí nesse filme ela só aparece cantando '<b><span style="color: orange;">Brotinho Lili</span></b>' numa cena de baile. As outras 'atrizes' é que são suspeitas, tudo vedetinha, ops, coristas... rs. Outra coisa: pelas suas pesquisas dos anos 1959 a 1962, você deve estar vendo muita coisa com 'strip-tease', não é? Eu e <b>Gabriel Gonzaga</b> até já conversamos sobre a quantidade de shows e filmes que tinham a ver com esse tema. Foi uma onda de uns 2 anos e passou. Hoje (2014) seriam classificados de burlescos. O Brasil entrou tarde nisso, coisa lá dos anos 1910-1920 em Paris ou Berlin.<br /><br />from <b>Carlus Maximus</b> to <b>Ricardo Santos</b>: Nossa, só Você teria sabido de todas essas coisas. Então, você, de certa maneira, salvou a reputação da <b><span style="color: orange;">Cizinha Moura</span></b>... rs. </span></div><div style="font-family: "Times New Roman";"><span style="font-family: arial;"><br /></span></div><div style="font-family: "Times New Roman";"><span style="font-family: arial;">Olha o que eu achei no Estadão de <b><span style="color: #ffa400;">1 Janeiro 1961</span></b>:</span></div><div style="font-family: "Times New Roman";"><span style="font-family: arial;"><br /></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbIgDhvvNQqwX8IUBt65TUtAMut585Tj49xZTkSYZIIL5ithQoi6yU6fTugkaaDYAhaYcEkUlxcUjwVPDAlCEEDMsVTnBsP33sUJRNstNsEwxNk7dKAvwbThV-zWwSRFzl_6l9-JNsppA/s1600/Marino.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbIgDhvvNQqwX8IUBt65TUtAMut585Tj49xZTkSYZIIL5ithQoi6yU6fTugkaaDYAhaYcEkUlxcUjwVPDAlCEEDMsVTnBsP33sUJRNstNsEwxNk7dKAvwbThV-zWwSRFzl_6l9-JNsppA/s1600/Marino.jpg" /></span></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTGHNsMNyDXmCgKI8rp3aa1fZ7QtQgXXOXHznHJuqtD3qf4aTmCg3ngFVEosjMWb6P8FNF0CByakyhLVV0b8zDUmbNjetc-zx7TehXNwpuBKy1VY0hT_CXZFTJ4njLM6AzTQKNwpO8nwE/s1600/066.JPG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTGHNsMNyDXmCgKI8rp3aa1fZ7QtQgXXOXHznHJuqtD3qf4aTmCg3ngFVEosjMWb6P8FNF0CByakyhLVV0b8zDUmbNjetc-zx7TehXNwpuBKy1VY0hT_CXZFTJ4njLM6AzTQKNwpO8nwE/w640-h480/066.JPG" width="640" /></span></a></div><div style="text-align: center;"><span style="font-family: arial;">Cizinha Moura sings accompanied by The Beverlys </span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkeJKEjMt_ei2Y3ysSHtI5WZZATJ2QrXRoGQgpzpcCFb_BRruwk9eRkQnS-rLCDoFvsdqyBljVx705LB1LBsnVv1o6HrVcHcpx_lHbAI6u2FLuJNeUjH4dzVwDZ6Orm94kQYn8m5ScGZ0/s1600/067.JPG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkeJKEjMt_ei2Y3ysSHtI5WZZATJ2QrXRoGQgpzpcCFb_BRruwk9eRkQnS-rLCDoFvsdqyBljVx705LB1LBsnVv1o6HrVcHcpx_lHbAI6u2FLuJNeUjH4dzVwDZ6Orm94kQYn8m5ScGZ0/w640-h480/067.JPG" width="640" /></span></a></div><div style="text-align: center;"><span style="font-family: arial;">Cizinha Moura & The Beverlys, a do-wop vocal group.</span></div></div></span></div></div></div></span>Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-21667420822896404802022-10-28T11:56:00.039-07:002022-11-13T10:49:39.938-08:00Neil Sedaka at Coney Island in the summer of 1959 <p style="text-align: justify;"><span style="font-family: arial;">These are a few photos of young singer-song-writer <b>Neil Sedaka</b> and his steady girl-friend <b><span style="color: #ffa400;">Leba Strassberg</span></b> and their outing on the Coney Island Park in the <b><span style="color: #ffa400;">summer of 1959</span></b>. You see, Sedaka had met Leba when he played played piano at Miss Strassberg's Esther Hotel in Monticello, N.Y. Leba was the daughter of the couple who owned the resort hotel. Leba & Neil started going steady in <b><span style="color: #ffa400;">1958</span></b>. Now, it was time for Leba to visit Neil at his parents' home on <b>Coney Island Avenue</b> in Brighton Beach, Brooklyn.</span></p><p style="text-align: justify;"><span style="font-family: arial;">One might ask why this Coney Island affair is posted at a <b>Brazilian Rock</b> blog. Well, I guess it has to do with what Neil Sedaka would do in the next 3 or 4 months after those pictures were taken. Sedaka would <b><span style="color: #ffa400;">fly down to Rio</span></b> in <b>December 1959</b> to sing professionally in <b>São Paulo</b> and <b>Rio de Janeiro</b>. That would be his very first <b>foreign tour</b> as a <b>rock'n'roll singer</b> for Sedaka's only claim to fame so far was as a songwriter of '<b><span style="color: #ffa400;">Stupid cupid</span></b>' sung by Connie Francis (<b>#14</b> at Billboard on <b>4 August 1958</b>) and '<b><span style="color: #ffa400;">The diary</span></b>' sung by himself (<b>#14</b> at Billboard on <b>28 December 1958</b>).</span></p><p style="text-align: justify;"><span style="font-family: arial;">In Brazil, Sedaka had the chance to get used to the sensation of being a true '<b><span style="color: #ffa400;">teen idol</span></b>' having been <b>mobbed</b> by crowds of teenagers since he stepped out of the airplane that flew him there. In late December, still in Rio de Janeiro, Sedaka would receive news from the USA saying his '<b><span style="color: #ffa400;">Oh! Carol</span></b>' single for RCA records had climbed to <b>#9</b> at Billboard on <b>7 December</b> <b>1959</b>. Neil Sedaka had finally arrived. </span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPSLyPmNCXUsqzFoQy8NYD8RrqHITQjAie8bKaIudV8JGquvHykvuLpxrIF6STYHyZ3K2Av1LD6WAblA18ztAoI5ATfRVTV6wCKMOmSv4ut8lsGwbTlO0YXOKQG-jS03dafk-odVnmZGoKJ_lPVJABEn7o66M-c4o7XyXlziZagZE4xMm1UYh6WnBFIg/s612/Sedaka-74295088-612x612.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="596" data-original-width="612" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPSLyPmNCXUsqzFoQy8NYD8RrqHITQjAie8bKaIudV8JGquvHykvuLpxrIF6STYHyZ3K2Av1LD6WAblA18ztAoI5ATfRVTV6wCKMOmSv4ut8lsGwbTlO0YXOKQG-jS03dafk-odVnmZGoKJ_lPVJABEn7o66M-c4o7XyXlziZagZE4xMm1UYh6WnBFIg/s16000/Sedaka-74295088-612x612.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">young fans find out Neil Sedaka is loose at Coney Island Park; <b><span style="color: #ffa400;">summer 1959</span></b>.</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgdAjI02oi9Ld8Z71sL1uoT82M-qWmUJd0il3mEtsljDRB5nCUvPXmjEvhakO1ouYCmEJFFkUn9SYFy5d8dN2HVPcLOcm4lJbfu-vgKGPMdBL7HPZeewUegCQb_CG2U51bGeFfDEmN-jE0FmX-uPfzVvJZY0pd3u8-uvDZ6RNTTT9Gy7tuynMKZwh5XQ/s2048/sedaka-74295019-2048x2048.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2012" data-original-width="2048" height="629" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgdAjI02oi9Ld8Z71sL1uoT82M-qWmUJd0il3mEtsljDRB5nCUvPXmjEvhakO1ouYCmEJFFkUn9SYFy5d8dN2HVPcLOcm4lJbfu-vgKGPMdBL7HPZeewUegCQb_CG2U51bGeFfDEmN-jE0FmX-uPfzVvJZY0pd3u8-uvDZ6RNTTT9Gy7tuynMKZwh5XQ/w640-h629/sedaka-74295019-2048x2048.jpg" width="640" /></a></div><span style="font-family: arial;">Neil Sedaka & Leba Strassberg.</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi84EWsSZUo0Qav4JkeWsqgyNksHxmwIkG8N8N7xmrtm_mTdr_b-dbGzoC2n_DZNoR2NFwyvyL2ro2oYRFud7nqgosAxp4FS1yXEQ_Id40AiG404Mt4q16UIiXd_E-TlelhBa3OounnTBrlPVGXqVpK2g-2AMkyxstNBNnEXWxC41KHasqeEwPsYlgXNg/s2048/Sedaka-74295074-2048x2048.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1991" data-original-width="2048" height="622" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi84EWsSZUo0Qav4JkeWsqgyNksHxmwIkG8N8N7xmrtm_mTdr_b-dbGzoC2n_DZNoR2NFwyvyL2ro2oYRFud7nqgosAxp4FS1yXEQ_Id40AiG404Mt4q16UIiXd_E-TlelhBa3OounnTBrlPVGXqVpK2g-2AMkyxstNBNnEXWxC41KHasqeEwPsYlgXNg/w640-h622/Sedaka-74295074-2048x2048.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><span style="font-family: arial;">Are you ready to go to Coney Island Park?</span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnCPeSqUjNtcQ6R-ymR0zHWepVngEL5WpAmR6s64XoBHHOin2JAfeObiRnIlPXcl-rWdo8CE9W3AWE72BobFQ9ja-SftZ2_PFxE1BM2ThAiG1dCPIyQnR6nI1qnlTADg5XOUcb766Xu2Tt4ZprC6Ghq9vCrAhm4ObrNZnC1Nhy6ybJz4JMCb29fLtxsg/s2048/Sedaka-74295066-2048x2048.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2031" data-original-width="2048" height="635" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnCPeSqUjNtcQ6R-ymR0zHWepVngEL5WpAmR6s64XoBHHOin2JAfeObiRnIlPXcl-rWdo8CE9W3AWE72BobFQ9ja-SftZ2_PFxE1BM2ThAiG1dCPIyQnR6nI1qnlTADg5XOUcb766Xu2Tt4ZprC6Ghq9vCrAhm4ObrNZnC1Nhy6ybJz4JMCb29fLtxsg/w640-h635/Sedaka-74295066-2048x2048.jpg" width="640" /></a></div><span style="font-family: arial;">Just a minute! I need to answer a call before we go...</span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLC11fWt8alL9gCz_RmEHguB2po_Dv2CBvMEtpVCq9cIZh3lP_-JICHGI04ZVGtomihnZEmTqmpMnHQ2rskwWSHN9e4grfAJbHF7i3bkw_Ij06Ke_VMicLt_kYajDV9cK2jBoFebQ2TMDmFFADHhFwDEigNt1szQIl0nk9j-wixohsRjzhbYw2b4Es1Q/s2048/gettyimages-74295065-2048x2048.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2006" data-original-width="2048" height="627" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLC11fWt8alL9gCz_RmEHguB2po_Dv2CBvMEtpVCq9cIZh3lP_-JICHGI04ZVGtomihnZEmTqmpMnHQ2rskwWSHN9e4grfAJbHF7i3bkw_Ij06Ke_VMicLt_kYajDV9cK2jBoFebQ2TMDmFFADHhFwDEigNt1szQIl0nk9j-wixohsRjzhbYw2b4Es1Q/w640-h627/gettyimages-74295065-2048x2048.jpg" width="640" /></a></div><span style="font-family: arial;">Let's kiss Mother Eleanor goodbye!</span><span style="font-family: arial;"><br /></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHOHQC5Qh9HtwnEyqMJ3oxr7m1i5UGzcUAQgZ9ikaGoktE1VCKVU0yilJUtzlNa2mA5qCvl9ULFBBHh_6s95ZeKpcCIP-98CdSXT8sLDbI1YHZnRBJAthqhEr74dWXnebcRbXP58ErAbTSj78DB2lajCgTMn95f3SbDLXxN9bup9W3eN-CTONieecmUg/s2048/Sedaka-74295059-2048x2048.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1992" data-original-width="2048" height="623" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHOHQC5Qh9HtwnEyqMJ3oxr7m1i5UGzcUAQgZ9ikaGoktE1VCKVU0yilJUtzlNa2mA5qCvl9ULFBBHh_6s95ZeKpcCIP-98CdSXT8sLDbI1YHZnRBJAthqhEr74dWXnebcRbXP58ErAbTSj78DB2lajCgTMn95f3SbDLXxN9bup9W3eN-CTONieecmUg/w640-h623/Sedaka-74295059-2048x2048.jpg" width="640" /></a></div><span style="font-family: arial;">another shot of of Mummy's kissing...</span><span style="font-family: arial;"><br /></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii25djRjOuZ0P26jAXVP5_Hm3kr1gq_-ttdPkr2i7wUNJfeZOI5oYtvvV8TzlvD90GeQzZQlq7jQLSOzxloG8zuif_7F4XisTvorvXRlDkq_On--J5YMXVadhmdUf7s36nQCkcvdNjxqH8DWxgyH8lQubGzo88aIy-YGDIOoOgdeWttKiN-exTMZIdvg/s2048/Sedaka-74295084-2048x2048.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1915" data-original-width="2048" height="598" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii25djRjOuZ0P26jAXVP5_Hm3kr1gq_-ttdPkr2i7wUNJfeZOI5oYtvvV8TzlvD90GeQzZQlq7jQLSOzxloG8zuif_7F4XisTvorvXRlDkq_On--J5YMXVadhmdUf7s36nQCkcvdNjxqH8DWxgyH8lQubGzo88aIy-YGDIOoOgdeWttKiN-exTMZIdvg/w640-h598/Sedaka-74295084-2048x2048.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">Ready, steady, go!</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYJJDqzaLYJ6HtYe0PSKGMIzWDUpRrCbRmx_87ze1ha-krZCsE66CXnjfrkzg90NUy5e6hIR9VmTA3gz8MoqlqBwB9KNOW3_nfMj0IJAbTjcjoBp4Wo7JiZy4od3ITMajz7aB5V8S3QhsvmOmW2CZPvmUv7FHpoRhPUXyPsTxByUOa0EhWJUv4bK8eNQ/s2048/Sedaka-74295069-2048x2048.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2011" data-original-width="2048" height="628" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYJJDqzaLYJ6HtYe0PSKGMIzWDUpRrCbRmx_87ze1ha-krZCsE66CXnjfrkzg90NUy5e6hIR9VmTA3gz8MoqlqBwB9KNOW3_nfMj0IJAbTjcjoBp4Wo7JiZy4od3ITMajz7aB5V8S3QhsvmOmW2CZPvmUv7FHpoRhPUXyPsTxByUOa0EhWJUv4bK8eNQ/w640-h628/Sedaka-74295069-2048x2048.jpg" width="640" /></a></div><span style="font-family: arial;">one Frankfurter for you and one for me!</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrSR1QIarOxHZHHXSgNCKo8iZRmbwv1mKRYJJBMGRrI0PRDkoN4POQ0vK4XkBgZ6QVUSpUpaFrMnr1amumFXGQGqrR9_Gm2aR7Yn4zlEUCIoMTa3DNerxR7Wv3olqcakI_teFcBMQzP2i0nUBrDolHkruWLfhmSlAdDTxFejEFRw9t4w2yeA99yxu7wQ/s2048/Sedaka-74295087-2048x2048.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1924" data-original-width="2048" height="601" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrSR1QIarOxHZHHXSgNCKo8iZRmbwv1mKRYJJBMGRrI0PRDkoN4POQ0vK4XkBgZ6QVUSpUpaFrMnr1amumFXGQGqrR9_Gm2aR7Yn4zlEUCIoMTa3DNerxR7Wv3olqcakI_teFcBMQzP2i0nUBrDolHkruWLfhmSlAdDTxFejEFRw9t4w2yeA99yxu7wQ/w640-h601/Sedaka-74295087-2048x2048.jpg" width="640" /></a></div><span style="font-family: arial;">Have a taste of my Frankfurter...</span></div></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGHv5vbnRn7zVxZSEiL9BsIs4ToupH4ZX36c2IvP8E1Da61TzpBWktroii2M3flpxdakpNtX_RvscqlefE6Vszwvc3xGRtagk9Uy6nWMIN42lnDGh7RFtgz0Ea-0KWzLWASVPe315ftbcuwwe3MSRimTzyubJu0Yztx3j_tqLzda018CSSWjiNiaiG3Q/s1465/singer-neil-sedaka-and-his-then-girlfriend-leba-strassberg-news-photo-1617307330_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1465" data-original-width="980" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGHv5vbnRn7zVxZSEiL9BsIs4ToupH4ZX36c2IvP8E1Da61TzpBWktroii2M3flpxdakpNtX_RvscqlefE6Vszwvc3xGRtagk9Uy6nWMIN42lnDGh7RFtgz0Ea-0KWzLWASVPe315ftbcuwwe3MSRimTzyubJu0Yztx3j_tqLzda018CSSWjiNiaiG3Q/w429-h640/singer-neil-sedaka-and-his-then-girlfriend-leba-strassberg-news-photo-1617307330_.jpg" width="429" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><span style="font-family: arial;">getting tickets for the Cyclone Coaster at Coney Island... </span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4qkreHEwMJTqQ7uBuqs3KUVfKbjJFpqT4Mz3XGb5LcuJDy1c004QLjq5FqYe9f10AHdI0xH2Ta5vcb9PJM91Q_kw9_qSHs-eNGCaEw6O2rtOjch2iAU1xPKaq5UsJtmsxgxx_8jJ8WTm2e6NlxSUpZLJa5vnmz2PyxsJY11v_1x4PD6rk4yFg-YVUeg/s2048/sedaka-74295076-2048x2048.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2031" data-original-width="2048" height="635" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4qkreHEwMJTqQ7uBuqs3KUVfKbjJFpqT4Mz3XGb5LcuJDy1c004QLjq5FqYe9f10AHdI0xH2Ta5vcb9PJM91Q_kw9_qSHs-eNGCaEw6O2rtOjch2iAU1xPKaq5UsJtmsxgxx_8jJ8WTm2e6NlxSUpZLJa5vnmz2PyxsJY11v_1x4PD6rk4yFg-YVUeg/w640-h635/sedaka-74295076-2048x2048.jpg" width="640" /></a></div><span style="font-family: arial;">Neil and singer Armundo Sorrento. </span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsRm3lMqEj__sRrNUbzb0nCzJC9M75gWh-6EzWOE0pBVcmAX3QSiqsF0QAMzupS8sdKCr3vAE5t1lZEDwvyli0CO8dDS1L2biY1vqpB4QoeguEYJos4DRiesBi0Q9_LJi8ZnPM6LEdytK7kd-pTN76ZqHqcIW_KL_1ETTm28YO6GVE7yednLbWaBhXaw/s2048/Sedaka.Armundo.Sorrento-74295055-2048x2048.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1998" data-original-width="2048" height="624" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsRm3lMqEj__sRrNUbzb0nCzJC9M75gWh-6EzWOE0pBVcmAX3QSiqsF0QAMzupS8sdKCr3vAE5t1lZEDwvyli0CO8dDS1L2biY1vqpB4QoeguEYJos4DRiesBi0Q9_LJi8ZnPM6LEdytK7kd-pTN76ZqHqcIW_KL_1ETTm28YO6GVE7yednLbWaBhXaw/w640-h624/Sedaka.Armundo.Sorrento-74295055-2048x2048.jpg" width="640" /></a></div><span style="font-family: arial;">Leba, Neil & Armundo being very tuneful...</span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><span style="font-family: arial;"><br /></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #ffa400; font-family: arial;"><b>Neil Sedaka in 2004</b></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Singer-composer-producer Neil Sedaka is a man on a mission. He wants to gladden the hearts of his multitude of fans for many more years to come. “It’s been an incredible journey of 48 years of singing and over 50 years of songwriting,” says the father of two. I’ve written over </span><b style="font-family: arial;">1,000 songs</b><span style="font-family: arial;">, and I’m proud to say that some of the greatest singers have recorded my work—from Frank Sinatra to Elvis Presley. I’m one of the major songwriters in </span><b style="font-family: arial;">Broadcast Music Inc.</b><span style="font-family: arial;"> (<b><span style="color: #ffa400;">BMI</span></b>), which means that every time a song of mine is played on the radio, it’s logged and recorded and thank God it will keep my wife Leba in the style to which she has become accustomed.”</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">This legendary singer is a well-known “family man” and enjoys talking about his roots. “My <b>paternal grandparents</b> were born in <b><span style="color: #ffa400;">Istanbul</span></b>, <b>Turkey</b>, and came to New York around <b><span style="color: #ffa400;">1910</span></b>. My father, born on the <b>Lower East Side</b>, drove a taxi for over <b>30 years</b> in order to put me through The Juilliard School of Music.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">“Although my <b>upbringing</b> was not Orthodox in nature, nonetheless the feeling within the home was that of a <b>Jewish family</b> with Jewish traditions. As a cohesive family unit, my wife and children attend the High Holidays in New York and it’s an event we look forward to each and every year. I have a great love for <b>Jewish culture</b>, as does my 88-year-old mother <b><span style="color: #ffa400;">Eleanor</span></b>, who lives and enjoys life in <b><span style="color: #ffa400;">Fort Lauderdale</span></b>, <b>Florida</b>. A few months ago they featured my biography on A&E and Mom was interviewed, which was a great thrill for all of us.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">“I am probably one of the more well-known American singers in Israel. In the ’60s, I made several appearances in <b>kibbutzim</b>, as well as in Tel Aviv, Jerusalem and Haifa and I made a few records in Hebrew. To this day, if I go into a cab and the driver is Israeli, they stare at me for a minute or so and say, ‘You look familiar,’ and when I tell them that my name is Neil Sedaka, they tell me, ‘Do you know you are the top singer in Israel?’ And that is always something wonderful to hear! The last time I visited Israel with my wife, my mother and aunt eight years ago, we made many stops in all the major cities.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">“I am extremely proud to be Jewish. Wherever I go, people tell me that my name, <b><span style="color: #ffa400;">Sedaka</span></b>, means ‘<b>charity</b>’ in <b>Hebrew</b> and I affirm this to them and tell them of the wonderful feelings I have for my <b>surname</b>. As much as I love Israel and its people, I don’t usually get involved with the politics. However, I feel strongly that this is a time when one should be supportive of Israel. I’m strictly an artist, a creator, a musician. Financially I am a supporter of many Jewish charities and organizations, and I’ve planted many trees in honor of loved ones.”</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">“Recently, I <b>produced</b> an <b>album of Yiddish songs</b> which I loved doing and which I find so exciting. And because I always think in musical terms, I came up with these wonderful old Jewish songs that are disappearing from our wonderful culture. These songs are called Brighton Beach Memories – Sedaka sings Yiddish. There are 13 songs such as “Exodus,” “My Yiddishe Mama,” “Mein Shtetele Belz,” “Sunrise, Sunset,” “Ich Hob Dich Tzufil Lieb,” “Bei mir bist du schoen,” as well as many others that invoke wonderful memories for me.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">“When I was growing up in <b><span style="color: #ffa400;">Brighton Beach</span></b>, my mother used to play these <b>Yiddish songs</b> performed by the <b>Barry Sisters</b>. I did a record with a klezmer group which was a labor of love. I made a couple of hundred just to send to my friends and family and, all of a sudden, it has taken on a life of its own. I’m getting so many calls from record labels, from concert halls and theaters asking about this <b>Yiddish album</b>. There is a very big movement of people who love this music. As far as my albums go, we are selling many of them at my concerts and at my appearances.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">“Once a year I visit Brighton Beach where I go swimming at Bay 3. I make it a point to visit my street sign (Neil Sedaka Way) on the boardwalk on <b>Coney Island Avenue</b>. Then I treat myself to a <b>Nathan’s frankfurter</b> and go on the <b>Cyclone</b> to see if I can still take those drops. I always remember how happy the entire family was when they attended my <b><span style="color: #ffa400;">bar mitzvah</span></b> at Temple Beth El in the <b>Manhattan Beach</b> area of <b>Brooklyn</b>.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">“Recently, I was honored by the Friars Club in New York and Borough President Marty Markowitz came up and gave me a special Brooklyn award. I remember when I was crowned King of Brooklyn in 1994; my mother and my sister came in to see me accept the crown. It was a wonderful event that the borough president sponsored each year with all Brooklyn personalities coming home to visit their place of birth.”</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Much of Sedaka’s life has centered around <b>Brighton Beach</b> and its environs. In the late 1950s, Sedaka could have been any teenager cruising around <b>Kings Highway</b>, driving his Chevy Impala convertible with the radio blaring. But, unlike most youngsters, Sedaka wasn’t just listening to music, he was writing it, and often it was one of his songs which was being played. “I would be listening to the radio and then a song like ‘<b><span style="color: #ffa400;">Oh, Carol</span></b>’ would come on. I wrote that for <b><span style="color: #ffa400;">Carole Klein</span></b>, who was a girlfriend of mine at the time and, as most people now know, she went on to become <b>Carole King</b>, a wonderful, wonderful singer.”</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Sedaka, who began composing in <b>1952</b> at age <b>13</b>, recalls his childhood as a mixture of love, affection and some <b>unhappiness in school</b>. “But pop music became my means of acceptance and my way in with the ‘<b>in crowd</b>.’”</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Almost all his early songs were collaborations between himself and his best friend, <b><span style="color: #ffa400;">Howie</span></b> <b><span style="color: #ffa400;">Greenfield</span></b>, who lived in the same apartment house at <b>3260 Coney Island Avenue</b>. (Sadly Sedaka confides that Greenfield has since passed away.) “Our first song, “My Life’s Devotion,” was pretty good considering it was done by two kids aged <b><span style="color: #ffa400;">13</span></b> and <b><span style="color: #ffa400;">16</span></b>.” Sedaka and Greenfield turned out many hits, among them “Where the boys are,” “<b>Breaking up is hard to do</b>” and “<b>Happy birthday sweet sixteen</b>.”</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Back in the ’60s, Sedaka, who was earning more than $250,000 a year, quickly adjusted to his newfound fame and wealth. “I had to pinch myself to believe it,” he reminisces. And although he now had the wherewithal to live anywhere, still he chose to stay in Brooklyn.”</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Born in <b>Brooklyn</b>’s <b><span style="color: #ffa400;">Madison Hospital</span></b> on <b><span style="color: #ffa400;">13 March 1939</span></b>, he tells about his early life in Brooklyn.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">“My family lived on <b>Coney Island Avenue</b>, right <b>on the ocean</b>. To this day, I’m partial to the ocean and whenever I visit relatives living in Brooklyn, I make it a point to take a swim in the cold ocean water. When my kids, <b><span style="color: #ffa400;">Marc</span></b> and <b><span style="color: #ffa400;">Dara</span></b>, were growing up, <b><span style="color: #ffa400;">Leba</span></b> and I wanted a home in the Brighton Beach area. We were lucky, we found a lovely place at The <b>Seacoast</b> <b>Towers</b> right <b>on the waterfront</b>. I think it is still called that. We took two apartments, broke down the walls and ended up with a wonderful 10-room residence. At that time the rent was $500 per month. Today, I don’t think you could touch it for less than thousands.”</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">And although Sedaka enjoys the accoutrements of fame—homes in Manhattan and California, the trips abroad and the adulation of a loyal and vast public—he still prefers the joys of family life to attending cocktail parties and making small talk “with people who hang around ‘winners.’ A quiet dinner with family and friends is my favorite way to spend an evening.”</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">By choice, Sedaka would give only five or six appearances a year while the children were still young. <b><span style="color: #ffa400;">Dara Sedaka</span></b> was born on <b><span style="color: #ffa400;">26 June 1963</span></b>, in New York City, <b><span style="color: #ffa400;">Marc Sedaka</span></b> was born in <b><span style="color: #ffa400;">1967</span></b>. “This way I got to spend precious time with the family, something I enjoyed very much. I am a very lucky man: I have my own music company and a wonderful, loving family.”</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Always the proud father, Sedaka speaks of Dara, “who sings jingles for radio commercials” and Marc, “who is writing for movies and television and is currently working on two projects: one a Broadway show based on Neil Sedaka songs with a story, and the other for PBS which is still in development. He is working with Ken Levine trying to develop a show called Papa Neil’s Penthouse, which is a Mr. Rogers type of show.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">“Marc is married to a wonderful girl from Sheepshead Bay, Samantha Parker, and they have given us two wonderful granddaughters, twins, Amanda and Charlotte. The twins are fraternal and they live in Studio City, California.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Sedaka is currently enjoying a renaissance — a rebirth at an age when most performers are looking to retire. Never one to rest on his laurels, Sedaka keeps a hectic schedule. He still tours constantly, performing concerts all over the world.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">At this time, Sedaka who loves performing, has no intention of leaving the public arena. When asked what he would like to be remembered for when and if he does retire, he quickly answers: “I would like to be remembered foremost as a Jew, and also as a composer and singer, a person who contributed to the American scene as a worthwhile entertainer. I love this country and feel proud to have been part of its musical growth!”</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">On Thursday, <b>3rd June 2004</b>, Sedaka will be performing selections from Brighton Beach Memories at a gala fund-raiser for the Folksbiene Yiddish Theatre at Carnegie Hall. He will be joined by the world’s most renowned klezmer band, The Klezmatics, and the New Yiddish Chorale, conducted by Zalmen Mlotek. He looks forward to doing the show, as he feels a great need to preserve Jewish culture through its music and theater.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #ffa400; font-family: arial;"><b>Neil Sedaka, the kosher Carol singer</b></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">by Jenni Frazer, </span><span style="font-family: arial;">23 March 2006</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">One of popular music’s greatest singer-songwriters, Neil Sedaka's many enduring hits include a serenade to a famous girlfriend and fellow musician, and who is about to tour the UK</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Neil Sedaka’s new album improbably offers the opportunity to make some of his best-known songs into a ringtone for your mobile phone. On purchase of “<b>The show goes on</b>,” fans will be able to download “Breaking up is hard to do,” or “Happy birthday, sweet sixteen.”</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">We meet just after Sedaka, the quintessential singer-songwriter, has celebrated a birthday — not a 16th but his own <b>67th</b> - <b><span style="color: #ffa400;">13 March 2006</span></b>, in <b>Palm Beach</b>, <b>Florida</b>, with his wife and family. An indefatigable performer, Sedaka was appearing locally in a couple of concerts and doubtless paying a filial visit to his <b>89</b>-year-old mother, <b><span style="color: #ffa400;">Eleanor</span></b>, who lives in Sedaka-funded splendour in <b>Fort Lauderdale</b>, just up the road. It is, says Sedaka, “wonderful to be able to call your mother your best friend.” Yes, he is an avowed and proud mama’s boy.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">His astonishingly long career owes a lot to women: <b>Eleanor</b>, of course, who took a <b>part-time</b> <b>job</b> in a <b>department store</b> in order to pay for a second-hand <b>upright piano</b> for her prodigy son; his famous girlfriend, <b>Carol King</b>, née <b>Klein</b>, for whom “<b>Oh, Carol</b>” was written; and his wife of 44 years, <b><span style="color: #ffa400;">Leba Strassberg</span></b>, whom he met in the <b>Catskills</b> and who became his inspiration and his <b>manager</b>.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">These days, Sedaka, who is about to set off on a UK tour, lives in some style on <b><span style="color: #ffa400;">Park Avenue</span></b>, <b>Manhattan</b>. But life in 1940s <b>Brighton Beach</b>, <b>Brooklyn</b>, where he grew up, was very different. “My father, <b><span style="color: #ffa400;">Mac</span></b>, was born on the Lower East Side to parents who had immigrated to the States from <b>Istanbul</b>,” he tells me. “He became a taxi driver, and my mother (until her decision to go out to work) was a housewife.” The Sedakas’ <b>two-room apartment</b> was “very crowded.” Indeed it was containing, as it did, Sedaka, <b>his sister</b>, their parents, his <b><span style="color: #ffa400;">paternal grandparents</span></b>, and no less than <b>five aunts</b>.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">“It’s always said that my parents were musical,” Sedaka says, “but that wasn’t so. My <b>grandmother</b>, on my <b>mother’s side</b>” — <b><span style="color: #ffa400;">Eleanor Appel</span></b> came from a <b>Polish-Russian</b> family — “was said to have played the piano but she <b>died</b> when she was <b>26</b>, so there was no way of knowing if I inherited that. But my <b><span style="color: #ffa400;">mother’s father</span></b>, so the family story goes, had some sort of a <b>vaudeville act</b>, where he sang — and he’s also believed to have <b>written songs</b>. We were told that he’d written a song called ‘Let a smile be your umbrella on a rainy day,’ but that he’d sold it for just $50. Actually, we looked up the song but someone else has the writing credit. Anyway, it’s a nice story — and it is a very nice song.”</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Even if his parents weren’t musical, Sedaka had a musical barmitzvah. “I sang the <b>haftorah</b> so well that there wasn’t a dry eye in the temple,” he recalls. “All the rabbis said I should become a <b><span style="color: #ffa400;">cantor</span></b>, but my parents had other ideas.”</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">By the time he was <b>barmitzvah</b>, at <b>Manhattan Beach</b>’s <b><span style="color: #ffa400;">Temple Beth El</span></b>, Sedaka was attending classes at the prestigious Juilliard School of Music, and, he says, had suddenly realised that he was able to write songs. Although he was <b>practising piano</b> five or six hours a day, he didn’t resent not being out on the streets with his friends.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">“I loved it,” he insists. “Besides, playing piano got me invited to all the parties… well, it was fun going to the parties but being able to write songs, that was special. And I realised,” he says without irony or undue modesty, “that I had a natural, <b>remarkable voice</b>, and that I wanted to be a <b>singer-songwriter</b>” — something which hardly existed in <b><span style="color: #ffa400;">1952</span></b>.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Mrs Sedaka, whose friends were making their children become doctors and lawyers and dentists, determined that her son should become a <b>concert pianist</b>, an ambition strengthened by his being <b>picked out</b> by the classical musician, <b><span style="color: #ffa400;">Artur Rubenstein</span></b>, to play on a programme on New York’s classical radio station, WQRX.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Sedaka ultimately studied at Juilliard for <b>12 years</b>. Rubenstein described him as “one of the finest classical pianists in New York,” but a chance introduction by his mother — typically, Sedaka remembers the date, <b><span style="color: #ffa400;">11 October 1952</span></b>, to <b>Howard Greenfield</b>, the 16-year-old son of a neighbour, changed his direction forever.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Greenfield, says Sedaka, “was a poet.” At any rate, he provided the lyrics to Sedaka’s music, and, between 1959 and 1963, records by Sedaka and Greenfield sold more than 25 million copies. Greenfield stayed as his lyricist partner until <b>1972</b>. It was a heady time, not least because Sedaka’s friends and neighbours appear to have thrown themselves wholeheartedly into the same enterprise. “We were the New York City group,” he says now, reeling off a list of <b>young Jewish friends</b> and acquaintances who went into the music industry. “<b>Neil Diamond</b> lived across the street… I knew songwriters <b><span style="color: #ffa400;">Barry</span></b> and <b><span style="color: #ffa400;">Cynthia Mann</span></b> from Brooklyn… I went to school with <b>Mort Shuman</b>, who wrote for Elvis… there was <b>Carole Klein</b>, whom I dated in high school, there was <b>Barbra Streisand</b>, there was little <b>Paul Simon</b>…”</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Why were so many of the successful singers and writers in the industry Jewish? “Maybe it was something in the water. But, at home, I was certainly inspired by Jewish music. We listened to the <b>Barry Sisters</b> whose greatest hit was “<b>Bei Mir Bist du Schein</b>” and, in fact, <b>Claire Barry</b> joined me on stage in Florida recently.”</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">By the time he was <b>19</b>, in <b><span style="color: #ffa400;">1958</span></b>, Sedaka had made so much money from his songs — $42,000 in royalties — that he was able to mollify his mother by buying her a mink stole. Eleanor, apparently, described this as her “<b>Hadassah tallit</b>.”</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">It was in that same year that he <b>met Leba</b>. Her parents, <b>Esther</b> and <b>Irving Strassberg</b>, owned a kosher hotel in the <b>Catskills</b> resort town of <b>Monticello</b>, the <b><span style="color: #ffa400;">Esther Manor</span></b>, and Sedaka was part of the lavish after-dinner entertainment.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Four years later, the pair were married — at the Manor — and have been together ever since, proud parents and grandparents. His daughter, Dara, duets with him from time to time and, although Sedaka says she won’t appear live because of stage fright, the father-and-daughter combo had a hit with “Should’ve Never Let You Go” in 1980. His son Marc, a successful Hollywood screenwriter, is also involved in the family business, producing all the technical video material for Sedaka’s stage shows.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Sedaka’s other “children” — as he refers to his greatest hits — provided a constant soundtrack of “sha-la-la” during the ’60s. From “<b>Happy birthday sweet sixteen</b>,” “<b>Oh Carol</b>,” “<b>Calendar girl</b>,” “<b>Breaking up is hard to do</b>,” he had a stream of hits, while providing hits for many other artists. The first song that he sold, “<b><span style="color: #ffa400;">Stupid cupid</span></b>,” was a hit for <b>Connie Francis</b>, and Sedaka songs have been recorded by everyone from Elvis to Tom Jones, with ’60s icons like Frankie Avalon and Clyde McPhatter in between. In those days, Sedaka <b>clocked in</b> at the legendary <b><span style="color: #ffa400;">Brill Building</span></b> song factory, <b>locked himself in his office</b> and wrote every day.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">When <b>the Beatles</b> burst upon a startled world in 1964, Sedaka’s career took something of a dip. But, with the help of <b><span style="color: #ffa400;">Elton John</span></b>, he relaunched himself and in <b><span style="color: #ffa400;">1974</span></b>, he produced two monster hits, </span><span style="font-family: arial;">“<b>Laughter in the rain</b>”</span><span style="font-family: arial;"> and “<b>Love will keep us together</b>” in <b><span style="color: #ffa400;">1975</span></b>. He even wrote, for Tony Christie, last summer’s surprise revival hit, “(Is This The Way to) Amarillo,” which became the biggest selling single of 2005. Altogether he has written more than 1,000 songs.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Sedaka has been loaded with honours throughout his career - there’s even a <b>Sedaka's Way</b> in <b>Brooklyn</b>, and, as one might expect, a star on the Hollywood Walk of Fame. There’s a waxwork Sedaka at the Las Vegas branch of Madame Tussaud’s, and “Breaking up is hard to do” has been listed as one of the 50 most performed songs of the 20th century.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Sedaka - which, as he is quick to point out, is derived from the Hebrew, <b><span style="color: #ffa400;">tsedaka</span></b>, <b>charity</b> — is the most “out” Jewish performer of his generation. Although his <b>father’s family</b> were <b><span style="color: #ffa400;">Sephardi</span></b>, and spoke <b>Ladino</b>, it was <b>Yiddish</b> that he heard in the streets, and Yiddish music and rhythms, with its plaintive minor keys, which influenced him. Last year, to raise money for New York’s <b>Yiddish Theatre</b>, Sedaka took to the stage at Carnegie Hall with a remarkable <b>all-Yiddish concert</b>, together with the renowned group, the <b>Klezmatics</b>. It was a sell-out event (and made half-a-million dollars) and the resulting album, “<b>Brighton Beach Memories</b>, <b>Neil</b> <b>Sedaka Sings Yiddish</b>,” made even the singer himself cry. “I’m a very proud Jew,” Sedaka says. “When I went on family picnics, on the bus we would sing these songs with a <b>kazoo</b> and a <b>ukulele</b>. They bring back wonderful memories for me.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">“I can’t exactly say I speak Yiddish today but I can sing it very well phonetically, and I’ve had lots of help from my wife.”</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">I’m moved to ask, given that uber-producer Rick Rubin is doing wonders to rescue the formerly cheesy Neil Diamond from the dairy farm of his career, whether Sedaka might be ready to be Rubin-ed. “Yes,” he replies, “I would be interested if someone approached me. In the end, it all depends on the record company and how they’re prepared to market you.”</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Now, if you’ll excuse him, Neil Sedaka has a tour to prepare. And he offers me his lifetime tips for preserving his voice: “Never go into a loud room where you have to shout to be heard. Don’t drink<b> iced drinks</b>. Don’t sit in front of an <b>air-conditioning unit</b>. Get <b>lots of sleep</b>. And you must have a <b>positive attitude</b>. That’s the most important thing.”</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfNEBUuRVRQ4zAgk1Tl75fOEXaMOCkdP281EbaBEf348CLRNfTaYp_YM07qGFcL0gHzgbHEOtN6RrrcO2STTn98Un2mnBBkFJ2RGixN95DgsvmQQBiOFvxGtHXmIGajJNuLs7T0y9O4tMlZw5PCFpAv8oG3pD_i6OZouPqgsDRMPS7y3oubNf6jbRxHQ/s2048/Sedaka-74295089-2048x2048.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2032" data-original-width="2048" height="635" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfNEBUuRVRQ4zAgk1Tl75fOEXaMOCkdP281EbaBEf348CLRNfTaYp_YM07qGFcL0gHzgbHEOtN6RrrcO2STTn98Un2mnBBkFJ2RGixN95DgsvmQQBiOFvxGtHXmIGajJNuLs7T0y9O4tMlZw5PCFpAv8oG3pD_i6OZouPqgsDRMPS7y3oubNf6jbRxHQ/w640-h635/Sedaka-74295089-2048x2048.jpg" width="640" /></a></div><span style="font-family: arial;">Neil Sedaka and his bride-to-be Leba Strassberg at Mrs Sedaka living room. Neil would change his shirt before he went out with Leba to have fun at the Coney Island Park. <b>Summer</b> <b><span style="color: #ffa400;">1959</span></b>. </span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8tBLprZDa_JE2GXcmLw6zfsHrGVK6dQUMqW3FCiI6Sek6v2EbcqiznZrruo9Li27A27sN8VB0Zv7wvq3ZOwyFcMry0aJ8yWo7hUb1XjMZPmwQPBOpm8UxO-9J97EvKMNFXpTqkdnp485TNZe1I3QPzKdR_VAKZYUBBmkA-wLgTkaFhltyshkbKLz8WA/s2048/Sedaka-Black.boy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1984" data-original-width="2048" height="620" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8tBLprZDa_JE2GXcmLw6zfsHrGVK6dQUMqW3FCiI6Sek6v2EbcqiznZrruo9Li27A27sN8VB0Zv7wvq3ZOwyFcMry0aJ8yWo7hUb1XjMZPmwQPBOpm8UxO-9J97EvKMNFXpTqkdnp485TNZe1I3QPzKdR_VAKZYUBBmkA-wLgTkaFhltyshkbKLz8WA/w640-h620/Sedaka-Black.boy.jpg" width="640" /></a></div><span style="font-family: arial;"><div style="text-align: center;">Do you want some candy floss? </div></span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4sKElLbMXJHsw6MNv5PiNbl89p-MhwjmQvwa-Uoi_Cc_dDHT7UpfxgRQICfuf21EhSRnWA0-VJ494ft-yr8btK3dy0JbE9NwahnEFXPfz7szuAekROdwnfeRXr71zMkhzsipByl2a7DFYK4nZ-5-bOVkQt91HM81RCZMZD7dbKlJK_Pe-KBel4rz3MQ/s1151/brighton.beach.map%20(3).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="757" data-original-width="1151" height="421" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4sKElLbMXJHsw6MNv5PiNbl89p-MhwjmQvwa-Uoi_Cc_dDHT7UpfxgRQICfuf21EhSRnWA0-VJ494ft-yr8btK3dy0JbE9NwahnEFXPfz7szuAekROdwnfeRXr71zMkhzsipByl2a7DFYK4nZ-5-bOVkQt91HM81RCZMZD7dbKlJK_Pe-KBel4rz3MQ/w640-h421/brighton.beach.map%20(3).jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Map of Eastern New Jersey with <b>Newark</b> in the North, <b>Staten Island</b>, <b>Manhattan</b> and Brooklyn with <b>Coney Island</b> and <b>Brighton Beach</b> on the right... </span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWTqsuLBOEKAQdXfOgSk3txcQjE3Ct7XUhzgM11yr0qyaYNmFCZz6BJj5Sghysv_SLU80TgRs1o_ZXQGB94G9TdX1A9fm3jN-2HNUDmOcGRsbgiYDg7T5q6ogEXK9UOtx1Qt0V4A2ZrYbxvTbJfGKcpSF1dznmWX1Uh1Mtwlk4kj73iYXpbw7HwliPQg/s1151/Coney.Island.Avenue.%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="753" data-original-width="1151" height="419" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWTqsuLBOEKAQdXfOgSk3txcQjE3Ct7XUhzgM11yr0qyaYNmFCZz6BJj5Sghysv_SLU80TgRs1o_ZXQGB94G9TdX1A9fm3jN-2HNUDmOcGRsbgiYDg7T5q6ogEXK9UOtx1Qt0V4A2ZrYbxvTbJfGKcpSF1dznmWX1Uh1Mtwlk4kj73iYXpbw7HwliPQg/w640-h419/Coney.Island.Avenue.%20(2).jpg" width="640" /></a></div><span style="font-family: arial;"><div style="text-align: center;"><b>Brighton Beach</b> at <b>Coney Island</b> in Brooklyn... </div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7pguSGWApQz5o7Ll1yhTTkZ_UGeiIePdfD08YD62KAltqUf4HoTDsduCYeDkeZ_zvPnXKxZ9CrhjuMUVxqreJfwOff1Yw5fQfF67ew_Dw0HWSR83EEQXVj7OXaQbYo2wC1bHYIrGhq1vrI643TBbEWYSe7e02cFtaEPFAxxEa8ucEDRyjjpaG3CKmLw/s1148/Coney.Island.Avenue.Luna.Park%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="699" data-original-width="1148" height="390" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7pguSGWApQz5o7Ll1yhTTkZ_UGeiIePdfD08YD62KAltqUf4HoTDsduCYeDkeZ_zvPnXKxZ9CrhjuMUVxqreJfwOff1Yw5fQfF67ew_Dw0HWSR83EEQXVj7OXaQbYo2wC1bHYIrGhq1vrI643TBbEWYSe7e02cFtaEPFAxxEa8ucEDRyjjpaG3CKmLw/w640-h390/Coney.Island.Avenue.Luna.Park%20(2).jpg" width="640" /></a></div><span style="font-family: arial;"><b>Coney Island Avenue</b> circled by a red pen on the right. and<b> Luna Park</b> at Coney Island on the left... </span><span style="font-family: arial;"><br /></span></div>Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-8541535934528981202022-06-28T02:15:00.018-07:002023-12-22T13:01:16.093-08:00Betinho aka Alberto Barros, forerunner of rock'n'roll in Brazil <p></p><div style="text-align: justify;"><span style="font-family: arial;"><b>Rock'n'roll</b> started in the USA around 1955. The term 'rock and roll' was actually coined by New York WINS DJ <b>Alan Freed</b> to call rhythm'n'blues done by white boys... so Rock music was not new... it was plain <b>Rhythm'n'blues</b> with another name. </span></div><div style="text-align: justify;"><span style="font-family: arial;"> </span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpJTL9Wa-Hlw9gxTJPOKLWubBel-_H30hDMg3rNzT-1_RZ9QNZF8A0V39hEnwKR1jW-wxY0RrzIlDKtg2Xjz7B85vxTYjnY97UabivTz7al2N26ObwiDBksQhJs3KAOzdrkR0jwWdHSljhfH2txHpyIB7H6lj8tScnOlTOEyFZEjkiX-S6bT-A6TDNhw/s1019/Betinho.Argentina.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1019" data-original-width="465" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpJTL9Wa-Hlw9gxTJPOKLWubBel-_H30hDMg3rNzT-1_RZ9QNZF8A0V39hEnwKR1jW-wxY0RrzIlDKtg2Xjz7B85vxTYjnY97UabivTz7al2N26ObwiDBksQhJs3KAOzdrkR0jwWdHSljhfH2txHpyIB7H6lj8tScnOlTOEyFZEjkiX-S6bT-A6TDNhw/w292-h640/Betinho.Argentina.jpg" width="292" /></a></div><span style="font-family: arial;"><div style="text-align: justify;"><b>Alberto Borges de Barros</b> aka <b><span style="color: #ffa400;">Betinho</span></b> was born in Salvador, Bahia, in 1918. His father <b>Josué de Barros</b> was a guitar player by profession and moved to Rio de Janeiro-DF circa <b>1928</b>, where he used to have his meals at <b>Carmen Miranda</b>'s mother's pension on Rua do Commercio. Josué thought he had bumped into an exceptional talented young lady, started rehearsing her and in 1929, took her to Brunswick Records which had just set up shop in Brazil, where she recorded her first single. By 1930, Carmen Miranda was number one at the charts with 'Thaí' (P'ra você gostar de mim).</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">All through the <b>1930s</b>, Josué accompanied Miss Miranda and her sister Aurora on tours to Argentina. Josué used to take <b><span style="color: #ffa400;">Betinho</span></b> along on these trips. Betinho who had been taught to play the guitar by his virtuoso father had the chance to meet jazz musicians who played in bands at local night clubs. He fell in love with American music and decided to stay in Buenos Aires for as long as he could. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_ZpZgMuR_hBNnh1Y-_6X8JqPsAUoPQHcv11jfWarPcRFYlNpORQ7JxMrv_JNcw6ONz6AgvVvVgdnmxj3zNvaJiECi8k5694UEEQJs8543x_saJONKdC5R93VETETs_wG_vdSBGmX54lcgGddOIbpcwYFP9mr7LLPHn9c-j29jR1LTsYaiL3PrXXVeKw/s1089/Betinho.guitar.in.Uruguayan.band.leader.Rudy.Ayala%20(Alcides%20Irineo%20Ayala%20Laratea).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="894" data-original-width="1089" height="525" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_ZpZgMuR_hBNnh1Y-_6X8JqPsAUoPQHcv11jfWarPcRFYlNpORQ7JxMrv_JNcw6ONz6AgvVvVgdnmxj3zNvaJiECi8k5694UEEQJs8543x_saJONKdC5R93VETETs_wG_vdSBGmX54lcgGddOIbpcwYFP9mr7LLPHn9c-j29jR1LTsYaiL3PrXXVeKw/w640-h525/Betinho.guitar.in.Uruguayan.band.leader.Rudy.Ayala%20(Alcides%20Irineo%20Ayala%20Laratea).jpg" width="640" /></a></div><b>Betinho</b> plays the guitar at <b>Rudy Ayala's jazz combo</b> in the <b><span style="color: #ffa400;">1940s</span></b>, in Buenos Aires. Ayala's real name Alcides Irineo Ayala, native of Uruguay. </span><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqVVjAfcWafnuPEGeth_a89XlieM6Jxh4uM8vxVGMGuOxsB4PZgp8y81dePO7FgFuTHltfZLT1WIVrSgz4piYIMSfBKHJx0srrA1hMwcgWe3mJZJVZHm9WpXgAPQQ6ss8PbStLbB53YZd7_Wc9T_VlUbdnGHCJWHqQ65j7V4EjMM8z1vOXUeYg5POefuXX/s613/Betinho.1940s.Blackie.Buenos.Aires.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="481" data-original-width="613" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqVVjAfcWafnuPEGeth_a89XlieM6Jxh4uM8vxVGMGuOxsB4PZgp8y81dePO7FgFuTHltfZLT1WIVrSgz4piYIMSfBKHJx0srrA1hMwcgWe3mJZJVZHm9WpXgAPQQ6ss8PbStLbB53YZd7_Wc9T_VlUbdnGHCJWHqQ65j7V4EjMM8z1vOXUeYg5POefuXX/s16000/Betinho.1940s.Blackie.Buenos.Aires.jpg" /></a></div><span style="font-family: arial;"><b>Betinho</b> with the guitar accompanies legenday Argentine blues singer <b>Blackie</b> in the <b><span style="color: #ffa400;">1940s</span></b>. </span><span style="font-family: arial;"><br /></span><div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUQQXdb-uGobY5e542gdMG5oJtLck3tr7uv6oE13n9xJOhghtb5--YRQDhygNjRyGtNO-3OuwQBpKSI4Igx1Cp3gItXidPQu_PxbY2Ky1fjwI529NX6ecuJKOlSfCXPXkl3eR0dYkGq673T6dHBNEqNVhukJAI0_J9FwZ4ExqewNbhNc7DWtdH-PJ9eA/s842/Betinho.Revista.Feminina.Quinzenal.1957.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="693" data-original-width="842" height="329" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUQQXdb-uGobY5e542gdMG5oJtLck3tr7uv6oE13n9xJOhghtb5--YRQDhygNjRyGtNO-3OuwQBpKSI4Igx1Cp3gItXidPQu_PxbY2Ky1fjwI529NX6ecuJKOlSfCXPXkl3eR0dYkGq673T6dHBNEqNVhukJAI0_J9FwZ4ExqewNbhNc7DWtdH-PJ9eA/w400-h329/Betinho.Revista.Feminina.Quinzenal.1957.jpg" width="400" /></a></div><div style="text-align: justify;"><span style="font-family: arial;"><b>Betinho</b> plays his guitar at <b>TV Paulista</b>, Channel 5 while Cléia Soares sings '<b>Zezé</b>', a baiao written by Humberto Teixeira & Caribé da Rocha. Revista Feminina Quinzenal, <b><span style="color: #ffa400;">1957</span></b>.</span></div></div></div>Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-79938709880104707642021-12-14T02:22:00.061-08:002022-10-28T11:56:49.738-07:00Neil Sedaka as seen by 'Correio da Manhã' musical section <p style="text-align: justify;"><span style="font-family: arial;"><b>Neil Sedaka</b> was a fluke as concerning his meteoric rise to popularity in Brazil, much earlier than he was recognized as a performer in the USA, his own country. '<b><span style="color: #ffa400;">The diary</span></b>' was released in early 1959 and charted higher here than in the USA. By <b>mid-1959</b>, <b>Celly Campello</b>, a 17 year-old small town high-school student shot to Number One with a cover of Sedaka's '<b><span style="color: #ffa400;">Stupid</span></b> <b><span style="color: #ffa400;">cupid</span></b>' (Estúpido cupido).</span></p><p style="text-align: justify;"><span style="font-family: arial;">By November 1959, Neil Sedaka had been signed by TV Tupi to perform live in São Paulo and Rio. That was actually Sedaka's first professional tour as a <b>rock act</b> . He was in Brazil on <b>7 December 1959</b>, when he was told '<b><span style="color: #ffa400;">Oh! Carol</span></b>' had reached <b>#9</b> at Billboard charts. </span></p><p style="text-align: justify;"><span style="font-family: arial;">Brazilians are a funny lot. As <b>Paul Anka</b>, the 'other' teen-age heart-throb had already been established as a full-on 'teen idol' since 'Diana' was released, some journalists - especially some at Rio de Janeiro's 'Correio da Manhã' decided they preferred Anka over Sedaka. These media desperadoes started bad-mouthing Sedaka portraying him as 'thief of melodies', a plagiarist... and here are some instances of silly stuff published in that paper concerning the supposed 'rivalry' between the Canadian Caruso and the Brooklyn kid who would be a concert pianist... </span></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiq6sNGbXpfkE-lUElzBwdP4LTc63Av6Szpq-c4UrEfWsdz2kSdm0X-Fdm596GmIQqlfk4D5DvAP9zGOVwvy-NGOFHecO3MFuSomBOVN2N1jOm48FHU-sEMpR0J8xnZ920BH4I6JkNtH7LgfwLa7WuNKYtqNV4c-FCysVkpkS_vVJniU55KLQmXjrwiYg=s538" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="538" data-original-width="246" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEiq6sNGbXpfkE-lUElzBwdP4LTc63Av6Szpq-c4UrEfWsdz2kSdm0X-Fdm596GmIQqlfk4D5DvAP9zGOVwvy-NGOFHecO3MFuSomBOVN2N1jOm48FHU-sEMpR0J8xnZ920BH4I6JkNtH7LgfwLa7WuNKYtqNV4c-FCysVkpkS_vVJniU55KLQmXjrwiYg=w183-h400" width="183" /></a><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjPwB2RQ1Hb-IFRVD0fxbVIP1-7yE7rA3AUawirIjDy4qk0d-ZrEJzpdHg7IPVtA9EDLYfQrRi8lxfNBjyfFEF4oxU10KgLf8KwfqzhJbOK6bHgiJ0jaoqWdh6s6EYtPMEHcczEMD34m5IE1EsAuuUGsBltwFEiYS0_b5Ijf1DTela21H1aXdoG-b6N-w=s407" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="407" data-original-width="272" src="https://blogger.googleusercontent.com/img/a/AVvXsEjPwB2RQ1Hb-IFRVD0fxbVIP1-7yE7rA3AUawirIjDy4qk0d-ZrEJzpdHg7IPVtA9EDLYfQrRi8lxfNBjyfFEF4oxU10KgLf8KwfqzhJbOK6bHgiJ0jaoqWdh6s6EYtPMEHcczEMD34m5IE1EsAuuUGsBltwFEiYS0_b5Ijf1DTela21H1aXdoG-b6N-w=s16000" /></a></span></div></div><p></p><p style="text-align: justify;"></p><div class="separator" style="clear: both; text-align: justify;"><b style="font-family: arial; text-align: left;"><span style="color: #ffa400;">22nd November 1959</span></b><span style="font-family: arial; text-align: left;"> - '</span><b style="font-family: arial; text-align: left;">Correio da Manhã</b><span style="font-family: arial; text-align: left;">'s music columnist claims Neil Sedaka, who has been known for being a </span><b style="font-family: arial; text-align: left;">plagiarist </b><span style="font-family: arial; text-align: left;">(his words) pilfers the melodies of two different songs on '</span><b style="font-family: arial; text-align: left;"><span style="color: #ffa400;">Run, Samson, run</span></b><span style="font-family: arial; text-align: left;">'; parts of Brazilian folk tune '</span><b style="font-family: arial; text-align: left;">Acalanto</b><span style="font-family: arial; text-align: left;">' that goes: 'boi, boi, boi, boi da cara preta leva essa menina que tem medo de careta'... and the whole second part of '</span><b style="font-family: arial; text-align: left;">Mamãe, eu</b><span style="font-family: arial; text-align: left;"> </span><b style="font-family: arial; text-align: left;">quero</b><span style="font-family: arial; text-align: left;">' written by Jararaca. </span></div><p></p><p style="text-align: justify;"><span style="font-family: arial;">He goes on to say that in '<b><span style="color: #ffa400;">You mean everything to me</span></b>', Sedaka shamelessly pilfers parts of Paul Anka's '<b>You are my destiny</b>'. </span></p><p style="text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEigOuUf-6Apb6B4-gO4m3OvhKp0UrNtnWB_azaGESxz9vr-xgGjyL8Fitp_9QVmWdBmO3xOyri3_XBPGH8xNOy2guqKxQp_fwtmjXLPDMsfG_nGq8faZIDMBNtVKO9sUbE71te0XxsPwsvP0npgm4OpNigHw0skaX_q0WM8S7wkflfJtOVcHOeMsLgsWQ=s671" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="671" data-original-width="528" src="https://blogger.googleusercontent.com/img/a/AVvXsEigOuUf-6Apb6B4-gO4m3OvhKp0UrNtnWB_azaGESxz9vr-xgGjyL8Fitp_9QVmWdBmO3xOyri3_XBPGH8xNOy2guqKxQp_fwtmjXLPDMsfG_nGq8faZIDMBNtVKO9sUbE71te0XxsPwsvP0npgm4OpNigHw0skaX_q0WM8S7wkflfJtOVcHOeMsLgsWQ=s16000" /></a></div><span style="font-family: arial;"><div style="text-align: justify;"><b><span style="color: #ffa400;">9 December 1959 </span></b>- <b>Carol Sedaka</b> (an obvious pseudonym) from <b>Mesquita-RJ</b>, writes to 'Correio da Manhã' to express her outrage of what she considered a slanderous lie about her idol. As one can see, Sedaka's popularity in Brazil was built in a few months. The columnist answers all the accusations against him... and adds another Sedaka's 'plagiarism'... that in '<b><span style="color: #ffa400;">All</span></b> <b><span style="color: #ffa400;">I need is you</span></b>', Sedaka 'copies' parts of Paul Anka's '<b>Diana</b>'... The columnist was obviously biased against Sedaka...</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjJF7BhGqU4sGyiANZZ36NNXr453pmktWkmbM0IvCFni7bz9cmDbu4zRkalD8zmSlacQxKLakAyG5UHCmMQqT3HYmLqfdVkRZSFE3QEITkGOqgWpg0-V9UJLg-3nBP1tFGG0LzMzIIomXC_dvNdBE72152-RzCHJ4UelUhbqTB29P8WXTzZFXCfwPeexw=s277" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="124" data-original-width="277" height="124" src="https://blogger.googleusercontent.com/img/a/AVvXsEjJF7BhGqU4sGyiANZZ36NNXr453pmktWkmbM0IvCFni7bz9cmDbu4zRkalD8zmSlacQxKLakAyG5UHCmMQqT3HYmLqfdVkRZSFE3QEITkGOqgWpg0-V9UJLg-3nBP1tFGG0LzMzIIomXC_dvNdBE72152-RzCHJ4UelUhbqTB29P8WXTzZFXCfwPeexw" width="277" /></a></div><div style="text-align: justify;"><b><span style="color: #ffa400;">14 April 1961</span></b> - 'Correio da Manhã' - <b>Carol Sedaka</b>, from <b>Nilópolis-RJ</b> writes to Rossini Pinto's '<b>Esquina Sonora</b>' again to ask for the lyrics of '<b>Run, Samson, run</b>'. </div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjDJ3hi2qeBm2-NTfUa3eRN93hTES8IKw8XAzQOG-h7aPY_UjOOGcNiGRfM7f7iXClM0BU9YBdgchDIcxV1V77Yq06Kn9RiMkyifD8-uYBXbEBR04Nj_IVkti3aq81SKK0xzlTsqvqhT0J4TyRq9r14fgXzzxmjP_s7qVIud2irL5wgaLpO_CKZuAP6iw=s701" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="695" data-original-width="701" height="317" src="https://blogger.googleusercontent.com/img/a/AVvXsEjDJ3hi2qeBm2-NTfUa3eRN93hTES8IKw8XAzQOG-h7aPY_UjOOGcNiGRfM7f7iXClM0BU9YBdgchDIcxV1V77Yq06Kn9RiMkyifD8-uYBXbEBR04Nj_IVkti3aq81SKK0xzlTsqvqhT0J4TyRq9r14fgXzzxmjP_s7qVIud2irL5wgaLpO_CKZuAP6iw=w320-h317" width="320" /></a><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjPBdNLIl2ibsQs9-cR2dDQKEIlIeA1uxWaefv5RJL_SMlc-WIOzcoCrxbEqH03J8GnZ5vEFAP9Ru_kBQKh6S1ubdPVxcEGb4wwHAoCWoBKqVWpCGf9Qd-vdJreKGTzrZqmp4GkKKydQiZpX5VSvqbNzu8oo_jqDuQ49G83-QQYn8bRG0BpNypkyhL8OA=s767" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="767" data-original-width="262" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEjPBdNLIl2ibsQs9-cR2dDQKEIlIeA1uxWaefv5RJL_SMlc-WIOzcoCrxbEqH03J8GnZ5vEFAP9Ru_kBQKh6S1ubdPVxcEGb4wwHAoCWoBKqVWpCGf9Qd-vdJreKGTzrZqmp4GkKKydQiZpX5VSvqbNzu8oo_jqDuQ49G83-QQYn8bRG0BpNypkyhL8OA=w136-h400" width="136" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: left;">'</span><b style="text-align: left;"><span style="color: #ffa400;">Stairway to heaven</span></b><span style="text-align: left;">' was Sedaka's 3rd single in Brazil; on the right the (terrybly mistaken) <b>lyrics</b> of '<b>Stairway to heaven</b>' with all the misunderstanding one could commit...it's actually funny. Nonsense should be considered an 'art form'... </span><b style="text-align: left;">Climb up way up high</b><span style="text-align: left;"> = becomes 'why not way of time'.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: left;"><span style="font-family: arial;">exerpts from </span><b>Peter Dunbavan</b><span style="font-family: arial;">'s book '</span><b><span style="color: #ffa400;">An Avid's Guide to Sixties Songwriters</span></b><span style="font-family: arial;">'.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: left;">'<b>Oh! Carol</b>'s chorus, 'darling there will never be another lover...' was taken from Brazilian composer <b><span style="color: #ffa400;">Heitor Villa-Lobos</span></b>'s '<b>Family Suite Number 1</b>', and the verses were reminiscent of The Diamonds' doo-wop hit, 'Little darlin'.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: left;">Girls' names were popular in songs at the time, so Sedaka suggested to Greenfield that he wrote a lyric with a girl's name in it, and went as far as suggesting his old high school girl friend <b>Carole Klein</b> (later to be songwriter <b><span style="color: #ffa400;">Carole King</span></b>). Greenfield duly obliged and the result was 'Oh! Carol', a Top 10 hit on both sides of the Atlantic in late 1959, and the beginning of a string of major hits for Sedaka from the Greenfield-Sedaka team. </span></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: left;">Neil Sedaka went on the road to promote '<b>Oh! Carol</b>' and <b><span style="color: #ffa400;">Howard Greenfield</span></b> found himself at a loose end. <b>Don Kirshner</b> suggested that he should try writing a song with <b>Brill Building</b> composer <b><span style="color: #ffa400;">Jack Keller</span></b>, and the second song they wrote together, 'Everybody's somebody's fool', became the first chart-topper in the US for <b>Connie Francis</b>. She had been looking to record a<b> C&W style</b> song, and came to Greenfield & Keller asking them if they had anything suitable. They mentioned '<b><span style="color: #ffa400;">Everybody's somebody's fool</span></b>' but didn't think it would be quite right, envisaging the song more as a blues number. She asked them to adapt it to country and Jack Keller duly obliged, but no-one, apart from Francis, really believed it would be a big hit; it topped the US charts in the summer of 1960. </span></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;">Howard Greenfield & Jack Keller wrote Connie Francis's next single, her second US chart-topper, '<b>My heart has a mind of its own</b>', which gave her the distinction of being the first female singer ever to have two consecutive number one's; she also came second to Elvis Presley as the top performing artist of 1960. To enable them to write another country-influenced hit for Francis, the pair had done their homework by going through the back catalogue of Hank Williams's songs and obviously this had worked well, because apart from writing '<b>My heart has a mind of its own</b>', they managed a third hit single in the same genre, '<b>Breaking in a brand new broken heart</b>'. It reached number 7 on the US charts in mid-1961. </div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiNqiN9NxrcMBY7stSYNKaCDXsI-2yay8qvpghlYWtR7gtD7DqwM_IPiYjxkEvN1Lm1gFF6FXM49ZkCWf6LvQNBYDfIU1mjI62DR1ecH5nJfjtAHWNukxeJoBxgeCQ34MkFfaX58OuEEFjW916PocHzOZziBG8reWC3WtzR0XaFKWHDsZ8OwcdmRl4Zfw=s640" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="583" data-original-width="640" height="364" src="https://blogger.googleusercontent.com/img/a/AVvXsEiNqiN9NxrcMBY7stSYNKaCDXsI-2yay8qvpghlYWtR7gtD7DqwM_IPiYjxkEvN1Lm1gFF6FXM49ZkCWf6LvQNBYDfIU1mjI62DR1ecH5nJfjtAHWNukxeJoBxgeCQ34MkFfaX58OuEEFjW916PocHzOZziBG8reWC3WtzR0XaFKWHDsZ8OwcdmRl4Zfw=w400-h364" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Howard Greenfield had been writing with Jack Keller on a regular basis since Neil Sedaka started performing, and they had a routine of collaborating every Monday and Wednesday, from 10 in the morning till 5 in the evening. </span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">'<b>Venus in blue jeans</b>' was a product of one to these meetings. Keller said: 'there was a giant competition between <b>Paul Anka</b> and <b>Neil Sedaka</b>. Howie and Neil felt their hits were teenage but they were intellignet lyrics. Anka ws 'love' and 'above', 'moon' and 'June'. He was getting Number One's and it was killing Howie & Sedaka. (Jack Keller interview with Ken Emerson on 3rd June 2003). </span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Keller & Greenfield, therefore, set about writing a song tha would effectively copy Anka but do it better. Keller's melody for 'Venus in blue jeans' was superb and original, while Howie's lyrics stole from other songs tha had been hits such as 'Mona Lisa' by Nat King Cole, and 'Venus' by Frankie Avalon. The result was a classic 'pop' song that was a Top 10 hit in the US for Jimmy Clanton and a number 4 in the UK for Mark Wynter. Illustrating how the writers at Aldon worked for each other, Barry Mann sang lead and the Cookies sang backing-vocals on the demo; Carole King wrote the arrangement for the brass and strings, while her husband, Gerry Goffin, was responsible for the muted trumpets on the middle eight. A finer example of collaboration from writers at their peak would be hard to find. </span></div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiHjftNzzfH1q5RHfLpKqkwy4PQe4JVS0ZslZGESPoeV99UDtwup8IlCjTPbLmoObuFVheAT2Hgfi5pAkelolMWkkVQqiTHd5m8ktNiY0XpHB6kI9SjpFGPDMN_v-WrCnM5-VESHpxWLEutag3apX8Cgb04_ud6h2P4u_j7s-Iyfy8bRX9n_UFnuaaVtw=s641" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="424" data-original-width="641" height="264" src="https://blogger.googleusercontent.com/img/a/AVvXsEiHjftNzzfH1q5RHfLpKqkwy4PQe4JVS0ZslZGESPoeV99UDtwup8IlCjTPbLmoObuFVheAT2Hgfi5pAkelolMWkkVQqiTHd5m8ktNiY0XpHB6kI9SjpFGPDMN_v-WrCnM5-VESHpxWLEutag3apX8Cgb04_ud6h2P4u_j7s-Iyfy8bRX9n_UFnuaaVtw=w400-h264" width="400" /></a></div>Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-18837377772452640592020-08-22T09:13:00.013-07:002021-10-03T11:53:02.934-07:00Roberto Carlos pays a visit to Rita Pavone at Teatro Record in 1965<div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR2kA_SjTwvrNfhkhQpfIvUgvEFwW7bfbzAyhBDAW0B2SOIo1HyBPo2xK6hDKw-Ri6J0JXYsoL4ZWq2FSG7dedY3Fk16V_jBOfOIPo46YzyqfX-4mWkb0u2IjDsJ4ajUE64JxsJ-zz7gZj/s1356/118255886_636612940572998_8807267619916884421_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1294" data-original-width="1356" height="611" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR2kA_SjTwvrNfhkhQpfIvUgvEFwW7bfbzAyhBDAW0B2SOIo1HyBPo2xK6hDKw-Ri6J0JXYsoL4ZWq2FSG7dedY3Fk16V_jBOfOIPo46YzyqfX-4mWkb0u2IjDsJ4ajUE64JxsJ-zz7gZj/w640-h611/118255886_636612940572998_8807267619916884421_n.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><b>Adonis Karan</b>, a TV Record executive, <b>Rita Pavone</b> and <b>Roberto Carlos</b> at Rita's <b>Teatro</b> <b>Record </b>dressing room after her recital on <span style="color: #ffa400;"><b>27</b> </span><b><span style="color: #ffa400;">April</span> <span style="color: #ffa400;">1965</span></b>.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Looking at this photo taken at Rita Pavone's <b>dressing room</b> at <b><span style="color: orange;">Teatro Record</span></b>, in São Paulo, after she had given her first recital on her second tour of Brazil, one can only surmise a few things:<br /><br />Little did Roberto Carlos know he would be occupying this <b>very same dressing room</b> in the near future. In another 4 months - <b><span style="color: #ffa400;">22nd August 1965</span> - </b>Roberto would open his legendary Sunday rock show '<b><span style="color: #ffa400;">Jovem Guarda</span></b>' at <b>Teatro Record</b> and become the most successful musical act in the country for the longest time.</span></div>
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<div style="text-align: justify;"><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Rita Pavone 2nd Brazilian tour started on 27 April 1965 up to 1st May 1965. Rita's photo on the right was taken by TV Guide 'Intervalo' on the same night she received Roberto Carlos at her dressing room on 27 April, Tuesday. </span></div></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgL2ogSbMAQAxd1xmk0CTr-duHPcwi7Xpczb-WU29FpVSPXfiROsP7x6KIMX7rR1xtjScO6XCJSDuKbYT7p5VVNqvqdtvb69l_Bgocs4LlJoAyZE4dEACx3D4qE5QpE49Yo0h3DVksLhPq/s826/124832413_373007200693067_5879075415307275404_n+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="794" data-original-width="826" height="384" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgL2ogSbMAQAxd1xmk0CTr-duHPcwi7Xpczb-WU29FpVSPXfiROsP7x6KIMX7rR1xtjScO6XCJSDuKbYT7p5VVNqvqdtvb69l_Bgocs4LlJoAyZE4dEACx3D4qE5QpE49Yo0h3DVksLhPq/w400-h384/124832413_373007200693067_5879075415307275404_n+%25282%2529.jpg" width="400" /></a></div><span style="font-family: arial;">P.S.: the colourization process made a mistake concerning Rita's dress which was <b><span style="color: #ffa400;">white</span></b> with black dots... </span></div>
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Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com2tag:blogger.com,1999:blog-5767580881300124989.post-17905352246445948722020-07-15T06:35:00.005-07:002021-06-01T15:05:41.948-07:00Meire Pavão 1964, 1965, 1966<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGLygzXKjoZniI76miYgkAkKrUnslyc8Y788v2zvvLd245dFjqlutfIdr1IrgG9FJBKm_tV0p38_QrGSlCgYX3C9GEXM0ALVDWwBqxYds92Y5NxbTetEJpNQedTAQY-NhPVUdT-oeO1dC9/s1600/S%25C3%25B3.Sucessos.1964.TV.Paulista.parei.contra-m%25C3%25A3o.latim.+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="847" data-original-width="1308" height="414" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGLygzXKjoZniI76miYgkAkKrUnslyc8Y788v2zvvLd245dFjqlutfIdr1IrgG9FJBKm_tV0p38_QrGSlCgYX3C9GEXM0ALVDWwBqxYds92Y5NxbTetEJpNQedTAQY-NhPVUdT-oeO1dC9/s640/S%25C3%25B3.Sucessos.1964.TV.Paulista.parei.contra-m%25C3%25A3o.latim.+%25282%2529.jpg" width="640" /></a></div>
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Meire Pavão watches while <b><span style="color: orange;">Roberto Carlos</span></b> sings '<b><span style="color: orange;">Parei na contra-mão</span></b>' at '<b>Só Sucessos</b>' on <b>TV Paulista</b>, Channel 5. Meire had sung her '<b><span style="color: orange;">O que eu faço do latim?</span></b>' just before Roberto. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLCo5f5eKk07kJgOV2sU1hPewWrXoF6SkXYC0EfcT5Pth9nKT6ChW8SNkb10kiHETTw-ufh-zLJ78vhcVHq3w840EFuVoMLr-_mTQ6DJv061iNZGSR8RUeaBfRxXzGW9B2Y63TDxfXTPq0/s1600/Clube.Artistas.Meire.Cauby.1965.Areia.quente+%25282%2529_LI.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="782" data-original-width="1424" height="351" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLCo5f5eKk07kJgOV2sU1hPewWrXoF6SkXYC0EfcT5Pth9nKT6ChW8SNkb10kiHETTw-ufh-zLJ78vhcVHq3w840EFuVoMLr-_mTQ6DJv061iNZGSR8RUeaBfRxXzGW9B2Y63TDxfXTPq0/s640/Clube.Artistas.Meire.Cauby.1965.Areia.quente+%25282%2529_LI.jpg" width="640" /></span></a></div>
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<span style="font-family: arial;"><b>Meire </b>sings '<b><span style="color: orange;">Areia quente</span></b>' (Ay... como quema la arena) to an enthusiastic <b><span style="color: orange;">Cauby Peixoto</span></b> at '<b><span style="color: orange;">Clube dos Artistas</span></b>' on TV Tupi on Friday evening, <b><span style="color: orange;">1965</span></b>. See <b>Homero Silva</b> holding a cigarette in his hand leaning against the wall in the background.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG60fz2vXBkROtkFm_Btp4_JW-5wp1tPmfgoEVuhF15OXpTRKXqIRbciT4Q3MAqxmOoMCZfN2VOQ1TohkPPtQ-XeO-Z1Tj_gsiNnZXlkO0fA6OuKz9vmoLHGAlaNLbmi8FbGGzII4NFE2A/s1600/Orlando.Alvarado.Meire.Albert+%25283%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1164" data-original-width="1583" height="470" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG60fz2vXBkROtkFm_Btp4_JW-5wp1tPmfgoEVuhF15OXpTRKXqIRbciT4Q3MAqxmOoMCZfN2VOQ1TohkPPtQ-XeO-Z1Tj_gsiNnZXlkO0fA6OuKz9vmoLHGAlaNLbmi8FbGGzII4NFE2A/s640/Orlando.Alvarado.Meire.Albert+%25283%2529.jpg" width="640" /></span></a></div><span style="font-family: arial;">
Spanish-Argentine dancer-sincer <b><span style="color: orange;">Orlando Alvarado</span></b>, Meire Pavão & her brother <b>Albert</b> at <b>Antonio Aguillar</b>'s '<b><span style="color: orange;">Reino da Juventude</span></b>' on TV Paulista, Channel 5, in <b><span style="color: orange;">1965</span></b>.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUEgsOSkZf_OvHHxVP_wgYA4klMtIMYf7bLUFlal6pnW6qDjYxsD_4QuuOW9ZnAloPDY2r_Pt5lJXBj5fqP8niB6S0d3DeFpqqMJFzIfkHHZB7MKkmAxExbnE1nXhR4h_pDq4tdMscxEVt/s1600/Meire.Lun%25C3%25A1ticos.Tuca.Mind%25C3%25A3o.Maur%25C3%25ADcio.1966.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="936" data-original-width="1393" height="430" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUEgsOSkZf_OvHHxVP_wgYA4klMtIMYf7bLUFlal6pnW6qDjYxsD_4QuuOW9ZnAloPDY2r_Pt5lJXBj5fqP8niB6S0d3DeFpqqMJFzIfkHHZB7MKkmAxExbnE1nXhR4h_pDq4tdMscxEVt/s640/Meire.Lun%25C3%25A1ticos.Tuca.Mind%25C3%25A3o.Maur%25C3%25ADcio.1966.jpg" width="640" /></span></a></div><span style="font-family: arial;">
Meire sings at <b>TV Excelsior</b>, Channel 9, in <b><span style="color: orange;">1966</span></b>, accompanied by the <b><span style="color: orange;">Lunáticos</span></b> - Tuca, Mindão & Maurício.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1v0eIkSuxagST5vwDxHVX1bA5Hmf3EG0dE5a2c5XrzgfU99duYNTEZGhVrDY1U5FGAg75FZTJuQglqWZ0XlBOq5fvNJcmHfxVH7acBImKbt06e5Pvetzod7zJYs4cDjOAD6DJg5eb2lWF/s1600/Vips.Luiz.Vieira.Dirce.programadora.Nacional.Jos%25C3%25A9.Di.Theotonio.P.64.or.65.Meire%2527sb%2527day+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1183" data-original-width="1600" height="472" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1v0eIkSuxagST5vwDxHVX1bA5Hmf3EG0dE5a2c5XrzgfU99duYNTEZGhVrDY1U5FGAg75FZTJuQglqWZ0XlBOq5fvNJcmHfxVH7acBImKbt06e5Pvetzod7zJYs4cDjOAD6DJg5eb2lWF/s640/Vips.Luiz.Vieira.Dirce.programadora.Nacional.Jos%25C3%25A9.Di.Theotonio.P.64.or.65.Meire%2527sb%2527day+%25282%2529.jpg" width="640" /></span></a></div><span style="font-family: arial;">
Marcio Augusto Antonucci, Meire, Ronaldo Luiz Antonucci, Luiz Vieira, Dirce (Radio Nacional Paulista's program director - programadora), Theotônio Pavão & Zé Di at <b>Meire</b>'s <b><span style="color: orange;">1965 birthday bash</span></b>.</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwo_1MQkr_G0YtgVXeoVXl_1kNBFHeMgf6RuATyaIc6huSpfpG0NGuLYvZ9aD9U8OIXtfDuRX5OwhfRPP60JmrWqhgZ-tnDstro-7ocvjRYWJNi6Xt10-pyL2AK6HSsGSjXZaS8Q1Y-uYJ/s948/Jet.Blacks.Mario.Augusto+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="948" data-original-width="631" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwo_1MQkr_G0YtgVXeoVXl_1kNBFHeMgf6RuATyaIc6huSpfpG0NGuLYvZ9aD9U8OIXtfDuRX5OwhfRPP60JmrWqhgZ-tnDstro-7ocvjRYWJNi6Xt10-pyL2AK6HSsGSjXZaS8Q1Y-uYJ/w426-h640/Jet.Blacks.Mario.Augusto+%25282%2529.jpg" width="426" /></span></a></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><b><span style="color: #ffa400;">The Jet Blacks</span> play at Cine Politeama, in Jundiaí-SP </b>in late <b><span style="color: #ffa400;">1964</span></b>, and invite <span style="color: #ffa400; font-weight: bold;">Tony Campello</span><b>, <span style="color: #ffa400;">Mário</span></b><span style="color: #ffa400;"> <b>Augusto</b></span> who was born in Jundiaí & new-face <b><span style="color: #ffa400;">Meire Pavão</span></b> who has just recorded '<b>O que é</b> <b>que eu faço do latim?</b>' accompanied by this very band. The other acts include <b>Jair Alves</b> who in a few months would be known as <b><span style="color: #ffa400;">Jerry Adriani</span></b> a recording act for CBS. The bash was broadcast by <b><span style="color: #ffa400;">Radio Difusora Jundiaiense</span></b>. </span></div><div class="separator" style="clear: both; text-align: center;"><br /></div>
Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-7506741606556853652020-05-30T04:22:00.003-07:002020-05-30T04:46:07.168-07:001965 as it unfolded... according to 'A Modinha Popular'<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqB7HufdRIpQlTPvhvOxYxVjqfrP7OV_iogozTMxPbKA0Tq9vKRLVpaFQ1DQukTu1lP7FKF1vOWwamhKBCBjNbLvTk5qqqyYdYVeKEqfW0evzU3SAgOhCXSfCG9ScPpy4l-EyyRnuXHiNk/s1600/modinha.pop.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1074" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqB7HufdRIpQlTPvhvOxYxVjqfrP7OV_iogozTMxPbKA0Tq9vKRLVpaFQ1DQukTu1lP7FKF1vOWwamhKBCBjNbLvTk5qqqyYdYVeKEqfW0evzU3SAgOhCXSfCG9ScPpy4l-EyyRnuXHiNk/s640/modinha.pop.png" width="429" /></a></div>
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By <b><span style="color: orange;">early 1965</span></b>, rock was a great force as you see <b>Erasmo Carlos</b>, <b>Trini Lopez</b> & <b>Wilson Simonal</b> on the cover of '<b>A Modinha Popular</b>' even though when <b><span style="color: orange;">Carnaval</span></b> came around February, <b><span style="color: orange;">old acts </span></b>like Emilinha Borba, Risadinha and Carequinha made their point... but it was only for a few weeks each year. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4hLNYZz2bnwgb89L4K3JbBecKe3u_6vz62TJtUjnraaEMW_MmbceN0fb4VPBugqRTIXkb5qcw21yuwNYvaIiKpDX6qf8SQ1OPXf5COab23ygWsSsZ8Jt3IVacbcv3lvab5VWYXM4YOXFO/s1600/mod.pop.centre.due.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1269" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4hLNYZz2bnwgb89L4K3JbBecKe3u_6vz62TJtUjnraaEMW_MmbceN0fb4VPBugqRTIXkb5qcw21yuwNYvaIiKpDX6qf8SQ1OPXf5COab23ygWsSsZ8Jt3IVacbcv3lvab5VWYXM4YOXFO/s640/mod.pop.centre.due.png" width="507" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHq1m401_niycr9FoAzgRQE2tkYLbKjIMpC55DHZFXnqx42j7Tbb6SVi0RcC-TO_iPrEdDvKXgn4P_j5EkMItXdePm-Z3l1N7sAVYcQmceJlEETD_Of4WcfUlcoQuYp1qwSnXiEja9c3wL/s1600/mod.pop.centre.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1333" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHq1m401_niycr9FoAzgRQE2tkYLbKjIMpC55DHZFXnqx42j7Tbb6SVi0RcC-TO_iPrEdDvKXgn4P_j5EkMItXdePm-Z3l1N7sAVYcQmceJlEETD_Of4WcfUlcoQuYp1qwSnXiEja9c3wL/s640/mod.pop.centre.png" width="533" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbixBZGWbmInLd_m4PBfCFUncsT0ctqDN6lfxvOV2o1Ak1hLIIB7q-L-yarR_jgi7apiCL1w3Ji8sZVItmbRuMFp9BvEaDTUwPlX2u-jjshSqSR1-RwZj6P8-j_SZG4k3oHyR1XTKk2PMb/s1600/mod.pop.centre.upside.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1133" data-original-width="1600" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbixBZGWbmInLd_m4PBfCFUncsT0ctqDN6lfxvOV2o1Ak1hLIIB7q-L-yarR_jgi7apiCL1w3Ji8sZVItmbRuMFp9BvEaDTUwPlX2u-jjshSqSR1-RwZj6P8-j_SZG4k3oHyR1XTKk2PMb/s640/mod.pop.centre.upside.png" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn9t9JJLQNhFX8PKypVmWmwBpuhDmWLlL0v8OqIt9IHBqRZImF8IpyNiN__k1yMF25imxejH53LUL4HZ_BDCAGm9OTg41TSUCs32ONr1pFUCmXVzq7V5pWja84rf8oycENewvOCiUnyUDz/s1600/mod.pop.scrivi.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1090" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn9t9JJLQNhFX8PKypVmWmwBpuhDmWLlL0v8OqIt9IHBqRZImF8IpyNiN__k1yMF25imxejH53LUL4HZ_BDCAGm9OTg41TSUCs32ONr1pFUCmXVzq7V5pWja84rf8oycENewvOCiUnyUDz/s640/mod.pop.scrivi.png" width="435" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE8LmPbMUOzblATVkqkGUNLuNkDyVRhxJOAybbUVWGRxQe9SELUPHenIyZNm7skAN8QY4QoG0v9tqnP_T89zvS_iG9NBG0KA6LYL46psvxDr5SLDQww_RgCCapcKLAX5ASXy4k79zWFMAD/s1600/mod.pop.divorcio.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1065" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE8LmPbMUOzblATVkqkGUNLuNkDyVRhxJOAybbUVWGRxQe9SELUPHenIyZNm7skAN8QY4QoG0v9tqnP_T89zvS_iG9NBG0KA6LYL46psvxDr5SLDQww_RgCCapcKLAX5ASXy4k79zWFMAD/s640/mod.pop.divorcio.png" width="425" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqXxzEhTAiCpyN8DiF7PyBXBqje0532XlkiW1e841vVvDIjPQDP_r9JcVV0FItRluYNnpmvOzswIOugeXTC_QL_NmOY1YdiDmWY5ihSrCZZXHqxmmZ_escWrCodJG-V9z7Cz-RukwYq41R/s1600/mod.pop.better.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1098" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqXxzEhTAiCpyN8DiF7PyBXBqje0532XlkiW1e841vVvDIjPQDP_r9JcVV0FItRluYNnpmvOzswIOugeXTC_QL_NmOY1YdiDmWY5ihSrCZZXHqxmmZ_escWrCodJG-V9z7Cz-RukwYq41R/s640/mod.pop.better.png" width="439" /></a></div>
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Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-14214633752449323482019-12-09T00:52:00.007-08:002022-05-20T04:02:32.719-07:00The Mustangs - Hybrid-English-act genesis - 1966<div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">
Brazilians have <b>sung in English</b> since I don't know when. <b><span style="color: orange;">Nilo Sergio</span></b> recorded quite a few 78 rpms in the 1950s. <b><span style="color: orange;">Tony</span></b> & <b><span style="color: orange;">Celly Campello</span></b>'s very first single for EMI-Odeon was '<b>Forgive me</b>' b/w '<b>Handsome boy</b>'. There was an independent label called <b><span style="color: orange;">Young</span></b> (1959-1960) which recorded Brazilian acts performing exclusively in the English language. </span></div>
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But nothing compares with a new trend - I actually call it 'Hybrid-English-acts' - which started in <b>late</b> <b><span style="color: orange;">1971</span></b>, when <b><span style="color: orange;">Terry Winter</span></b> recorded '<b><span style="color: orange;">You'll notice me</span></b>'. Terry who started singing rock in Portuguese in the mid-1960s was a Brazilian act named <b>Tommy Standen</b> whose parents were British expats. After trying really hard (in vain) to break into the recording scene Standen finally switched to writing his songs in English to compete with American and British bands that commanded the charts. </span></div>
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Now, let's go back five years in time to <b><span style="color: orange;">late 1966</span></b>, and see who actually started this new trend that took half-a-decade to lift off. </span></div>
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<span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP8HwcMwDTsAMjkkuPNk4tItSN_WzQlaWLQ-x-sDi20Tn07NXtP912xiuAi1A5exHcQJytItT8RGasFKvQjZ2YPNnn1aloLLLHY8ckZLplv1I2G4KpFFSHFmT9_UVUJF-NPfWXVkI9Y5w/s1600/Happiness+%25282%2529.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="744" data-original-width="766" height="194" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP8HwcMwDTsAMjkkuPNk4tItSN_WzQlaWLQ-x-sDi20Tn07NXtP912xiuAi1A5exHcQJytItT8RGasFKvQjZ2YPNnn1aloLLLHY8ckZLplv1I2G4KpFFSHFmT9_UVUJF-NPfWXVkI9Y5w/s200/Happiness+%25282%2529.PNG" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1owEygNnL_nqMqSbe6yXHEXXzm7t4XKhEruSpqi_kbkVyyDq-b4wQc-rlFm0g_fs3HGo-eyWh59uneYFOnYxTAUiQkFzwf6BUa2qZ1AIUzVh2cW4hyphenhyphenIeVi4SgZhjrfsNqz3-kLeWg_8c/s1600/happiness.due+%25282%2529.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="396" data-original-width="391" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1owEygNnL_nqMqSbe6yXHEXXzm7t4XKhEruSpqi_kbkVyyDq-b4wQc-rlFm0g_fs3HGo-eyWh59uneYFOnYxTAUiQkFzwf6BUa2qZ1AIUzVh2cW4hyphenhyphenIeVi4SgZhjrfsNqz3-kLeWg_8c/s200/happiness.due+%25282%2529.PNG" width="197" /></a></span></div>
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<span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQfOORLXigsPRuuKqL7EruvmYlMbBL65vWeYqZL4VYh58HJ7Jh7gyZBumcQ-i_hJXRH3dPvAXeQW7vfURUca5BQa74fvXcuWtKPQUP3Rmr8dmb2Z1LB50OfAtSeGSZ2dwkhyphenhyphenjJ9qnzu0I/s1600/the-mustangs-1966-sunny-see-you-in-september-compacto-980101-MLB20264887144_032015-F.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="195" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQfOORLXigsPRuuKqL7EruvmYlMbBL65vWeYqZL4VYh58HJ7Jh7gyZBumcQ-i_hJXRH3dPvAXeQW7vfURUca5BQa74fvXcuWtKPQUP3Rmr8dmb2Z1LB50OfAtSeGSZ2dwkhyphenhyphenjJ9qnzu0I/s200/the-mustangs-1966-sunny-see-you-in-september-compacto-980101-MLB20264887144_032015-F.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim-1de3E4XT3JWopXTJfaAAT68AqinJGp_o_e2bHvuYosB3XPcGs-58THNksl4rjd9UXse2CwdAoL6oci7RzUtVbZHjEd9WllzsVQ4rVhI-3epOYlNEK7e-DDpB7ucaBav7V6_-YxXExs/s1600/Mustangs+%25282%2529.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="404" data-original-width="419" height="192" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim-1de3E4XT3JWopXTJfaAAT68AqinJGp_o_e2bHvuYosB3XPcGs-58THNksl4rjd9UXse2CwdAoL6oci7RzUtVbZHjEd9WllzsVQ4rVhI-3epOYlNEK7e-DDpB7ucaBav7V6_-YxXExs/s200/Mustangs+%25282%2529.PNG" width="200" /></a></span></div>
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(6290) This is not the Great Rock'n'roll Swindle but a Brazilian-style Rip-off Scheme that RCA artistic director <b><span style="color: orange;">Ramalho Netto</span></b> engendered. It all started at the week-end of <b>27 August 1966</b>, when Bobby Hebb's '<b>Sunny</b>' reached #2 at Billboard's and '<b>See you in September</b>' by The Happenings got to #3. </span></div>
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Eager to make a buck, Ramalho summoned Toninho Paladino, a record-shop owner at Rua Augusta in São Paulo who knew a garage band that covered US & British hits and made them an offer: to cover those songs for the Brazilian market. They were: <b><span style="color: orange;">Helio Eduardo Castilho de Toledo da Costa Manso</span></b> (vocal), Paulo Afonso Lello Sampaio (bass), João Rodrigues da Cunha Neto (drums), Antonio Carlos da Gama e Silva (guitar), Luiz Marcelo Gaggiano and Sonia Maria Abreu (vocal). </span></div>
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'<b>See you in September</b>' had been first recorded by <b>The Tempos</b> in <b>1959</b>, having reached #23. Eight years later, <b><span style="color: orange;">The Happenings</span></b>, a vocal group from Paterson, N.J. covered it for B.T.Puppy Records and it hit the big time. As soon as 'See you in September' was released in Brazil (by Mocambo-Rosenblit) in October 1966, and started playing on the radio, RCA, released its cover-of-the-cover and to fool the record-buying public RCA called the up-to-now nameless band as <b><span style="color: orange;">The Happiness</span></b>! </span></div>
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When Mocambo's owner found out about the swindle, he rang up Mr Ramalho and probably threatened him with a law-suit, so RCA stopped printing the band's name as <b>The Happiness</b> and came up with <b><span style="color: orange;">The Mustangs</span></b>, a name they carried on until they switched to <b><span style="color: orange;">Sunday</span></b>, in early 1970, and recorded an E.P. for independent label <b>Som/Maior</b> featuring a cover of <b>Lou Christie</b>'s '<b>I'm gonna get married</b>' which went to <b>#1</b> in the charts for many weeks. </span></div>
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This whole story (and much more) is well told by Ayrton Mugnaini at:</span></div>
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<a href="http://ayrtonmugnainijr.blogspot.com/2019/09/eternas-ondas-tropicais-e-musicais.html" style="text-align: center;"><span style="font-family: arial;">http://ayrtonmugnainijr.blogspot.com/2019/09/eternas-ondas-tropicais-e-musicais.html</span></a></div>
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<span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdZnqB5JxcwpAzhRg-BP9IF2rplY7SnPafzxCOMpV1g2H0s-V96z5hfYLseD3pvSwpUShZ1qifLV6r9O9m9Q6gw5Dzd1Na0ATWnOvLpllQ8Tde-SG8XOO3cMMAYRomn5gzgI2f_kjpRdk/s1600/Mustang.due+%25282%2529.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="333" data-original-width="352" height="189" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdZnqB5JxcwpAzhRg-BP9IF2rplY7SnPafzxCOMpV1g2H0s-V96z5hfYLseD3pvSwpUShZ1qifLV6r9O9m9Q6gw5Dzd1Na0ATWnOvLpllQ8Tde-SG8XOO3cMMAYRomn5gzgI2f_kjpRdk/s200/Mustang.due+%25282%2529.PNG" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXwBk18nEU6Mib_Dgr37uUf2vIj56U_W9aqPTxwwVEQeCUF10T1rhKIbyAGG6mxv4uhNhAoAliw25Zolk8iwYJN9LB6hEeLPEPDn-tylYjnxCA4q5USnv6VH-uRbpoO7DiIYiRku6PGDw/s1600/Mustangs+%25282%2529.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="399" data-original-width="433" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXwBk18nEU6Mib_Dgr37uUf2vIj56U_W9aqPTxwwVEQeCUF10T1rhKIbyAGG6mxv4uhNhAoAliw25Zolk8iwYJN9LB6hEeLPEPDn-tylYjnxCA4q5USnv6VH-uRbpoO7DiIYiRku6PGDw/s200/Mustangs+%25282%2529.PNG" width="200" /></a></span></div>
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(6362) <b>The Mustangs</b> with their 2nd release: they cover Cliff Richard & The Shadows' '<b>In the</b> <b>country</b>' b/w '<b>When summer is gone</b>', done originally by Gary Lewis & his Play Boys.</span></div>
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<span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhv9mNt0OE8NoyC6aWQYXu7kWK8bxqZvxFWpUHbzZGjrlU5ZGhd_3OzcL7RQNxPZe1XjRnZmY4GXfwCe1wPXUNRhAjXQoOMGwlXvKx-Yo-3Yu1fbVG4CN2ON6SQJrYDEL3K7fmLwI6fdz4/s1600/homborg.png"><img border="0" data-original-height="735" data-original-width="740" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhv9mNt0OE8NoyC6aWQYXu7kWK8bxqZvxFWpUHbzZGjrlU5ZGhd_3OzcL7RQNxPZe1XjRnZmY4GXfwCe1wPXUNRhAjXQoOMGwlXvKx-Yo-3Yu1fbVG4CN2ON6SQJrYDEL3K7fmLwI6fdz4/s200/homborg.png" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2DFaBv0nPmGK2jIDK4IJbfHhj2vjiKIO6ZuVduI_gx7g0WLNCGbH55J_Ej3e6jZT88c2muPKZcjngs_xFyp8CVw8J_um3CQFstMVYeboMz82DsLXwjJGaU9GviFtAQYjhLbAjFuHvXWA/s1600/homburg.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="724" data-original-width="722" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2DFaBv0nPmGK2jIDK4IJbfHhj2vjiKIO6ZuVduI_gx7g0WLNCGbH55J_Ej3e6jZT88c2muPKZcjngs_xFyp8CVw8J_um3CQFstMVYeboMz82DsLXwjJGaU9GviFtAQYjhLbAjFuHvXWA/s200/homburg.png" width="199" /></a></span></div>
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(6424) <b>The Mustangs</b> cover two <b>Procol Harum</b> songs: '<b>Homburg</b>' b/w '<b>Conquistador</b>' (Gary Brooker-Keith Reid) that were not released in Brazil due to a contractual dispute between Deram & EMI-Odeon.<br />
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<span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ2AF_gJUX4pMdyXiDrfOUreXivyymYg_e83QU6QBoMrdXoo43HVNITjWTs7y3wkBZe7Sr6I7vgU5avWfNjdwaQ-G7UCWXhwZK1F3gH-noDyyMIZ4zQrSIWxnsFEzKzatbYbNziIbPNvY/s1600/img342.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="196" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ2AF_gJUX4pMdyXiDrfOUreXivyymYg_e83QU6QBoMrdXoo43HVNITjWTs7y3wkBZe7Sr6I7vgU5avWfNjdwaQ-G7UCWXhwZK1F3gH-noDyyMIZ4zQrSIWxnsFEzKzatbYbNziIbPNvY/s200/img342.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIvt-SzUmflOHC1Q58jkOB3-fIXY9l5K7YQQIxEMc-wc3MWlI-FjyxPP49yJUbWGuCot-weVR4aJ-k-d9ghHfvOq7d1zPpp-JWdGN_th1WzbCSmyWzhQRiLE_T-Re6APfQp1-YVSySFbs/s1600/Mustangs.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="789" data-original-width="785" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIvt-SzUmflOHC1Q58jkOB3-fIXY9l5K7YQQIxEMc-wc3MWlI-FjyxPP49yJUbWGuCot-weVR4aJ-k-d9ghHfvOq7d1zPpp-JWdGN_th1WzbCSmyWzhQRiLE_T-Re6APfQp1-YVSySFbs/s200/Mustangs.PNG" width="198" /></a></span></div>
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(6520) <b>The Mustangs</b>'s cover of '<b>Proud Mary</b>' was their last single before they changed their name to <b>Sunday</b>, and were signed by <b>Som Maior</b>, where they covered Lou Christie's 'I'm gonna get married' on an E.P. which went to #1 nationally. </span></div>
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In 1970, The Mustangs would change their name to <b>Sunday</b> and have a #1 hit with a cover of Lou Christie's '<b>I'm gonna get married</b>' ('Tema de amor' de Titina) that was featured in 'Super Plá', a popular tele-novela on TV Tupi which ran from December 1969 to May 1970. Later on, <b>Helio Eduardo Costa Manso</b>, would change his name to <b>Steve</b> <b>MacLean</b> and record as if he were a foreign act.</span></div>
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Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-45624896332951476322019-12-06T03:46:00.000-08:002019-12-08T01:18:49.303-08:00Neno, bass player with The Clevers (1940-2014)<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTLUUTnKJR-ntl5_ThLAofHYscmwCum7rEzm0VIwdodg5rfJJ0oWL7l8iKT8UmZ1GPuZX6A7LS5xvrOYT3XLM9U13ZV4RFStONq7lF8Xh20d1ZTyx_8SYl5tokeHu-kWNZoYakUC2_32YS/s1600/Neno.15.june.1940.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="618" data-original-width="257" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTLUUTnKJR-ntl5_ThLAofHYscmwCum7rEzm0VIwdodg5rfJJ0oWL7l8iKT8UmZ1GPuZX6A7LS5xvrOYT3XLM9U13ZV4RFStONq7lF8Xh20d1ZTyx_8SYl5tokeHu-kWNZoYakUC2_32YS/s1600/Neno.15.june.1940.jpg" /></a></div>
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<b><span style="color: orange;">Dermeval Teixeira Rodrigues</span></b> aka <b><span style="color: orange;">Neno</span></b>, was born in <b>Presidente Epitácio-SP</b> on <b><span style="color: orange;">15 June 1940</span></b>, died on <b><span style="color: orange;">3 December 2014</span></b>. </div>
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Neno studied law at USP at Largo de São Francisco, played bass for <b><span style="color: orange;">The Clevers</span></b> (1963-1966), joined rival band <b><span style="color: orange;">The Jordans</span></b> where he played mostly trumpet alongside his younger brother Irupê. </div>
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Neno rooted for Palmeiras; vatapá being his favourite dish; Burt Lancaster and Jean Simmons were his favourite Hollywood stars.</div>
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Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-61647846826823020022019-10-15T13:37:00.002-07:002022-05-20T03:43:39.354-07:00PHOLHAS <div class="separator" style="clear: both; text-align: center;">
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Wagner Benatti aka Bitão next to his his father Edmundo, who holds his sister Vera Lucia on his arms - February 1955.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPzQizUUh-6my20Q9LlpqrevBb68TPURZt8RUwfI1Ly-H9hvw1LxuTwQHSiHBmP-FZCeal68_4iXHjZgp1zxCDo6_X18G_mwQNx1HLAFasse15aF4UNC6jL75cHNc2idGC0EGPI5T4oXHY/s1600/Bit%25C3%25A3o.25.Oct.1959.PNG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="703" data-original-width="511" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPzQizUUh-6my20Q9LlpqrevBb68TPURZt8RUwfI1Ly-H9hvw1LxuTwQHSiHBmP-FZCeal68_4iXHjZgp1zxCDo6_X18G_mwQNx1HLAFasse15aF4UNC6jL75cHNc2idGC0EGPI5T4oXHY/s400/Bit%25C3%25A3o.25.Oct.1959.PNG" width="290" /></span></a></div>
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Bitão at his 1st Communion photo on 25 October 1959. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDn3Ke7jkIc9CVl-KjCLnIHrCoDC2Py4vvbobQG1ovHi-e2Bi02faN5nBNkHxB8GDxfVa9eOeEeSKSLdi-2KnnqkOqpwEib3Ggas3jhJdtqSIm0A6BkIcvOpb3yQxEtkaiQGUcfObghIim/s1600/Bit%25C3%25A3o.1962.carnaval.PNG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="604" data-original-width="434" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDn3Ke7jkIc9CVl-KjCLnIHrCoDC2Py4vvbobQG1ovHi-e2Bi02faN5nBNkHxB8GDxfVa9eOeEeSKSLdi-2KnnqkOqpwEib3Ggas3jhJdtqSIm0A6BkIcvOpb3yQxEtkaiQGUcfObghIim/s400/Bit%25C3%25A3o.1962.carnaval.PNG" width="286" /></span></a></div><span style="font-family: arial;">
Bitão dressed as Bat Masterson & Vera Lucia as a Portuguese cachopa at Carnaval 1962 (February).<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwpW15gU6FaSpuyQIPaqIFSWVhnqXDVAdsRUhBzefpKlvgR19MGBFn00dLpmPkZnEGiFs8EMXUFWj90ZemrIfObO4h6tfu38V9l_68TNtxavEE4OVKGU6-gKlWia4VC8fwg0w7jv0sfl9J/s1600/pholhas.due.png" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1422" data-original-width="1411" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwpW15gU6FaSpuyQIPaqIFSWVhnqXDVAdsRUhBzefpKlvgR19MGBFn00dLpmPkZnEGiFs8EMXUFWj90ZemrIfObO4h6tfu38V9l_68TNtxavEE4OVKGU6-gKlWia4VC8fwg0w7jv0sfl9J/s640/pholhas.due.png" width="635" /></span></a></div>
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Paulo Fernandes</b> (drums), <b>Wagner Benatti</b> (rhythm guitar), <b>Oswaldo Malagutti</b> (bass) & <b>Helio Santisteban</b> (keyboard) at São Paulo's Cathedral's door in 1972.</span></div>
Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-43709714673273682512019-02-27T02:51:00.001-08:002021-03-31T12:02:03.638-07:00'Rock around the clock' causes riots in Sao Paulo and Rio <div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy8VKSV3USlk5lgPzm69mDcCPa-WxFXmR0urt6vWnCd7hKhyphenhyphenAYw15VNpIuWpfujdjisSzC3v5uymr-rfBUp6Fj1_XdsgO-1xRS-UMjxinuUqLxzHtyGykZgtwCDHUnCfTM0CD32IAZ67gr/s1600/19561219-25041-nac-0031-999-31-clas-aaeahqs+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1495" data-original-width="1099" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy8VKSV3USlk5lgPzm69mDcCPa-WxFXmR0urt6vWnCd7hKhyphenhyphenAYw15VNpIuWpfujdjisSzC3v5uymr-rfBUp6Fj1_XdsgO-1xRS-UMjxinuUqLxzHtyGykZgtwCDHUnCfTM0CD32IAZ67gr/s400/19561219-25041-nac-0031-999-31-clas-aaeahqs+%25282%2529.jpg" width="293" /></a></div>
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<span style="font-family: arial;"><b><span style="color: orange;">19 December 1956</span></b> - eagerly waited '<b>Rock around the clock</b>' (<b><span style="color: orange;">Ao balanço das horas</span></b>) premieres at Cines <b>Ipiranga</b>, <b>Trianon</b>, <b>Paulista</b> plus 9 other play-houses in Sao Paulo. Soon, newspapers would report about <b><span style="color: #ffa400;">vandalism</span></b> happening at <b>Cine Paulista</b> on Rua Augusta.<br />
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<span style="font-family: arial;"><b><span style="color: orange;">21st December 1956</span></b> - Rio's '<b>Correio da Manhã</b>' reports about <b><span style="color: orange;">Cine Paulista</span></b>'s being vandalized by middle class youth during the projection of '<b>Rock around the clock</b>'. Note that the word '<b><span style="color: orange;">rock'n'roll</span></b>' is treated as a <b><span style="color: orange;">feminine noun</span></b>: '<b>a rock'n'roll</b>'... eventually it would become a <b>masculine noun</b>.<br />
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São Paulo - 20 December 1956 - Cenas desagradáveis, como <b>apupos</b>, <b>assovios</b>, <b>berros</b> e depois <b><span style="color: orange;">depredações</span></b> tiveram lugar no <b>Cine Paulista</b>, na <b>Rua Augusta</b>, quando da exibição do filme 'Rock around the clock' (Ao balanço das horas).<br />
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Interessante registrar que cenas semelhantes são registradas em outros cinemas. Os tumultos tem início no momento em que é exibido a dança denominada '<b><span style="color: orange;">rock'n'roll</span></b>', que exerce tal influência nos adolescentes, que se poem a dançar também. Em dado momento quase toda a plateia estava imitando os passos da curiosa dança, <b><span style="color: orange;">fumando</span></b>, <b><span style="color: orange;">dando berros</span></b>.<br />
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Poltronas e móveis foram danificados seriamente, ante os olhos dos guardas que a tudo assistiam, pois não podiam conter a alucinação dos exaltados.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvfnWjWUdey9YOUUN9THh_iuDNJxlUOXa1Q_pWq_efBP0wfZ4ic4d3LCZsPVb7hlxSZ0VAb1pOy0XZpcBqfn7GWU08mjoQTcqu92RLMhCRrvRbAR45NXVHaqoz3l_yhBj7xB4_xpM58Fpn/s1600/19561230-25050-nac-0067-999-67-clas-qpkqsqs+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="644" data-original-width="1114" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvfnWjWUdey9YOUUN9THh_iuDNJxlUOXa1Q_pWq_efBP0wfZ4ic4d3LCZsPVb7hlxSZ0VAb1pOy0XZpcBqfn7GWU08mjoQTcqu92RLMhCRrvRbAR45NXVHaqoz3l_yhBj7xB4_xpM58Fpn/s400/19561230-25050-nac-0067-999-67-clas-qpkqsqs+%25282%2529.jpg" width="400" /></span></a></div>
<span style="font-family: arial;"><b><span style="color: orange;">30 December 1956</span></b> - After the loss of property due to vandalism and riot perpetrated by middle-class youths, Companhia Serrador, owner of Cine Paulista, stopped the projection of '<b>Rock around the clock</b>' in all 10 movie-houses and restricted its showing to only <b><span style="color: orange;">Cine Ipiranga</span></b> where a bigger detachment of policemen were deployed to avoid any repetition of the dramatic scenes.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCiDvTnQTQTRSt9j8SGAV3joT9hyphenhyphenX70N1nDyN5-p_JeFf9AGpf22sY7bmZ6KdC3kt6eXjIE3VposwhqfskT2BQga-Yqljb7PdgMTXMRXyQ9eFZ7CoxIQVhhFpHVLm8CesDY8VP9c-kxu1D/s1600/I0071671-20Alt%253D001851Lar%253D001244LargOri%253D004980AltOri%253D007410+%25282%2529_LI.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1450" data-original-width="598" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCiDvTnQTQTRSt9j8SGAV3joT9hyphenhyphenX70N1nDyN5-p_JeFf9AGpf22sY7bmZ6KdC3kt6eXjIE3VposwhqfskT2BQga-Yqljb7PdgMTXMRXyQ9eFZ7CoxIQVhhFpHVLm8CesDY8VP9c-kxu1D/s1600/I0071671-20Alt%253D001851Lar%253D001244LargOri%253D004980AltOri%253D007410+%25282%2529_LI.jpg" /></span></a></div>
<span style="font-family: arial;"><b><span style="color: orange;">15 January 1957</span></b> - Three weeks after scenes of <b><span style="color: orange;">vandalism</span></b> and <b><span style="color: orange;">mass hysteria</span></b> were witnessed during the projection of '<b>Rock around the clock</b>' in movie-houses in São Paulo, similar incidents happened in Rio de Janeiro in a bigger way. Riots and disturbances occurred at <b><span style="color: orange;">Cine Rian</span></b> in Copacabana, <b><span style="color: orange;">Cine</span></b> <b><span style="color: orange;">São Luiz</span></b> at Largo do Machado and <b><span style="color: orange;">Cine Rex</span></b>.<br />
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Tivemos ontem, no Rio de Janeiro, a repetição de cenas deploráveis praticadas por menores nos cinemas de São Paulo, quando da exibição do filme 'Ao balanço das horas' (Rock around the clock).<br />
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No <b><span style="color: orange;">Cine São Luiz</span></b>, no Largo do Machado, a coisa começou mesmo antes de ter início a sessão das 14:00 horas. Salão cheio, repleto de molecotes que assobiavam a melodia de '<b>Rock around the clock</b>', acompanhando-a com as mãos e os pés. O barulho, em pouco, era ensurdecedor. Ao ritmo do rock'n'roll, a garotada começou a saracotear, perturbando quem queria assistir ao filme. Em pouco, a baderna se generalizou e a polícia foi chamada. Re-iniciado o filme, a zoada aumentou, o que motivou a interrupção da projeção por diversas vezes, terminando a sessão das 14 horas precisamente às 19 horas. Uma sessão que duraria 2 horas, demorou 5 horas. <br />
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No <b><span style="color: orange;">Cine Rian</span></b>, na Avenida Atlântica, a baderna começou mesmo na 2a. sessão, às 16:00 horas, com molecotes metidos a play-boys repetindo a história: assobios, acompanhamento do ritmo com palmas e batidas de pés no chão. Aqui, entretanto, foram além: puseram-se a dançar. A sessão teve que ser interrompida enquanto a Polícia não chegava. E nesse meio tempo, os moleques que se encontravam na fila aguardando vez para adquirir ingresso, contagiados pelo som dos assobios que vinha da sala de projeção, batiam o compasso nas latarias dos veículos que, obrigados pelo congestionamento do tráfego, paravam ou transitavam lentamente em frente do Rian.<br />
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Ante as reclamações de seus proprietários, pois não raro, cafajestes danificam a pintura de veículos de passeio, passaram a atirar pedras nos automóveis. E a situação ia se agravando a cada instante, até que com a chegada da Polícia, que atirou bombas e gás lacrimogêneo nos manifestantes, os ânimos se acalmaram. Cine Rian foi evacuado e a exibição do filme suspensa, até segunda ordem.<br />
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No <b><span style="color: orange;">Cine Leblon</span></b>, as cenas foram quase as mesmas, e a projeção foi suspensa às 15:40 horas.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3ZGhyOZMB0OFMHMgHnrBXtmeoGqczaajIExF_Mp3GRuRogbG_79hkQ7oF1SM5qZEywhqZ0TEylW2wyYMEjkRSz7KDj76rb-Hn2lL85vcY-lcK6BmE4GpwbswwWSMiFIGJryONnjOTuuqv/s1600/Cinema_S%25C3%25A3o_Luiz_1.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="800" data-original-width="1200" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3ZGhyOZMB0OFMHMgHnrBXtmeoGqczaajIExF_Mp3GRuRogbG_79hkQ7oF1SM5qZEywhqZ0TEylW2wyYMEjkRSz7KDj76rb-Hn2lL85vcY-lcK6BmE4GpwbswwWSMiFIGJryONnjOTuuqv/s640/Cinema_S%25C3%25A3o_Luiz_1.jpg" width="640" /></span></a></div><span style="font-family: arial;">
Hall at glorious <b><span style="color: orange;">Cinema São Luiz</span></b> in the 1940s, at <b><span style="color: orange;">Largo do Machado</span></b>, in Rio de Janeiro, where some of the riots caused by 'Rock around the clock' happened.<br />
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<span style="font-family: arial;"><b><span style="color: orange;">Cine Rian</span></b> while part of the disturbances were taking place in <b><span style="color: orange;">January 1957.</span></b> </span></div>
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Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-31861934868033109942019-01-07T10:25:00.001-08:002020-12-31T12:04:39.978-08:00THE BEVERLYS, the book<div dir="ltr" style="text-align: left;" trbidi="on">
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It has taken <b>23 years</b> for <b><span style="color: orange;">Vander Loureiro</span></b>'s book '<b><span style="color: orange;">THE BEVERLYS</span></b>' to be published but it finally saw the light of day on <b>15 December 2018</b>.</span></div>
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<span style="font-family: arial;"><b>The Beverlys</b> were a <b><span style="color: orange;">doo-wop</span></b> group formed in Penha, a Sao Paulo eastern suburb, in late <b><span style="color: orange;">1958</span></b>, exactly <b>60 years ago</b>. Rock'n'roll was still in its infancy in Brazil.</span></div>
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The Beverlys were all Black and boasted: <b>José</b> <b><span style="color: orange;">Pereira</span></b>, the guy who had the idea to start a group similar to The Platters that he had seen performing in a movie; <b><span style="color: orange;">Vander </span><span style="color: orange;">Loureiro</span></b> and his wife <b><span style="color: orange;">Amelia</span> de Paula</b>, <b><span style="color: orange;">Castro</span></b> & <b>José <span style="color: orange;">Mariano</span></b>. </span></div>
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to buy a copy of 'The Beverlys' go to: https://www.eviseu.com/pt/livros/142/the-beverlys/</span></div>
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15 December 2018, at Teatro Hangar on Rua Conselheiro Nebias, 305 at Barra Funda.</span></div>
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Vander Loureiro and Olivia Pereira, former wife of José Pereira the founder of The Beverlys.</span></div>
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<span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7M4BQBq4qgqVcWA_VjvxAea1BWdCMzTDhillaenHrgA76REZUFo3jECeTp7KKtR7DBdVjNRw5FcOOclLVBOoT8mIbdOAvnJTEfBxod4tC6Gukih3FAspVT2NzKVMxubM-RltzdV0mx_WW/s1600/50524950_357353331756269_4675524363615731712_n+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="923" data-original-width="540" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7M4BQBq4qgqVcWA_VjvxAea1BWdCMzTDhillaenHrgA76REZUFo3jECeTp7KKtR7DBdVjNRw5FcOOclLVBOoT8mIbdOAvnJTEfBxod4tC6Gukih3FAspVT2NzKVMxubM-RltzdV0mx_WW/s400/50524950_357353331756269_4675524363615731712_n+%25282%2529.jpg" width="234" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXcu33PHMYVUI9FNuu7bSnYdUr3lRnP9P6ZD5VWz3Tp8gKuJBd1S_15N2CvPR9KrWX6Y_RkwmJs5MqjwHfOjmyQfofXuolqSS-nkXMxnEEV0L6_VZeMGEqNovcVeoOoAci_f0fQRhlmHHi/s1600/49895597_607615493033979_677655529031467008_n+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="899" data-original-width="540" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXcu33PHMYVUI9FNuu7bSnYdUr3lRnP9P6ZD5VWz3Tp8gKuJBd1S_15N2CvPR9KrWX6Y_RkwmJs5MqjwHfOjmyQfofXuolqSS-nkXMxnEEV0L6_VZeMGEqNovcVeoOoAci_f0fQRhlmHHi/s400/49895597_607615493033979_677655529031467008_n+%25282%2529.jpg" width="240" /></a></span></div>
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Vander, Antonio & Olivia with the book in her hands: Vander autographs 'The Beverlys' for José Luiz de Jesus, who provided most of these photos. </span></div>
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Zé Luiz, Vander, Antonio & Olivia do a Beverlys-Platters imitation... </span></div>
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Denise Duran, Iracema Tamashiro, Vander Loureiro, Zé Luiz Jesus, Luiz Amorim aka Carlus Maximus, Olivia Pereira and Antonio. </span></div>
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Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-1825058184505185942018-12-08T09:42:00.005-08:002021-04-23T04:24:59.952-07:001958's 'De vento em pôpa' - rock as a subject-matter in Brazilian movies<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz4OfvSbImpUXXMtWgXM1UW80gUo-ljmvrpXbeFLbECdtnlF3pQFiIP01nlxx98CwGj2aAXaSPnKrwUKsogmlZhY-7bAxD8SpMKhTAUlcCDVjyctd8Igd1CgfybLT5FTptpI3eZfWwCv-i/s1600/19580316-25420-nac-0131-999-131-clas-eaeaqgh+%25282%2529_LI.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1600" data-original-width="977" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz4OfvSbImpUXXMtWgXM1UW80gUo-ljmvrpXbeFLbECdtnlF3pQFiIP01nlxx98CwGj2aAXaSPnKrwUKsogmlZhY-7bAxD8SpMKhTAUlcCDVjyctd8Igd1CgfybLT5FTptpI3eZfWwCv-i/s640/19580316-25420-nac-0131-999-131-clas-eaeaqgh+%25282%2529_LI.jpg" width="390" /></span></a></div>
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<span style="font-family: arial;"><b><span style="color: orange;">16 March 1958</span></b> - great <b><span style="color: orange;">Oscarito</span></b> was <b><span style="color: orange;">51 years old</span></b> when he did an <b>impersonation</b> of <b><span style="color: orange;">Elvis Presley</span></b> on '<b>De vento em pôpa</b>'. He not only sang <b>Carlos Imperial</b> & <b>Roberto Reis</b>' '<b><span style="color: orange;">Calypso rock</span></b>' but did a whole dancing number with acrobatic <b><span style="color: orange;">Sonia Mamede</span></b>.</span></div><div class="separator" style="clear: both; text-align: center;">
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Sonia spots Zezé Macedo fuming; but Oscarito kindly introduces Mrs Fou-Fou to the audience...</span></div>
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<span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgln6ayhv9wLJ8Ffmr1SqjAFj708wVlYfY1v2O-mcAF6pQrY8Vm0XoMyPXgR1dPoi50i2wRxKvegbZf_75BZvTYz-REuZL1gZr7GOg50GJHBELdwHI5fL8OFD4jKpJlyUNLUWeGha3fReZu/s1600/Calypso.11+%25282%2529.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="371" data-original-width="589" height="125" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgln6ayhv9wLJ8Ffmr1SqjAFj708wVlYfY1v2O-mcAF6pQrY8Vm0XoMyPXgR1dPoi50i2wRxKvegbZf_75BZvTYz-REuZL1gZr7GOg50GJHBELdwHI5fL8OFD4jKpJlyUNLUWeGha3fReZu/s200/Calypso.11+%25282%2529.PNG" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1lMabJJ3WuiQW5-NJ8q7yc9adVmhpOvrfj1Y1XnShB_mGVpNz65Hgqk72vThQsYHM7DQLQxt1TXeXU8F2EEYslfZqluvxZRpLf_jmJApiFyldCXHo3AK0ndBGY5t2dJEqSRNIUVVWYxY9/s1600/Calypso.12+%25282%2529.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="377" data-original-width="560" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1lMabJJ3WuiQW5-NJ8q7yc9adVmhpOvrfj1Y1XnShB_mGVpNz65Hgqk72vThQsYHM7DQLQxt1TXeXU8F2EEYslfZqluvxZRpLf_jmJApiFyldCXHo3AK0ndBGY5t2dJEqSRNIUVVWYxY9/s200/Calypso.12+%25282%2529.PNG" width="200" /></a></span></div>
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Mrs Fou-Fou says: 'Lisongeiro'; he answers 'Thank you, very much!'</span></div>
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<span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjofjfvGm-3DRL0ntdd9l5XZMqhmKe7PLypE6uC6nwUkuRXgYy-gFm0COWa6igTwVtgOjlwLnya4jfrXHn8Q9Rsgc0rkwiQns40Of1I34AAQ4DPuVgSPnAw4pw1N233cs2hQvrSrE111fsr/s1600/Calypso.05+%25282%2529.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="366" data-original-width="586" height="124" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjofjfvGm-3DRL0ntdd9l5XZMqhmKe7PLypE6uC6nwUkuRXgYy-gFm0COWa6igTwVtgOjlwLnya4jfrXHn8Q9Rsgc0rkwiQns40Of1I34AAQ4DPuVgSPnAw4pw1N233cs2hQvrSrE111fsr/s200/Calypso.05+%25282%2529.PNG" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMpKe8TRlEX639vquaj22CP7v0nhwqooJ0QrM3k21Kg3qxTa-QiT0Cofr0rMPn13d5BPZeuhAZIVKDYjPnU7dd4U3eyLCf2GAiQ0Gpqcq_uXHhtknptp12dNcYSgi8qC40H0w0Rtgd2a6-/s1600/Calypso.06+%25282%2529.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="370" data-original-width="566" height="130" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMpKe8TRlEX639vquaj22CP7v0nhwqooJ0QrM3k21Kg3qxTa-QiT0Cofr0rMPn13d5BPZeuhAZIVKDYjPnU7dd4U3eyLCf2GAiQ0Gpqcq_uXHhtknptp12dNcYSgi8qC40H0w0Rtgd2a6-/s200/Calypso.06+%25282%2529.PNG" width="200" /></a></span></div>
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Luiz Carlos & Sonia Mamede are happily together ever after... </span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><br /></div><span style="font-family: arial;">
to read more about early Brazilian rock: https://papofirmeblog.wordpress.com/2016/07/12/rock-brasileiro-60-anos-o-brasil-comeca-a-cair-nas-gracas-do-rock-and-roll/</span></div>
Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-64329913922897526522018-10-03T13:32:00.044-07:002022-06-09T10:58:49.545-07:00Rossini Pinto, a Rio journalist turned singer-song-writer<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQLu8TEYe-2KW_K30JhjI5i2BeY3gKINqvEjGzcmvmunjwy7zrnuk3daPG26-oF979GS2lHSgowS_PKQkg4HGmUEpMI4yEbJ525Dwr43u8r6CfwPM5se2GXs4zjYCr_9ndk-VQltssZuuZ/s400/36088208_2032717766800429_7145224992261668864_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="400" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQLu8TEYe-2KW_K30JhjI5i2BeY3gKINqvEjGzcmvmunjwy7zrnuk3daPG26-oF979GS2lHSgowS_PKQkg4HGmUEpMI4yEbJ525Dwr43u8r6CfwPM5se2GXs4zjYCr_9ndk-VQltssZuuZ/w320-h320/36088208_2032717766800429_7145224992261668864_n.jpg" width="320" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhroF1WziIJc7WzGFjsXG7pDHmOw2Fan-l5fSRoUxs94UAhywD3dpqmSOutTdCHJjBGrW4zwDhNKO7MQIaC79HExuUjJIQHyJc549tz2JR-YBLiI7P0ayaO1hK7ogamxehsNISyLG8pSj2b/s960/11180643_922685564470327_87628730328409869_n+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="280" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhroF1WziIJc7WzGFjsXG7pDHmOw2Fan-l5fSRoUxs94UAhywD3dpqmSOutTdCHJjBGrW4zwDhNKO7MQIaC79HExuUjJIQHyJc549tz2JR-YBLiI7P0ayaO1hK7ogamxehsNISyLG8pSj2b/w187-h640/11180643_922685564470327_87628730328409869_n+%25282%2529.jpg" width="187" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><b>Rossini Pinto</b> was born on<b><span style="color: #ffa400;"> 24 January 1937</span></b>, in Ponte de Itabapoana-ES, having grown up in Rio de Janeiro-DF. Still very young, Rossini worked at <b>Jornal dos Sports</b>. In <b>1960</b>, wrote a song on top of a poem written by recently elected President <b>Janio Quadros</b> which attracted a lot of attention from the media. At this time he wrote a gardening column for </span><span style="font-family: arial;">prestigious '</span><b style="font-family: arial;">Correio da Manhã</b><span style="font-family: arial;">'. </span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">By late 1960, Correio da Manhã's music column 'Esquina Sonora' lost its titular Nicodemus, so Rossini was invited to write the column even though he didn't sign his name at the bottom. By early 1961, his name started appearing at the top of the column; he had bumped into a gold mine. As he was signed as a singer by Columbia (later known as CBS), h</span><span style="font-family: arial;">e plugged their records and performers. He developed a writing partnership with <b>Fernando Costa</b>, another singer song-writer at Columbia.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Rossini Pinto's greatest hit ever was '</span><b style="font-family: arial;"><span style="color: #ffa400;">Amor e desprezo</span></b><span style="font-family: arial;">', in 1963. Having a nasal and plaintive voice he probably thought he hadn't much of a future as a singer so he stopped recording and concentrated on writing songs or translating foreign hits into Portuguese for other acts. He landed a job as a A&R man at CBS and made a lot of money. </span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Rossini wrote many songs for Roberto Carlos. In <b><span style="color: #ffa400;">1964</span></b>, '<b>Um leão está solto nas ruas</b>' for the album '<b>É proibido fumar</b>'; in <b><span style="color: #ffa400;">1965</span></b>, '<b>Parei, olhei</b>' for 'Roberto Carlos canta para a juventude' and '<b>Eu te adoro meu amor</b>' for 'Jovem Guarda'; in 1967 he finally wrote 'Só vou gostar de quem gosta de mim' for 'Roberto Carlos em rítmo de aventura'.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Rossini Pinto died on <b>25 June 1985</b>. </span></div><div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2j4V3miHUMy-3oXGKodYurLHPs8hODHuhWZKmI8U6dKaoIxTOGcWm1xoh8_csX33FFAE1YXF-mwELh0Kj-03fA8qOR1_9Q6bYWk3eyFmo14hZRdUHHfO3eOEwqQV3kSmOH_TX0NW7XhBf/s1600/Correio.May.19.1963+%25283%2529.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="411" data-original-width="149" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2j4V3miHUMy-3oXGKodYurLHPs8hODHuhWZKmI8U6dKaoIxTOGcWm1xoh8_csX33FFAE1YXF-mwELh0Kj-03fA8qOR1_9Q6bYWk3eyFmo14hZRdUHHfO3eOEwqQV3kSmOH_TX0NW7XhBf/s1600/Correio.May.19.1963+%25283%2529.JPG" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBXjHyfeeXvlG0cZ55thNeqvhR77nE5ueI7dfMTY3ct0vPXsxPVfvyQSYflukhyphenhyphen1HKOlIMq-Tl3sWu_YIgu6QIpdVrcUKnUvyOchca2iRNs53_qH3tRx9Jld3y8r_KgWec-FeIoU15SSQv/s1600/Correio.May.19.1963+%25284%2529.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="575" data-original-width="297" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBXjHyfeeXvlG0cZ55thNeqvhR77nE5ueI7dfMTY3ct0vPXsxPVfvyQSYflukhyphenhyphen1HKOlIMq-Tl3sWu_YIgu6QIpdVrcUKnUvyOchca2iRNs53_qH3tRx9Jld3y8r_KgWec-FeIoU15SSQv/s1600/Correio.May.19.1963+%25284%2529.JPG" /></a></div>
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<span style="font-family: arial;"><b><span style="color: orange;">19 May 1963</span></b> - Rio de Janeiro daily '<b><span style="color: orange;">Correio da Manhã</span></b>' had a musical column called '<b><span style="color: orange;">Esquina sonora</span></b>' written by journalist <b><span style="color: orange;">Rossini Pinto</span></b> who was also a song writer & an aspiring singer having recorded at CBS. Rossini would eventually become an A&R (Artist & Repertoire) man at CBS. </span></div>
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Rossini was an active man who was always on the go. On the left he offers photos of teen-idols to those readers who wrote to '<b><span style="color: orange;">Clube do Rock</span></b>' c/o Radio Tupi do Rio de Janeiro - where he had a daily radio show. Foreign stars such as <b>Elvis Presley</b>, <b>Neil Sedaka</b>, <b>Paul Anka</b>, <b>Chubby Checker</b>, <b><span style="color: orange;">Nico Fidenco</span></b>, <b><span style="color: orange;">Peppino di Capri</span></b>, <b>Ricky Nelson</b> or their Brazilian counter-parts as <b>Roberto Carlos</b>, <b>Sergio Murilo</b>, <b><span style="color: orange;">Demétrius</span></b>, <b>Rossini Pinto</b> (himself), <b><span style="color: orange;">Wanderlea</span></b>, <b>Célia Vilela</b>, <b>Selmita</b>,<b> Tony Campello</b>, Cleide Alves and Clério Morais. </span></div>
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On the right, Rossini started a competition among his readers who would write care of 'Correio da Manhã' / '<b>Esquina sonora</b>' and vote for her/his <b><span style="color: orange;">favourite disc jockey</span></b>: </span></div>
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1. José Duba (Radio Metropolitana)</span></div>
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2. Luiz Fernando (Radio Tupi)</span></div>
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3. Jair de Taumaturgo (Mayrink Veiga)</span></div>
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4. Luiz de Carvalho (Globo)</span></div>
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5. José Messias (Guanabara)</span></div>
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6. Roberto Muniz (Globo)</span></div>
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7. Jair Amorim (Guanabara)</span></div>
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8. Waldyr Machado (Mauá)</span></div>
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9. Moacyr Bastos (Radio Rio de Janeiro)</span></div>
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10. José Soares - Metropolitana </span></div>
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11. Oliveira Filho (Guanabara)</span></div>
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12. Euclides Duarte (Mauá)</span></div>
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13. Othon Bastos (Mauá)</span></div>
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14. Sergio Porto (Mayrink Veiga)</span></div>
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15. Teonir Buteri (Vera Cruz)</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0kEH2DSD9xg7aznqXUqxpO9g-7oKBIUo2l1O4cq7d7u6TpCDtdwGub_wVB3Ts6iU8oe23DeZHiIE_EcXMf6hP-JYJtMKzgBg1gY-1Mbjsj7sRrX2q0bvr3ocUSeHRl01M0RjR49vt6vBj/s2048/20210531_161206.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1891" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0kEH2DSD9xg7aznqXUqxpO9g-7oKBIUo2l1O4cq7d7u6TpCDtdwGub_wVB3Ts6iU8oe23DeZHiIE_EcXMf6hP-JYJtMKzgBg1gY-1Mbjsj7sRrX2q0bvr3ocUSeHRl01M0RjR49vt6vBj/w591-h640/20210531_161206.jpg" width="591" /></a></div><span style="font-family: arial;">'Melodias', <b><span style="color: #ffa400;">June 1963</span></b> - With a hit under his belt, '<b>Amor e desprezo</b>', Rossini Pinto became news in São Paulo too - up to that point he was a Rio de Janeiro persona. That's the 1st time I ever heard his name. I used to like 'Amor e desprezo' although it's such a self-pity statement. </span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><div><div style="text-align: center;"><b><span style="font-family: arial;">1962 & 1963</span></b></div><span style="font-family: arial;"><br /></span></div><div><span style="font-family: arial;"><b><span style="color: orange;">1962</span></b> e <b><span style="color: orange;">1963</span></b> foram anos de transição e consolidação do <b><span style="color: orange;">rock'n'roll</span></b> como maneira de expressão da juventude brasileira, principalmente com o surgimento de novíssimos conjuntos instrumentais a começar por <b><span style="color: orange;">The Jet Blacks</span></b>, <b><span style="color: cyan;">The Jordans</span></b> e <b><span style="color: yellow;">The Clevers</span></b>. </span></div><div><span style="font-family: arial;"><br /></span></div><div><span style="font-family: arial;">Ao mesmo tempo, o bolero, as versões de músicas estrangeiras e até o tango ainda imperavam na Parada de Sucesso. </span></div><div><span style="font-family: arial;"><br /></span></div><div><span style="font-family: arial;"><b><span style="color: orange;">TV Excelsior</span></b>, inaugurada em 1960, se consolidava como a mais popular do país... uma verdadeira revolução nos meios de comunicação. Vivíamos tempos de mudança no vídeo.</span></div><div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhsM58-BPV2MP-c2chQOa3u2YMoQ_GzFow4uMKwS0bHL84k8C8e0rZsDuqn3Z-zOeR9HYz-QPRBx3KDFFZm9AAqu7py8YYgffqevCGGsLkzKjieVHWa-0YCCOyqGqsxSWxVi7NkOJJX0GEVSKet-bmJwDEoOZLgqPl0BAOxE-rbP_KC1gGLxBzIRF3Ubg=s424" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="424" data-original-width="225" src="https://blogger.googleusercontent.com/img/a/AVvXsEhsM58-BPV2MP-c2chQOa3u2YMoQ_GzFow4uMKwS0bHL84k8C8e0rZsDuqn3Z-zOeR9HYz-QPRBx3KDFFZm9AAqu7py8YYgffqevCGGsLkzKjieVHWa-0YCCOyqGqsxSWxVi7NkOJJX0GEVSKet-bmJwDEoOZLgqPl0BAOxE-rbP_KC1gGLxBzIRF3Ubg=s16000" /></a><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgr53dtQv-Y0KAHbVymkZhNXp8U0yfYZBzSw-gFULodTf7B3aFmJ7RNYgyek7sxSc8pnPJ-lIN-UAJ5Wv0O0l265Iz5-zTPxoPMYV_dFssib8_jBK0qu6wvdvDX29X9Y2GirfCxs5k99hJzea7ACarv4XtEbkqIdy5bFn9EyhC2QsC9F5hwZdL-vFbvAA=s616" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="616" data-original-width="258" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEgr53dtQv-Y0KAHbVymkZhNXp8U0yfYZBzSw-gFULodTf7B3aFmJ7RNYgyek7sxSc8pnPJ-lIN-UAJ5Wv0O0l265Iz5-zTPxoPMYV_dFssib8_jBK0qu6wvdvDX29X9Y2GirfCxs5k99hJzea7ACarv4XtEbkqIdy5bFn9EyhC2QsC9F5hwZdL-vFbvAA=w168-h400" width="168" /></a></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">List of Rio <b>radio stations</b> that played rock'n'roll published by <b>Rossini Pinto</b> at his column at 'Correio da Manhã' on </span><b style="font-family: arial;">2nd August 1961</b><span style="font-family: arial;"> and </span><b style="font-family: arial;">13 October 1961</b><span style="font-family: arial;">.</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj8wu3ANeWRc_rXEbYSYmJDnDlTWhPL7B2Btf11G5AkMnT9UUthr72eWSLuBpHn5u7Zs3q7F0g_5Ck-u4SvM-lC4wsKpmdMBcx3YysNFBmzEclf8fpikOx2tNPIMVq4fQ4xGo8n6teCzi_AHLBjh-71Ru3V_c4edneV2J2XEWjRHLXcr6YoBRQoEZ1afA=s495" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="495" data-original-width="225" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEj8wu3ANeWRc_rXEbYSYmJDnDlTWhPL7B2Btf11G5AkMnT9UUthr72eWSLuBpHn5u7Zs3q7F0g_5Ck-u4SvM-lC4wsKpmdMBcx3YysNFBmzEclf8fpikOx2tNPIMVq4fQ4xGo8n6teCzi_AHLBjh-71Ru3V_c4edneV2J2XEWjRHLXcr6YoBRQoEZ1afA=w182-h400" width="182" /></a><a href="https://blogger.googleusercontent.com/img/a/AVvXsEglHzxEW1G7Y_IEPVIWGwATUcaevBbGRLK8bERalIOoO_XYRD16ojKlCOGBfvONLIQkqq8x6atX20FAxopNs2uc3meSvtJ7l_IWTuzFsH_NtS8Co6Js7WN9ld3i4TCspnM3h880Rypp4ytWbhkt2qeLq-ZXwMVIC-sRyepnZPCJ2TydCGctwjDXLxo8jQ=s619" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="619" data-original-width="256" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEglHzxEW1G7Y_IEPVIWGwATUcaevBbGRLK8bERalIOoO_XYRD16ojKlCOGBfvONLIQkqq8x6atX20FAxopNs2uc3meSvtJ7l_IWTuzFsH_NtS8Co6Js7WN9ld3i4TCspnM3h880Rypp4ytWbhkt2qeLq-ZXwMVIC-sRyepnZPCJ2TydCGctwjDXLxo8jQ=w165-h400" width="165" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><b>3rd August 1961</b> - </span><span style="font-family: arial;">Rossini shows where to listen to rock hits in Rio de Janeiro; Rossini prints the list of most popular tunes at Jair de Taumaturgo's '<b>Peça bis pelo telefone</b>' on <b>29</b> <b>November 1961</b>. </span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDs6O4ldm1H6pQWN0_0qxjsYQSNDAIzeumlJ9PTiKaQkwu5NR4CyI7sgJCUgxsYiBErElrkX-hDfVRt3otVa8RnAlzCzPCcxc8pcIvRpN-LsFN6WUWIHVKlDpG1sg0TrGRAZrHfcacDEAXbsIg1zjPUYbK5_gUZedizvqK-DZpZCe4Zzd6AANrmVmAqg/s1874/Rock.Janio%20.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1342" data-original-width="1874" height="458" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDs6O4ldm1H6pQWN0_0qxjsYQSNDAIzeumlJ9PTiKaQkwu5NR4CyI7sgJCUgxsYiBErElrkX-hDfVRt3otVa8RnAlzCzPCcxc8pcIvRpN-LsFN6WUWIHVKlDpG1sg0TrGRAZrHfcacDEAXbsIg1zjPUYbK5_gUZedizvqK-DZpZCe4Zzd6AANrmVmAqg/w640-h458/Rock.Janio%20.jpg" width="640" /></a></div><span style="font-family: arial;">'Revista do Rock' no. 7, <b>February 1961</b> gives 2 pages to DJ-song-writer-singer Rossini Pinto.</span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJGiFTTFEIwKRmI9X3gdIWYILM8z34mOf-se6TFNXbZdjS_C0Tq3U3wi5dTNLqy5dTS9Zl5biL1NR9jZeZj23pVSLMm1tCa-b8_0BKSCZFZ_KzwLuzW74A3UfrdkQT0cwl5-HvtaZHblb9BukaWod-1WJD_KCZu_UbRKv4_qiggldJ3Fgjt4zRudaBYw/s1885/Rock.rossini.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1360" data-original-width="1885" height="462" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJGiFTTFEIwKRmI9X3gdIWYILM8z34mOf-se6TFNXbZdjS_C0Tq3U3wi5dTNLqy5dTS9Zl5biL1NR9jZeZj23pVSLMm1tCa-b8_0BKSCZFZ_KzwLuzW74A3UfrdkQT0cwl5-HvtaZHblb9BukaWod-1WJD_KCZu_UbRKv4_qiggldJ3Fgjt4zRudaBYw/w640-h462/Rock.rossini.jpg" width="640" /></a></div><span style="font-family: arial;"><div style="text-align: center;">Rossini Pinto tells his story regarding his meetin with future <b>President Janio Quadros</b>. </div></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdtSkW8rol57dEL4tMPA3X4zGf8ZNqsOrBOPDgiBYBohW3BwY0A5yEaa6L1D3Jat95hKmWt87wElkjLXJk-KbjQ9dwh43yhamaUuKxqN53O2OPRgC2Y41GhTk1HxDmniCkbzD_fky3RLrrdvpa0Vis6OCqEqQOtYsfjtJE1EPUDfQGDwpXfAGrGl8iNw/s1938/Rock.Avalon%20.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1938" data-original-width="1361" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdtSkW8rol57dEL4tMPA3X4zGf8ZNqsOrBOPDgiBYBohW3BwY0A5yEaa6L1D3Jat95hKmWt87wElkjLXJk-KbjQ9dwh43yhamaUuKxqN53O2OPRgC2Y41GhTk1HxDmniCkbzD_fky3RLrrdvpa0Vis6OCqEqQOtYsfjtJE1EPUDfQGDwpXfAGrGl8iNw/w281-h400/Rock.Avalon%20.jpg" width="281" /></a></div><span style="font-family: arial;"><div style="text-align: justify;">'Revista do Rock' no. 7, February 1961, with a long article about Rossini Pinto. The story goes Rossini worked as a journalist first for 'Jornal dos Sports' and later for 'Correio da Manhã' where wrote a daily column about new released records. Rossini knew there was money in the music business and wanted to become a song-writer when a friend of his approached him with an offer he couldn't refuse. It was April 1960, and this chap had come across a poem written by <b>Janio Quadros</b>, a populist politician who was no. 1 in the polls to become the next Brazilian president in general elections that would take place in 6 months. Mr Quadros had written 'Convite ao amor' in 1939, while he was still in college. This friend of Rossini's urged him to put music to those words, record it himself and release it before the elections. And that's what Rossini did. He was lucky enough to have met Janio Quadros personally on a plane going to São Paulo who agreed with the funny idea. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Rossini went to Copacabana Discos who enlisted the services of <b>Betinho</b> & His Combo plus the vocal backing of <b>The Golden Boys</b> and the record was soon released. Rossini who up to that moment had only sang in the shower became a vocalist overnight. Come <b>October 1960</b>, and Mr Quadros win the election and becomes the President of Brazil. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">That's when 'Revista do Radio' approaches Rossini for an interview about his immediate future. Rossini was on top of the world and had his eyes on a position he might 'earn' from the President: a 'job' as 'something' at Brazil's commercial office in New York City, U.S.A. Rossini said he would take his mother (Iracema) and his older brother (Norberto) along for the ride. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Six months later, <b>25 August 1961</b>, Rossini's dreams of living in the USA came to nothing when Mr Janio Quadros resigned to the Presidency, barely 8 months in office. </div></span></div></div></div></div>
Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-40212125089379994382018-09-14T06:49:00.022-07:002023-10-26T13:05:03.474-07:00early CELLY CAMPELLO <div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQ8SHZeVX8U5VniFxT6dRhsAp3InYpXVlyTXkGrj87cC4Q0j3qcTQN-hMSgohfKEiKc6lWMPnQ6kNdV44S68roalekwUREoah1Q5lSNgHA5_owh8-u9avjSKRLZPb1Z59pNQ-ZHaKe1ev7/s1980/celly.campello.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1638" data-original-width="1980" height="529" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQ8SHZeVX8U5VniFxT6dRhsAp3InYpXVlyTXkGrj87cC4Q0j3qcTQN-hMSgohfKEiKc6lWMPnQ6kNdV44S68roalekwUREoah1Q5lSNgHA5_owh8-u9avjSKRLZPb1Z59pNQ-ZHaKe1ev7/w640-h529/celly.campello.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">pre-teen Celly Campello.</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheuJ7JMzJhKeM8A7U1YT0wO6q-m1zjjJSqIQLRgRejvro6DAURy_iDRpK4NfHPMqPYVY9x3-6zQeWtfKXb4hQIB3KAgmQI3y4MM90tFbnh9fxzUIiy4_OxcC-jM-CZBV0YOMsHP5QXZBWA/s1347/Celia.Campello.Beatriz.de.Oliveira.Claudia.Baruzi.1951.1952.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1347" data-original-width="810" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheuJ7JMzJhKeM8A7U1YT0wO6q-m1zjjJSqIQLRgRejvro6DAURy_iDRpK4NfHPMqPYVY9x3-6zQeWtfKXb4hQIB3KAgmQI3y4MM90tFbnh9fxzUIiy4_OxcC-jM-CZBV0YOMsHP5QXZBWA/w385-h640/Celia.Campello.Beatriz.de.Oliveira.Claudia.Baruzi.1951.1952.jpg" width="385" /></a></div><span style="font-family: arial;"><div style="text-align: justify;">Celia Campello with Beatriz de Oliveira and Claudia Baruzi circa 1951 or 1952 at a dancing function in Taubaté-SP.</div></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">
Rio de Janeiro's leading daily newspaper '<b>Correio da Manhã</b>' mentioned Celly Campello on <b>13 July 1958</b>, for the very first time. Columnist <b><span style="color: orange;">Claribalte Passos</span></b> actually hailed the release of Odeon's 78 rpm single '<b>Forgive me</b>' sung by Tony Campello b/w '<b>Handsome boy</b>' sung by his sister Celly as '<b><span style="color: orange;">not</span></b> <b><span style="color: orange;">bad</span></b>'. Claribalte's final judgement is that the record is 'acceptable'. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjGn3my6iMDQwD0DTCzZasUYT6qTqXWNXdetplGYQp8ZhPsxeJOjt2u8mlsbUeav0X74xHwFOiUGB4YT2DFoOoIaEn3kS6JFl5lPhsqu09Z31GZ3AyeM4F5nGgJB1llGhCSUShQBt9diHe/s1600/I0093702-70Alt%253D003752Lar%253D002484LargOri%253D004969AltOri%253D007503-Celly+%25282%2529.JPG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="378" data-original-width="288" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjGn3my6iMDQwD0DTCzZasUYT6qTqXWNXdetplGYQp8ZhPsxeJOjt2u8mlsbUeav0X74xHwFOiUGB4YT2DFoOoIaEn3kS6JFl5lPhsqu09Z31GZ3AyeM4F5nGgJB1llGhCSUShQBt9diHe/s320/I0093702-70Alt%253D003752Lar%253D002484LargOri%253D004969AltOri%253D007503-Celly+%25282%2529.JPG" width="243" /></span></a></div>
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'Correio da Manhã' <b><span style="color: orange;">13 July 1958</span></b>.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfrsvXcpqrw6tuU1N21Cks_xgPHXHiKO1GBDXLlW_Nd1UrrjumTJKVIDarLo-Yv8RZsdorZ8V6qjiBZSvI4FyHlsBpAw4_axkq6wDEN9E3bSblu-u0aoeyEZmYO0RjSVk_imMVxCDSqR0p/s1600/I0093702-70Alt%253D003752Lar%253D002484LargOri%253D004969AltOri%253D007503-Celly+%25283%2529.JPG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1600" data-original-width="1229" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfrsvXcpqrw6tuU1N21Cks_xgPHXHiKO1GBDXLlW_Nd1UrrjumTJKVIDarLo-Yv8RZsdorZ8V6qjiBZSvI4FyHlsBpAw4_axkq6wDEN9E3bSblu-u0aoeyEZmYO0RjSVk_imMVxCDSqR0p/s640/I0093702-70Alt%253D003752Lar%253D002484LargOri%253D004969AltOri%253D007503-Celly+%25283%2529.JPG" width="491" /></span></a></div>
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Amidst a plethora of new records - <b><span style="color: orange;">Maysa</span></b>'s 'Eu não existo sem você' being the most important, Claribalte Passos acknowledges the release of <b>Celly Campello</b>'s first ever 78 rpm single: '<b><span style="color: orange;">Handsome</span></b> <b><span style="color: orange;">boy</span></b>' which was the B-side of her brother <b>Tony</b>'s '<b>Forgive me</b>'.</span></div>
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'Correio da Manhã', Tuesday, <b><span style="color: orange;">26 May 1959</span></b>.</span></div>
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Ten months after Claribalte Passos first noticed the existence of Celly Campello he writes about her in a different way:</span></div>
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Transitará hoje pelo Rio a garota-sensação do radio e TV paulistas, Celly Campello, que vem ocupando os 1os. postos nas paradas de sucessos em São Paulo e nesta praça (Rio) com sua recente gravação Odeon de 'Estúpido cupido' (Stupid cupid). Celly estará entre nós, apenas por algumas horas, participando somente do programa '<b><span style="color: orange;">Discoteca do Chacrinha</span></b>', do <b><span style="color: orange;">Canal 6</span></b>, às 13:00 horas e, logo em seguida, retornará ao seu Estado. Na ocasião, Celly será homenageada por colegas de radio, TV, cronistas de jornais e revistas, numerosos fãs e pelo próprio Chacrinha, que foi seu lançador na <b><span style="color: orange;">Radio Carioca</span></b>.<br />
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À guisa de curiosidade publicamos alguns dados da curta, mas já vitoriosa carreira dessa 'estrêla':<br />
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Estreou cantando em dupla com seu irmão Tony Campello. Em 1958, convidada por Mario Gennari Filho, gravou uma face de disco na Odeon (a outra foi de Tony) e então iniciou a carreira profissional mas, terminaram suas férias e retornou a Taubaté-SP para continuar seus estudos do <b><span style="color: orange;">curso clássico</span></b>. Gravou cinco músicas que foram: '<b>Handsome boy</b>', '<b>Devotion</b>', '<b>O céu mudou de cor</b>', '<b>Estúpido</b> <b>cupido</b>' e '<b>The secret</b>'.<br />
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'Correio da Manhã' <b><span style="color: orange;">26 July 1959</span></b>; Radiolandia <b><span style="color: orange;">15 June 1960</span></b>.</span></div>
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Claribalte Passos now welcomes Celly's very first E.P. (extended-play aka compacto-duplo) featuring: 'Estupido cupido' (Stupid cupid), 'The secret', ''Tunel do amor' (Have lips will kiss in the tunnel of love) & 'Somos jovens' (Just young).<br />
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MC Randal Juliano presented 'Programa da Juventude' in 1960 at TV Record.</span></div>
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?, Celly & Tony, Luiz de Carvalho & ... </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg67SfxhVT3I_nfzvKj1Fgzr0-5VN1k8JP_LFl9wJ027m8jZgp9xmSlWtHX71BbT8LTrKmgd3SpUROMZQL1HHivSlpFrr93JgMfAkTMhULnnyLJzcQyhr6kJ_mh52ecbcQfZHwO-UTujR0Y/s1600/16998914_370058383379875_1738384383015571297_n+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="904" data-original-width="613" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg67SfxhVT3I_nfzvKj1Fgzr0-5VN1k8JP_LFl9wJ027m8jZgp9xmSlWtHX71BbT8LTrKmgd3SpUROMZQL1HHivSlpFrr93JgMfAkTMhULnnyLJzcQyhr6kJ_mh52ecbcQfZHwO-UTujR0Y/s640/16998914_370058383379875_1738384383015571297_n+%25282%2529.jpg" width="433" /></span></a></div>
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Celly & her Mama on the cover of '<b><span style="color: orange;">Radiomelodias</span></b>'. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkyDNxfQjGibv8TpPDAn0r7qLhS3YrzUi9-s04LVXztLPEV2Qla1S9sDHMZcAkWmTbNyMAIAYVvtp35MxT3lUx-nrIXJ071lBEMReCqxOohoThdKNbbb7czYNrvOqZNv-V2AIC5oldcdfo/s1600/43687220_667307886988255_6433690177083801600_n.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="960" data-original-width="755" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkyDNxfQjGibv8TpPDAn0r7qLhS3YrzUi9-s04LVXztLPEV2Qla1S9sDHMZcAkWmTbNyMAIAYVvtp35MxT3lUx-nrIXJ071lBEMReCqxOohoThdKNbbb7czYNrvOqZNv-V2AIC5oldcdfo/s640/43687220_667307886988255_6433690177083801600_n.jpg" width="503" /></span></a></div>
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Celly at her Gymnasium in Taubaté-SP.</span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT8SBJ1F1bRUGXUd9Mxu-Wgd-SBO8Nt4_bdmo7zFXSh1mqz_Q4xPqY-lGxcgJV6AsxmEGtdPDfyzVbuRaVraWJvU9jW5-j9KsB2FnwTc4lUUk_cWkDx6SkSTc3G1hdaZCodk3SNpNLR6xz/s960/Celly.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="633" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT8SBJ1F1bRUGXUd9Mxu-Wgd-SBO8Nt4_bdmo7zFXSh1mqz_Q4xPqY-lGxcgJV6AsxmEGtdPDfyzVbuRaVraWJvU9jW5-j9KsB2FnwTc4lUUk_cWkDx6SkSTc3G1hdaZCodk3SNpNLR6xz/w422-h640/Celly.jpg" width="422" /></a></div><div class="separator" style="clear: both; text-align: center;">at Elementary School. </div></span></div>
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a very musical family: Tony at guitar, Celly on the piano, <b>Selma Rayol</b> & Nelson Campello just watching... </span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiy2hi_JMnnF5H7g8ZbFC_iQbZkmnGitbhOrYrCH1fFVGkbZv_OPEljEN7SrGEmwihlfRv8le2QzJLekiWmbqQ7IUFUCpRDJpMZzC1rhwTwDutcyL0qYiimQtIyZdty5C8-7Pe5ijr8Ds1thw4PBFDVlznOaORbxdmONUfOOUnShtXs-mwlY_ypxgGe8w/s1682/Celly.at.home.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1682" data-original-width="1368" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiy2hi_JMnnF5H7g8ZbFC_iQbZkmnGitbhOrYrCH1fFVGkbZv_OPEljEN7SrGEmwihlfRv8le2QzJLekiWmbqQ7IUFUCpRDJpMZzC1rhwTwDutcyL0qYiimQtIyZdty5C8-7Pe5ijr8Ds1thw4PBFDVlznOaORbxdmONUfOOUnShtXs-mwlY_ypxgGe8w/w521-h640/Celly.at.home.jpg" width="521" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">at home in Taubaté-SP.</span></div></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPqMf5ftntgCWNITDCMnWjhbdjm5q4EB6OSPyV29r4FWKbWjP9b2l2ilHUjdfimAIj5KgBLGjvB6vEzxS9x2Ky4gMZcRgNiPPd1SdWms6QU6DhEnw0vVlwizAFajNEG81pdBezmXfGGi4f/s2026/celly.1_LI.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2026" data-original-width="1444" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPqMf5ftntgCWNITDCMnWjhbdjm5q4EB6OSPyV29r4FWKbWjP9b2l2ilHUjdfimAIj5KgBLGjvB6vEzxS9x2Ky4gMZcRgNiPPd1SdWms6QU6DhEnw0vVlwizAFajNEG81pdBezmXfGGi4f/w456-h640/celly.1_LI.jpg" width="456" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">Celly & Tony at Gothic Taubaté. </span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0Q7d7ag_V8yitJ8u7hrNnze7N3_NV70RVDrLQ_2zsDdt9MrKrazZj3ZbpBNDv6bP_X3OjZTsPRbRsuV1uvWnOaRubwF2MyuS7r-XlLIfoD2E0K9qBcqdPvV81QpzVljtXVFVsiSivzy1OsDatLGKivhpD6D4cEZ1sU2R1o405WrlWQWkd9qagpqBnYQ/s540/celly.portrait.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="427" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0Q7d7ag_V8yitJ8u7hrNnze7N3_NV70RVDrLQ_2zsDdt9MrKrazZj3ZbpBNDv6bP_X3OjZTsPRbRsuV1uvWnOaRubwF2MyuS7r-XlLIfoD2E0K9qBcqdPvV81QpzVljtXVFVsiSivzy1OsDatLGKivhpD6D4cEZ1sU2R1o405WrlWQWkd9qagpqBnYQ/w316-h400/celly.portrait.jpg" width="316" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">brother & sister. </span></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ52egmqEzawBn47Vn1Y5LciTOptccBBA61HzG55GikPQUxKvjIeEHdmPs0Vxf2of98YbAKi8_cjX7q3QI7B09lMFZXfZsBMGsw-GYH7QG_JcVi25IRiVON9D9OIHnXkswr6iE3bSyvuMCRuTnu5A3D2sF4wwQHn0_WuQNQOE6WXzh5H2MdSRZj8rAbA/s253/celly.tony.nelson.crian%C3%A7a.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="199" data-original-width="253" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ52egmqEzawBn47Vn1Y5LciTOptccBBA61HzG55GikPQUxKvjIeEHdmPs0Vxf2of98YbAKi8_cjX7q3QI7B09lMFZXfZsBMGsw-GYH7QG_JcVi25IRiVON9D9OIHnXkswr6iE3bSyvuMCRuTnu5A3D2sF4wwQHn0_WuQNQOE6WXzh5H2MdSRZj8rAbA/s1600/celly.tony.nelson.crian%C3%A7a.jpg" width="253" /></a></div><span style="font-family: arial;">brothers Tony & Nelson posing for the photographer...</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwSyX66Ho44ceH1ayOdeBWFUjWLCgNk8kAMb7b3C65Fv7OBtqXbdxqEOQ-PMKkMYNH_VLkH6dZNMRCnfNJQ8L7szslI4WfqP6IuhLknnjiPTwKoURffoOJyTrh8yv9Vqo6LIvVtb6e8uREparLeYB9CGfkKclmglxovISYEu16vrWS21I5AfpPQW7aRw/s570/celly.tony.nelson.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="570" data-original-width="541" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwSyX66Ho44ceH1ayOdeBWFUjWLCgNk8kAMb7b3C65Fv7OBtqXbdxqEOQ-PMKkMYNH_VLkH6dZNMRCnfNJQ8L7szslI4WfqP6IuhLknnjiPTwKoURffoOJyTrh8yv9Vqo6LIvVtb6e8uREparLeYB9CGfkKclmglxovISYEu16vrWS21I5AfpPQW7aRw/w304-h320/celly.tony.nelson.jpg" width="304" /></a></div><span style="font-family: arial;">Tony & Nelson already grown up.</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwxBKEryQTeer3EPLKLdt7wFs-7Vh9g7YRP4KcLWGYV_jmCedj9bmWLYW1o-tRxwgte2GaHuhB1RhNFzONfACLUug1mEVTl2NIYaNKzl78BNso1eTQcIK5UcyY2yR7hCVoUXpGnpPM_fx8qt8Mvv3Gud6JxhcuRg3KFhzl4RJm_NkjWjIpghCnIYDKCOKy/s963/Celly.Tony.Nelson%20.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="723" data-original-width="963" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwxBKEryQTeer3EPLKLdt7wFs-7Vh9g7YRP4KcLWGYV_jmCedj9bmWLYW1o-tRxwgte2GaHuhB1RhNFzONfACLUug1mEVTl2NIYaNKzl78BNso1eTQcIK5UcyY2yR7hCVoUXpGnpPM_fx8qt8Mvv3Gud6JxhcuRg3KFhzl4RJm_NkjWjIpghCnIYDKCOKy/w640-h480/Celly.Tony.Nelson%20.jpg" width="640" /></a></div><span style="font-family: arial;">Tony, Celly & Nelson Campello. </span><span style="font-family: arial;"><br /></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2WttjquXyhopj86yS7Bnagxm2qbvkdHODixgbJYkgazfGucaswLNeOSD0MJJM7p4tr-FbCNfLYncKQ8PVFr3zj0WCjH96l2TWLqH8WqiUhxXT0evwJAIWvlT5LfDn1_bcSankPITX8CWg/s1600/64590171_810751399310569_5787925957046173696_n.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="960" data-original-width="627" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2WttjquXyhopj86yS7Bnagxm2qbvkdHODixgbJYkgazfGucaswLNeOSD0MJJM7p4tr-FbCNfLYncKQ8PVFr3zj0WCjH96l2TWLqH8WqiUhxXT0evwJAIWvlT5LfDn1_bcSankPITX8CWg/s640/64590171_810751399310569_5787925957046173696_n.jpg" width="418" /></span></a></div>
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Look at me, I'm Sandra Dee...</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_rbV0X6q3gNZwHGrM1LSd7riW_3FC2gh4CefdtQZ41Gm4ffpO1shEE9OE50TwHkm5dn_J2Yi-N3jCf4EVKjMG9BfGC2kiY_lN_ZHn9X4lYgKmkjAWq1GSSzEb8K_NVxueAlBxgwLQk15jzq9dmK8gQK453suGiSPMwDwrjC8erWE4DyoM49qKhOIXqqdh/s805/Celly.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="805" data-original-width="526" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_rbV0X6q3gNZwHGrM1LSd7riW_3FC2gh4CefdtQZ41Gm4ffpO1shEE9OE50TwHkm5dn_J2Yi-N3jCf4EVKjMG9BfGC2kiY_lN_ZHn9X4lYgKmkjAWq1GSSzEb8K_NVxueAlBxgwLQk15jzq9dmK8gQK453suGiSPMwDwrjC8erWE4DyoM49qKhOIXqqdh/w418-h640/Celly.jpg" width="418" /></a><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjFxhaDbFbBDyN41BFxtkFjp_Bg4fFv4FSu6EqI7NZH4Zt1nk6ZkDR7FM8boA2zBgOMAeLmCa9J4GI9dyogw_va1r-NjoZequYGgRe1BMVcOh_johbRBCrgmFzPL203WpFwN1iqHZ2B49-_Bb1D2VezrsOLuSgwg5GrpaD039Q_bNHLr9HgmtKzUQEQeyA/s526/Celly.samambaia.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="520" data-original-width="526" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjFxhaDbFbBDyN41BFxtkFjp_Bg4fFv4FSu6EqI7NZH4Zt1nk6ZkDR7FM8boA2zBgOMAeLmCa9J4GI9dyogw_va1r-NjoZequYGgRe1BMVcOh_johbRBCrgmFzPL203WpFwN1iqHZ2B49-_Bb1D2VezrsOLuSgwg5GrpaD039Q_bNHLr9HgmtKzUQEQeyA/s16000/Celly.samambaia.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0WCFKA-8VdUVtxx_pBWY7XR94PfiCaQL7egRmI6idJKZpVGXXufvnn5S-8GHUJOEVZD1FZEBT71ABPDSfuWmRvzsV14ZIOQSdKibdPwtemHz18uCuJgB3DoKbYEbnbMRrmdQz6QtyiXi9Cw68J-Fi06fP0cHY3vROgJ_d4IrURPWUkmgRYFAnmOwv3QoB/s600/Celly.orchidea.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="519" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0WCFKA-8VdUVtxx_pBWY7XR94PfiCaQL7egRmI6idJKZpVGXXufvnn5S-8GHUJOEVZD1FZEBT71ABPDSfuWmRvzsV14ZIOQSdKibdPwtemHz18uCuJgB3DoKbYEbnbMRrmdQz6QtyiXi9Cw68J-Fi06fP0cHY3vROgJ_d4IrURPWUkmgRYFAnmOwv3QoB/s16000/Celly.orchidea.jpg" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoAW8L4kPACqWtQ1n6eTikeRMZfVphqqaSUzNMfQWPbF_w6lwohR13QaGy1XhBRhWgfNZbxwEpPj5dRlIKdCHZ6dhpSkdR565wiypwMi1nNmnI5VAmu9Wm22op6W_Z2-VTBUnHiu4N0t7S/s1600/Nelson.Campello.Idea.Celly...Tony.Nelsinho.Filho.1958.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="685" data-original-width="960" height="456" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoAW8L4kPACqWtQ1n6eTikeRMZfVphqqaSUzNMfQWPbF_w6lwohR13QaGy1XhBRhWgfNZbxwEpPj5dRlIKdCHZ6dhpSkdR565wiypwMi1nNmnI5VAmu9Wm22op6W_Z2-VTBUnHiu4N0t7S/s640/Nelson.Campello.Idea.Celly...Tony.Nelsinho.Filho.1958.jpg" width="640" /></span></a></div>
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Mr. Campello, his wife Idea, Celly, an unidentified man, Tony & Nelson Campello... </span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLN2b7OkQHxhltV3fEav3eTY1f0UcRLP_IH4ZiZQiim98zcZE9JUNQOuruJFyfOetbzexAYt6_xVEgM5b0nZaiCEz9LGjgammkW_7j5p0RZpkA3wxKUoqPc8PKv6NLxolV1ltSBV_5zBu_Kjg-cb-fkRxVS3KSdYYIk9FkXArPuSVMNweC65030F0XLw/s1335/L%C3%A9a.Benelli.Nelson.F.Campello..jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1093" data-original-width="1335" height="524" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLN2b7OkQHxhltV3fEav3eTY1f0UcRLP_IH4ZiZQiim98zcZE9JUNQOuruJFyfOetbzexAYt6_xVEgM5b0nZaiCEz9LGjgammkW_7j5p0RZpkA3wxKUoqPc8PKv6NLxolV1ltSBV_5zBu_Kjg-cb-fkRxVS3KSdYYIk9FkXArPuSVMNweC65030F0XLw/w640-h524/L%C3%A9a.Benelli.Nelson.F.Campello..jpg" width="640" /></a></div><span style="font-family: arial;">Mother Lea Benelli, Celly & her father Nelson F. Campello</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFxWka3jMcBPm9UjwDJpTktUyg44RkO8BH3pKXIbJQzZ_euOOQS_h0JKoyK-HPXjpGODPLYQzy6-kdVlQe2lu2qr4YvThwtwl-N5rGD7kn05E9i7aaS8kDWtjY6tK4jvrgg9X0NSNu3arr/s1600/49285308_715505815501795_6068871261210017792_n.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="699" data-original-width="960" height="466" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFxWka3jMcBPm9UjwDJpTktUyg44RkO8BH3pKXIbJQzZ_euOOQS_h0JKoyK-HPXjpGODPLYQzy6-kdVlQe2lu2qr4YvThwtwl-N5rGD7kn05E9i7aaS8kDWtjY6tK4jvrgg9X0NSNu3arr/s640/49285308_715505815501795_6068871261210017792_n.jpg" width="640" /></span></a></div>
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17 August 1960. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGGkTd5ag2Ohk7uarYP17j2bMNmM8FosRwLph-2Zx18upj03ivyiRMLVA1KqRfpvZB9d7PEdzFz1OVXogQ9bP0fZfNUfEp4hcYHcvgkqvhKCo5Gw1D4nf9FH3KG88DlazLV4URMcVNDl8K/s1600/49492210_715653992153644_2163400272812965888_n.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="633" data-original-width="960" height="422" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGGkTd5ag2Ohk7uarYP17j2bMNmM8FosRwLph-2Zx18upj03ivyiRMLVA1KqRfpvZB9d7PEdzFz1OVXogQ9bP0fZfNUfEp4hcYHcvgkqvhKCo5Gw1D4nf9FH3KG88DlazLV4URMcVNDl8K/s640/49492210_715653992153644_2163400272812965888_n.jpg" width="640" /></span></a></div>
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Tony & Celly at the height of their successful career... </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitYdUqukrU_Gx40JLZPoKxypAl7o2Rqmhluur9l7mKX9fKPOXLIDDfrX49ppeAXgtakUzxQNfJ7ByNaVfjss20B4Izb7phE5yVrBhS-Ncq14gNtyyMkCrfseXPp-rnuIW1Icbkw6nq0N50/s1600/35329082_575965132789198_5278456747416092672_n.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="504" data-original-width="940" height="343" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitYdUqukrU_Gx40JLZPoKxypAl7o2Rqmhluur9l7mKX9fKPOXLIDDfrX49ppeAXgtakUzxQNfJ7ByNaVfjss20B4Izb7phE5yVrBhS-Ncq14gNtyyMkCrfseXPp-rnuIW1Icbkw6nq0N50/s640/35329082_575965132789198_5278456747416092672_n.jpg" width="640" /></span></a></div>
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Celly later after she became a private citizen...</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6Zg24lCJ8sspVN4x4t2N-U0ray55uzMJST_jHp4InZ9vYgp2bewlGFLWduVnQ8PGlp3k0xc2qg56B_us5QL0ZSiDlMmNv2m4BHuB3XKOfI444U9yDGBu682CR2tKg_HeFN4PNgoA833e5-oSjw1vqF1vL5vFHniQxFjZroCtL-2-c56DafMVEBk2MUc3U/s709/Celly.Filha.Cristiane.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="694" data-original-width="709" height="391" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6Zg24lCJ8sspVN4x4t2N-U0ray55uzMJST_jHp4InZ9vYgp2bewlGFLWduVnQ8PGlp3k0xc2qg56B_us5QL0ZSiDlMmNv2m4BHuB3XKOfI444U9yDGBu682CR2tKg_HeFN4PNgoA833e5-oSjw1vqF1vL5vFHniQxFjZroCtL-2-c56DafMVEBk2MUc3U/w400-h391/Celly.Filha.Cristiane.jpg" width="400" /></a></div><span style="font-family: arial;">Celly and daughter Cristiane.</span><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7Z1vVQ2_I0xmqyWwoVjxz44gRLBap7tbOtm6mWtU7D4NhOK-c_5IkBVHops3EvLxn6TSAz1mwje1KaAkLqTifwZpF1wNlfGmo9Bewh45avzO35cRge7OE-aEVScFvuj_vLHYJbXc4K62D/s591/celly.garcia+%25283%2529.PNG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="591" data-original-width="499" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7Z1vVQ2_I0xmqyWwoVjxz44gRLBap7tbOtm6mWtU7D4NhOK-c_5IkBVHops3EvLxn6TSAz1mwje1KaAkLqTifwZpF1wNlfGmo9Bewh45avzO35cRge7OE-aEVScFvuj_vLHYJbXc4K62D/s16000/celly.garcia+%25283%2529.PNG" /></span></a></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Celly is hugged by <b>Isaura Garcia</b> at the <b>Chico Viola Awards</b> gala at Teatro Record in <b>January 1960</b>.</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-rLvNBJeesLbIG8La9iwtBrWqz8HDGvb2f4VBhIVqvn1rEhxSwm2kv6Mb0d9NpmXt1WgU77TVJhqfGLEAZL7Tvnae8OureqzeNedZHfBBWG-YYoqPAol9ZOigkgL3d3fO5YzjidRcyWE1/s953/43f97457eca1b4204fd43d9ba7.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="953" data-original-width="728" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-rLvNBJeesLbIG8La9iwtBrWqz8HDGvb2f4VBhIVqvn1rEhxSwm2kv6Mb0d9NpmXt1WgU77TVJhqfGLEAZL7Tvnae8OureqzeNedZHfBBWG-YYoqPAol9ZOigkgL3d3fO5YzjidRcyWE1/s16000/43f97457eca1b4204fd43d9ba7.jpg" /></span></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div>
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Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-26555626755218256852018-08-18T09:46:00.007-07:002021-12-19T10:41:12.991-08:001956 - 1963 CINEMA ROCK <div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: arial;"><b><span style="color: orange;">8 January 1956</span></b> - <b>Richard Brook</b>'s '<b><span style="color: orange;">Blackboard jungle</span></b>' (<b>Sementes de violência</b>) with <b><span style="color: orange;">Glenn Ford </span></b>had '<b>Rock around the clock</b>' with <b>Bill Haley and His Comets</b> in the sound-track and is considered the very first movie in which rock'n'roll is mentioned.</span></div>
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<span style="font-family: arial;"><b><span style="color: orange;">12 June 1956</span></b> - '<b>Correio da Manhã</b>' reviews '<b><span style="color: orange;">Blackboard jungle</span></b>' (Sementes de violência) released in Rio 5 months after São Paulo. The reviewer begins well, but soon loses himself to mediocrity, plain ignorance and chauvinism:</span></div>
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'Os que vêem '<b>licenciosidade</b>' e '<b>falsidade</b>' nesse filme, demonstram, de acordo com a critica lúcida dos Estados Unidos, além de miopia... É através de obras tão 'controvertidas' como '<b>The wild one</b>' (O selvagem), '<b>From here to eternity</b>' (A um passo da eternidade) e '<b>The Cairns mutiny</b>' (A nave da revolta), que, sobrepondo-se aos ataques de censores intelectualmente estreitos, o <b>cinema americano </b>reafirma <b>ser o mais democrático de todos os cinemas</b> - ao mesmo tempo em que confunde os seus <b>detratores crônicos</b>, <b><span style="color: orange;">orientados</span></b>, no mais das vezes, <b><span style="color: orange;">por Moscou</span></b>.' </span></div>
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It is a temerity to say that <b>Hollywood</b> was the '<b>most democratic cinema in the world</b>' when everyone knew most of the European cinema was decades ahead of the Yankees. Besides, the USA were barely out of the <b><span style="color: orange;">McCarthism witch-hunt</span></b>, one of the <b>most anti-democratic crusades</b> ever perpetrated in the world.</span></div>
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<span style="font-family: arial;"><b><span style="color: orange;">19 December 1956</span></b> - eagerly waited '<b>Rock around the clock</b>' (<b><span style="color: orange;">Ao balanço das horas</span></b>) premieres at Cine Ipiranga, Trianon, Paulista plus 9 other play-houses in Sao Paulo. Soon, newspapers would report about vandalism happening at Cine Paulista on Rua Augusta.<br />
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<span style="font-family: arial;"><b><span style="color: orange;">21st December 1956</span></b> - Rio's '<b>Correio da Manhã</b>' reports about <b><span style="color: orange;">Cine Paulista</span></b>'s being vandalized by middle class youth during the projection of '<b>Rock around the clock</b>'. Note that the word '<b><span style="color: orange;">rock'n'roll</span></b>' is treated as a <b><span style="color: orange;">feminine noun</span></b>: '<b>a rock'n'roll</b>'... eventually it would become a masculine noun.<br />
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<span style="font-family: arial;"><b><span style="color: orange;">30 December 1956</span></b> -<br />
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<span style="font-family: arial;"><b><span style="color: orange;">15 January 1957</span></b> - Three weeks later the same kind of vandalism happens in Rio de Janeiro too.<br />
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<span style="font-family: arial;"><b><span style="color: orange;">10 March 1957</span></b> - Right on '<b>Rock around the clock</b>'s heels came '<b><span style="color: orange;">Don't knock the rock</span></b>', another exploitative film to cash in on the rock wave.</span></div>
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<span style="font-family: arial;"><b><span style="color: orange;">13 October 1957</span></b> - 'soft' rock'n'roll balladeer <b><span style="color: orange;">Pat Boone </span></b>stars in '<b><span style="color: orange;">Bernardine</span></b>' (<b>O sonho que eu vivi</b>) released in the USA only on 24 July 1957; old timer <b><span style="color: orange;">Janet Gaynor</span></b> plays somebody's mother.<br />
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<span style="font-family: arial;"><b><span style="color: orange;">4 May 1958</span></b> - Elvis Presley's 2nd flick for Paramount Pictures, '<b><span style="color: orange;">Loving you</span></b>' (A mulher que eu amo). </span></div>
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<span style="font-family: arial;"><b><span style="color: orange;">11 May 1958</span></b> - Paramount's <b><span style="color: orange;">Elvis Presley</span></b>'s 2nd flick '<b><span style="color: orange;">Loving you</span></b>'.<br />
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<span style="font-family: arial;"><b><span style="color: orange;">16 July 1958</span></b> - <b>Tommy Sands</b> became an overnight sensation and instant teen-idol when he appeared on Kraft Television Theater in <b>January 1957</b> as '<b><span style="color: orange;">The singin' idol</span></b>' where he played the part of a singer was was very similar to <b>Elvis Presley</b>, with guitar, pompadour hair, and excitable teenage fans. The song from the show, '<b><span style="color: orange;">Teen-age crush</span></b>' reached #2 on <b><span style="color: orange;">23rd February 1957</span></b>, at the Billboard charts for 2 weeks.<br />
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'<b><span style="color: orange;">Sing, boy, sing</span></b>' was shot in record time by Fox and released in the USA in <b>February 1958</b>, to positive reviews, but it turned out to be a financial failure.<br />
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<span style="font-family: arial;"><b><span style="color: orange;">12 October 1958</span></b> - a 1957 Hollywood production '<b><span style="color: orange;">Jamboree</span></b>' called here mistakenly as '<b>O festival do</b> <b>jazz</b>' was one of the first rock'n'roll exploit-movies. Brazilian singer <b><span style="color: orange;">Cauby Peixoto</span></b> who was living in the USA in 1957, appears in the credits as <b><span style="color: orange;">Ron Cobby</span></b>, plays a rock D.J. and sings something about a toreador...</span></div>
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<span style="font-family: arial;"><b><span style="color: orange;">2nd November 1958</span></b> - <b>Elvis Presley</b>'s most successful rock song becomes '<b><span style="color: orange;">Prisioneiro do rock and roll</span></b>' - '<b>Jailhouse rock</b>'.<br />
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<span style="font-family: arial;"><b><span style="color: orange;">25 January 1960</span></b> - Mazzaropi's rural hero '<b><span style="color: orange;">Jeca Tatú</span></b>' may be the farthest thing possible from rock'n'roll but it was the flick that introduced Brazilian rock sensations <b><span style="color: orange;">Tony</span></b> & <b><span style="color: orange;">Celly Campello</span></b> to a larger audience.</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjLPLbDj2r1EuNS9PvcaiWcEhT58bdrcOL_dOr29dRezQLDJCqM76zyQ7DmhopmEqFsDRlp9Gum6sLfUiil3vuznH1Lm13KlPSOuJodAmHZn-8gRwQGIhMZKALg4zlp9qErbVlmf_AGeeKpb6gc_Fb84hyWRw6mOIMxp7JDweyJqUkgGtUpVtbu9T3K5g=s803" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="447" data-original-width="803" height="357" src="https://blogger.googleusercontent.com/img/a/AVvXsEjLPLbDj2r1EuNS9PvcaiWcEhT58bdrcOL_dOr29dRezQLDJCqM76zyQ7DmhopmEqFsDRlp9Gum6sLfUiil3vuznH1Lm13KlPSOuJodAmHZn-8gRwQGIhMZKALg4zlp9qErbVlmf_AGeeKpb6gc_Fb84hyWRw6mOIMxp7JDweyJqUkgGtUpVtbu9T3K5g=w640-h357" width="640" /></a></div><span style="font-family: arial;"><b><span style="color: #ffa400;">24 November 1960</span></b> - '<b>The beat generation</b>' (A noite dos malditos) starring Steve Cochran, <b>Mamie Van Doren</b> who made rock'n'roll movies a career in itself, <b>Ray Anthony</b> (Van Doren's husband then) and <b>Louis Armstrong</b> who could be anything he wanted. </span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: arial;"><b><span style="color: orange;"><span style="color: orange;">16 July 1961</span> - This <span style="color: orange;">Elvis Presley</span> vehicle could hardly be considered as a 'rock movie'. 'Flaming star</span></b>' (Estrêla de fôgo) is actually a 'western' where he plays a half-breed named Pacer Burton. This was Presley's 6th flick. He started in <b>1956</b> with '<b>Love me tender</b>'; in <b>1957</b> with '<b>Loving you</b>' and '<b><span style="color: orange;">Jailhouse Rock</span></b>'; in <b>1958</b> with '<b><span style="color: orange;">King Creole</span></b>'; in 1959 he served the US Army in <b>Germany</b>; when he came back to the States in <b>1960</b>, he shot '<b>G.I. Blues</b>' and this western.<br />
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<span style="font-family: arial;"><b><span style="color: orange;">7 September 1961</span></b> - One could hardly call '<b><span style="color: orange;">Where the boys are</span></b>' - quaintly translated into Portuguese as 'It takes two to fall in love' (<b><span style="color: orange;">Bastam dois para amar</span></b>) - as a 'rock movie' except for the presence of <b><span style="color: orange;">Connie Francis</span></b> as an actress and singer and <b><span style="color: orange;">Neil Sedaka</span></b>'s having written the opening title. George Hamilton and Yvette Mimieux were the first stars to confirm their presence. Paula Prentiss was cast despite never having made a movie before. Connie Francis also made her movie debut.<br />
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'Where the boys are' is less rock than <b><span style="color: orange;">cool modern jazz</span></b> - or <b>West Coast jazz</b> - popularized by such acts as Dave Brubeck, Gerry Mulligan and Chico Hamilton, then in the vanguard of the college music market, features in a number of scenes.<br />
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MGM bolstered the film's success potential by giving a large role to <b><span style="color: orange;">Connie Francis</span></b> who solicited the services of <b><span style="color: orange;">Neil Sedaka</span></b> & <b><span style="color: orange;">Howard Greenfield</span></b>, to write original material for her. Sedaka & Greenfield wrote 2 potential title songs for the film, but producer Joe Pasternak <b>passed over them</b> in favour of a <b>lush 1950s style movie-theme</b>. Francis recorded 'Where the boys are' on 18 October 1960, in a NYC session with Stan Applebaum arranging and conducting.<br />
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<span style="font-family: arial;"><b><span style="color: orange;">22nd October 1961</span></b> - This ain't exactly a 'rock' movie but for the appearance of heart-throb <b><span style="color: orange;">Paul Anka </span></b>opening the credits singing and playig his 1959 hit '<b><span style="color: orange;">Adam and Eve</span></b>'. <b><span style="color: orange;">Mamie Van Doren</span></b> always had a foot in the music business being the wife of horn-player Ray Anthony besides having appeared in seminal 'rock movies' like MGM's '<b>High School confidential</b>' (1958) and '<b>Girls town</b>' in 1959 where she appeared in the nude. <b><span style="color: orange;">Tuesday Weld</span></b> always played a 'rebel kid'... and <b><span style="color: orange;">Marty Milner </span></b>would be at Route 66.<br />
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<span style="font-family: arial;"><b><span style="color: orange;">4 January 1962</span></b> - 'Dançando o twist' - '<b><span style="color: orange;">Rock around the twist</span></b>' - was a new dance-craze which was actually an off-shoot of rock'n'roll & rhythm'n'blues.<br />
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<span style="font-family: arial;"><b><span style="color: orange;">14 January 1962</span></b> - A week later Paramount announces '<b>Vamos ao twist</b>' (<b><span style="color: orange;">Hey, let's twist</span></b>) introduces <b>Joey Dee & the Starliters </b>plus <b><span style="color: orange;">Teddy Randazzo</span></b> and <b>Jo Ann Campbell</b>. </span></div>
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<b><div style="text-align: justify;"><span style="font-family: arial;"><b><span style="color: orange;">29 September 1962</span></b> - At the height of the twist craze in Brazil '<b><span style="color: orange;">Don't knock the twist</span></b>' (Ao ritmo do twist) with Chubby Checker starts playing in Rio de Janeiro.</span></div></b></div><div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2cnAJkjqcepbYb3cCUZyhq0RxxoEWJgTXhYrUBCKFf6NEPsgxdMu5BGj7uPeFFdH5k8R0ziv2ZEdoYVWkeq77T01nH-QID8KJc2g0A5rpuJHKvGrlQA0i5oHGkNnHMgM_y22Scy9kU2Pl/s1600/19620930-Twist.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="575" data-original-width="795" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2cnAJkjqcepbYb3cCUZyhq0RxxoEWJgTXhYrUBCKFf6NEPsgxdMu5BGj7uPeFFdH5k8R0ziv2ZEdoYVWkeq77T01nH-QID8KJc2g0A5rpuJHKvGrlQA0i5oHGkNnHMgM_y22Scy9kU2Pl/s400/19620930-Twist.jpg" width="400" /></span></a></div><div style="text-align: justify;"><span style="font-family: arial;"><b><span style="color: orange;">30 September 1962</span></b> - '<b>Ao ritmo do twist</b>' was '<b><span style="color: orange;">Don't knock the twist</span></b>' released in the USA on 13 April 1962. It features <b>Dee Dee Sharp</b> singing '<b><span style="color: orange;">Mashed potato time</span></b>' which was her greatest hit ever having got to #2 on 2nd May 1962 while the film was showing in the US.</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsydP7SKUW8t2vTOJQ3iDzLsvzstVtJt3ddlBJ1u84lPdOrlve9jC49GSCZulqO6keMT5setlAJpTakjMQGzgMBnIpcsLZddZSmqBbMluvD6lwLrs60ZI6tXRqrwNuWS7t5fskPvwdDeHS/s1600/R-10351459-1495819765-3417.jpeg.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="601" data-original-width="600" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsydP7SKUW8t2vTOJQ3iDzLsvzstVtJt3ddlBJ1u84lPdOrlve9jC49GSCZulqO6keMT5setlAJpTakjMQGzgMBnIpcsLZddZSmqBbMluvD6lwLrs60ZI6tXRqrwNuWS7t5fskPvwdDeHS/s400/R-10351459-1495819765-3417.jpeg.jpg" width="398" /></span></a></div></div></div>
Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-54814810898851003282018-06-23T05:30:00.001-07:002018-06-23T18:24:35.039-07:00Neil Sedaka & Celia Vilela in 1963<div class="separator" style="clear: both; text-align: justify;">
Ever since Neil Sedaka was in Brazil for the very first time, in <b><span style="color: orange;">November 1959</span></b>, even before he had his first top-10 hit in the USA ('<b><span style="color: orange;">Oh! Carol</span></b>' would hit <b><span style="color: orange;">#9</span></b> at Billboard's weekly survey on <b><span style="color: orange;">7 December 1959</span></b>) he and Celia Vilela developed a strong friendship that some would say amounted to a full-on romance. </div>
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The fact is Miss Vilela visited the USA soon after (<b><span style="color: orange;">January 1960</span></b>) and was a guest at Neil Sedaka's home in Brooklyn, N.Y. where she had the chance to meet the whole Sedaka family: Mum & Dad plus sister Ron who would show a bit of New York City to the Brazilian starlet. </div>
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By the end of 1960, Sedaka had established himself as a 'teen-singer' with '<b><span style="color: orange;">Stairway to heaven</span></b>' at #9 on 18 April 1960 and '<b><span style="color: orange;">Calendar girl</span></b>' at #4 on 31st December 1960.</div>
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Sedaka was back in Brazil in <b><span style="color: orange;">March 1961</span></b>. He visited a few radio stations in Rio de Janeiro and had a lot of photo opportunities with <b>Celia Vilela</b> who had a radio show at Radio Globo by then. </div>
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<b><span style="color: orange;">1962</span></b> would be Sedaka's best year when he finally reached <b><span style="color: orange;">#1</span></b> at the charts with '<b><span style="color: orange;">Breaking up is hard to do</span></b>' on 7 July 1962. While Sedaka reached the top of the charts in the USA he was actually in Brazil doing his 2nd singing tour. He performed at Teatro Record on 13, 14 & <b><span style="color: orange;">15 July 1962</span></b>. </div>
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Six months later, <b><span style="color: orange;">January 1963</span></b>, Sedaka is back in Rio de Janeiro where he would take part in '<b>Instant love</b>' (<b><span style="color: orange;">Pão de Açucar</span></b>), an American movie where he placed 3 of his songs: '<b><span style="color: orange;">Instant love</span></b>', '<b><span style="color: orange;">It happened again</span></b>' co-written by Buddy Kaye and '<b><span style="color: orange;">Fetch me a fortune</span></b>'. This time he brought his mother along to show her the Brazilian Carnaval. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqvgwQWsx5usaTTHoW7_5BlS7bLdnbsHXY3p9zvu9ssgOD_srsVYk_tsVxuPiK1_QI0y55k57EtqHFev5wLr7xiLs7fz7j75ndHswfrRjiCCw2bMo5oaMDMQPa6XxwjNVhI1IigDmw9Puu/s1600/35425388_10209894234631190_5395144424663547904_n+%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="743" height="290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqvgwQWsx5usaTTHoW7_5BlS7bLdnbsHXY3p9zvu9ssgOD_srsVYk_tsVxuPiK1_QI0y55k57EtqHFev5wLr7xiLs7fz7j75ndHswfrRjiCCw2bMo5oaMDMQPa6XxwjNVhI1IigDmw9Puu/s400/35425388_10209894234631190_5395144424663547904_n+%25282%2529.jpg" width="400" /></a></div>
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Neil Sedaka shows how much he likes Celia Vilela at the Copacabana Palace in Rio.<br />
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Multi-media performer <b><span style="color: orange;">Celia Vilela</span></b>, who's been a singer, dancer, show-girl, radio announcer, TV Master of Ceremonies and a journalist working for weekly magazine '<b><span style="color: orange;">Revista do Radio</span></b>' meets <b><span style="color: orange;">Neil Sedaka</span></b> at the Copacabana Palace's swimming pool grounds on his 3rd trip to Brazil. </div>
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Neil says this time he came up to Rio de Janeiro to have a special appearance in '<b><span style="color: orange;">Instant love</span></b>' (Pão de Açucar), a Hollywood production set in the 'Wonderful City' (Cidade Maravilhosa) starring <b>Rossano Brazzi</b>, <b>Rhonda Fleming</b> & <b>Odete Lara</b>.<br />
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Sedaka tells the journalist he was the first American artist to sing Brazilian <b><span style="color: orange;">Bossa Nova</span></b> in the USA. Telling about his beginnings he says the first time he went on the stage was as a pianist and he confesses he was really nervous.<br />
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Why did you become a singer? I followed the advice of people like <b><span style="color: orange;">Ray Charles</span></b>, <b><span style="color: orange;">Connie Francis</span></b> and <b><span style="color: orange;">Bobby Darin</span></b> to whom I had to show some of my songs when I was barely 16 years old.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWLDtP-Vk9WIzcwlqoTb2M3QAewIx9g0MZdwhjFGduI8hDqng7njU_rCZA5T0oZUfFkIZeBnVaJcOE-hbXJAAPYTOG57eNdz7OIB_L8UOB9l0oad4zl46WHW9_LrRBOZQwvUKDL5hcsZdZ/s1600/35414710_10209894235591214_3392554401792000000_n+%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="506" data-original-width="694" height="466" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWLDtP-Vk9WIzcwlqoTb2M3QAewIx9g0MZdwhjFGduI8hDqng7njU_rCZA5T0oZUfFkIZeBnVaJcOE-hbXJAAPYTOG57eNdz7OIB_L8UOB9l0oad4zl46WHW9_LrRBOZQwvUKDL5hcsZdZ/s640/35414710_10209894235591214_3392554401792000000_n+%25282%2529.jpg" width="640" /></a></div>
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'Revista do Radio' n.700 - <b><span style="color: orange;">10 February 1963</span></b> - says Neil Sedaka is 'controlled' by his Mother.<br />
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As Neil talked to the journalist he kept on looking at his mother as if he expected her approval.</div>
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We asked him what is Brazil's best singer and he said he considered <b><span style="color: orange;">João Gilberto</span></b> the top. As the reporter saw <b>Celia Vilela</b> following the chat he said he'd thought Sedaka would have chosen Vilela.</div>
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Sedaka wasn't abashed. He said: 'I like Celia Vilela as a singer too. Besides she's my best friend in this country. Just to prove it, Mother and I went to have dinner at Celia's apartment only last night'. </div>
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Why did you bring your Mother along this time? 'Because I like to travel with Mom! We have just traveled through Italy recently. Mother is a sharp businesswoman. I feel really secure in her hands'. </div>
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Then, your Mother is your agent? - 'I have both an agent and a publicity man who follow me around but Mother's last word is what it counts to me'. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp7tqd1dFIkCpCKhDrAAc6XXAjjJP6nET-uioxzW6OivYoSVr9BEovnz5jevzVPX3w8fgms4lKj2jgTDd3zHN9UOsiEUhGzOx_drd54udKYiQ-TBL9aYmMOYsiJvtYBw5tRQXILgFHY6mW/s1600/35463673_10209894236391234_1591826789565464576_n+%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="706" data-original-width="476" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp7tqd1dFIkCpCKhDrAAc6XXAjjJP6nET-uioxzW6OivYoSVr9BEovnz5jevzVPX3w8fgms4lKj2jgTDd3zHN9UOsiEUhGzOx_drd54udKYiQ-TBL9aYmMOYsiJvtYBw5tRQXILgFHY6mW/s400/35463673_10209894236391234_1591826789565464576_n+%25282%2529.jpg" width="268" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDDhufvqhrgpevLt0f6NzQoqun2vKZ22JXTyx0xRsTitMmYmm1fx5OgUADrvtIEM5ek4vt9nXiousVoxsWlAwdt-tu7tqnPm_AIxzXJUGK63vN14tfqbqviDO-5OQmdV0ypo_3KmmkNGal/s1600/35486013_10209894237871271_2612494989724221440_n+%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="366" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDDhufvqhrgpevLt0f6NzQoqun2vKZ22JXTyx0xRsTitMmYmm1fx5OgUADrvtIEM5ek4vt9nXiousVoxsWlAwdt-tu7tqnPm_AIxzXJUGK63vN14tfqbqviDO-5OQmdV0ypo_3KmmkNGal/s400/35486013_10209894237871271_2612494989724221440_n+%25282%2529.jpg" width="152" /></a></div>
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Neil Sedaka, his mother <b><span style="color: orange;">Eleanor Appel Sedaka</span></b> & Celia Vilela at the Copacabana Palace. </div>
<br />Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-78507934901248286222018-05-14T04:15:00.009-07:002021-04-01T03:28:03.708-07:001 9 5 7 - rock'n'roll gets started in Brazil <div dir="ltr" style="text-align: left;" trbidi="on">
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It is common knowledge that <b><span style="color: orange;">Rock'n'roll</span></b> aka the <b><span style="color: orange;">Rock Era</span></b> has started in the USA when the single (<b>We're gonna</b>) '<b><span style="color: orange;">Rock around the clock</span></b>' recorded by <b>Bill Haley & His Comets</b> reached <b>Number One</b> in the singles-charts on <b>14 May 1955</b>. </span></div>
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And when <b><span style="color: orange;">Elvis Presley</span></b> reached Number One on the pop charts on <b><span style="color: orange;">10 March 1956</span></b>, with '<b><span style="color: orange;">Heartbreak Hotel</span></b>', <b>rock'n'roll music</b> found a leader for millions of devoted teenagers worldwide.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJz6Wl9pSW2MhTi9sq1-lk-nHcpmB5E1spJyJo627VIrJH4QXCl3YyQZcEtKg5rZyWDfuddm65-Txjq6kPHl900xu3aajFsauwywvvwVBsNnRFgoXK1DoK13Kjvx9Is5W6uvCVT0OgvdDb/s1600/19561219-25041-nac-0031-999-31-clas-aaeahqs+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1495" data-original-width="1099" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJz6Wl9pSW2MhTi9sq1-lk-nHcpmB5E1spJyJo627VIrJH4QXCl3YyQZcEtKg5rZyWDfuddm65-Txjq6kPHl900xu3aajFsauwywvvwVBsNnRFgoXK1DoK13Kjvx9Is5W6uvCVT0OgvdDb/w470-h640/19561219-25041-nac-0031-999-31-clas-aaeahqs+%25282%2529.jpg" width="470" /></span></a></div>
<span style="font-family: arial;"><b><span style="color: orange;">19 December 1956</span></b> - The Wednesday '<b><span style="color: orange;">Rock around the clock</span></b>' (<b>Ao balanço das horas</b>) opened in São Paulo. </span></div>
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<span style="font-family: arial;"><b>Brazilians</b> who always took a hint from the 'Metropolis', read about the emergence of a new 'craze' called rock'n'roll in local newspaper & magazine but it took a while until <b>Rock</b> started showing up in Rio de Janeiro or Sao Paulo its two biggest cities.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVuePoIVgk070JLLC62e9ZJBqg_2MJ9QxjQvyAgsCqUDUGXMrqgGozcK26tHj4qZeJqk3KSm4rXA5qder5oIR4SjKM2Lx5VOZEhTrWY2jlGP7VMhFSWV2M1eVukeIi1AdNzdEGpdoKV813/s1600/19570203-25079-nac-0122-999-122-clas-eggaxpq+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="387" data-original-width="368" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVuePoIVgk070JLLC62e9ZJBqg_2MJ9QxjQvyAgsCqUDUGXMrqgGozcK26tHj4qZeJqk3KSm4rXA5qder5oIR4SjKM2Lx5VOZEhTrWY2jlGP7VMhFSWV2M1eVukeIi1AdNzdEGpdoKV813/s200/19570203-25079-nac-0122-999-122-clas-eggaxpq+%25282%2529.jpg" width="190" /></span></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgB4iGEpsBDDSS-paTA4S4oZQPG-YAejv1fx8ddWmoiZbHVYS-KElJ0jhD896l2YWIzFmAjwerZbOIoOIeOxUvDCmMXxDB4O6iclD_o9AzxgKWBYSfKuP3o7ue-guc05aswld-_u8U3CoAA/s1600/19570203-25079-nac-0122-999-122-clas-eggaxpq+%25283%2529_LI.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="194" data-original-width="564" height="68" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgB4iGEpsBDDSS-paTA4S4oZQPG-YAejv1fx8ddWmoiZbHVYS-KElJ0jhD896l2YWIzFmAjwerZbOIoOIeOxUvDCmMXxDB4O6iclD_o9AzxgKWBYSfKuP3o7ue-guc05aswld-_u8U3CoAA/s200/19570203-25079-nac-0122-999-122-clas-eggaxpq+%25283%2529_LI.jpg" width="200" /></span></a></div>
<span style="font-family: arial;"><b><span style="color: orange;">3rd February 1957</span></b> - OESP night-life columnist <b><span style="color: orange;">Mary Wynne</span></b> announces the <b>first rock'n'roll show </b>in Brazil that would happen on the same week as the film '<b>Rock around the clock</b>' premiered in São Paulo. A certain <b><span style="color: orange;">Ciro B. e seus Crazy Boys</span></b> would show their prowess in dancing the new rhythm at Salão de Festa do Molinaro, on Rua Rego Freitas, 470. Ciro B. & the Crazy Boys would be accompanied by <b><span style="color: orange;">Ernani and his Combo</span></b>, that usually played at <b>Boite Caprice</b> on the same Rua Rego Freitas, 547.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhATiBnpVBEA38MK7SrFNc5_kmcR-_cJ0zj9jCmwOfhSf1X2sYXBHVLilayDt98iAYasxbJ9blNK2bjU-91TFk8qgm1HVyXIJH6-gKkw_sGG03EbiskO-anN0VIsrAwE_khsHoRYLpGhlgj/s1600/19570207-25082-nac-0050-999-50-clas-pqsgwqs+%25282%2529_LI.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="432" data-original-width="378" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhATiBnpVBEA38MK7SrFNc5_kmcR-_cJ0zj9jCmwOfhSf1X2sYXBHVLilayDt98iAYasxbJ9blNK2bjU-91TFk8qgm1HVyXIJH6-gKkw_sGG03EbiskO-anN0VIsrAwE_khsHoRYLpGhlgj/s200/19570207-25082-nac-0050-999-50-clas-pqsgwqs+%25282%2529_LI.jpg" width="175" /></span></a></div>
<span style="font-family: arial;"><b><span style="color: orange;">7 February 1957</span></b> - Mary Wynne gives more information about <b><span style="color: orange;">Boite Caprice </span></b>and their owner Rubens Faria and <b><span style="color: orange;">Ernani</span></b>, the latter was instrumental in putting on the first rock'n'roll event in the city. </span></div>
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I would say the <b>rock'n'roll</b> started showing its first signs in <b>Brazil</b> around <b><span style="color: orange;">1957</span></b>. Here are some newspaper clips about rock or movies related to the 'ritmo alucinante'.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1vG42_Xc08cDYwHfdgUCiYc4d_HvSog9dbkVnYqpDFIMc6retgwXzZk00r361EoA8-U7RW2wDccBJ3-r9Uw_7MSdAwuA6Mw1ivNV9Mht3gA0oWzDhqVSZZP_Zs-E8_4MogoVTG1kT22py/s1600/19570217-Samba.na.Vila.Fred.Feld..jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="762" data-original-width="818" height="372" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1vG42_Xc08cDYwHfdgUCiYc4d_HvSog9dbkVnYqpDFIMc6retgwXzZk00r361EoA8-U7RW2wDccBJ3-r9Uw_7MSdAwuA6Mw1ivNV9Mht3gA0oWzDhqVSZZP_Zs-E8_4MogoVTG1kT22py/s400/19570217-Samba.na.Vila.Fred.Feld..jpg" width="400" /></span></a></div>
<span style="font-family: arial;"><b><span style="color: orange;">17 February 1957</span></b> - American night-life columnist <b>Mary Wynne</b> writes at daily '<b>O Estado de S.Paulo</b>' two notes about two different events occurred in São Paulo night-clubs related to the <b><span style="color: orange;">rock'n'roll craze</span></b>:<br />
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At <b>Bar Michel</b>, US pianist <b><span style="color: orange;">Fred Feld</span></b> is a great sensation when he sings '<b><span style="color: orange;">like Elvis Presley</span></b>'.<br />
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At <b>Boite Oasis</b>, instrumentalist-crooner <b><span style="color: orange;">William Fourneau</span></b> entertained a rowdy young crowd performing rock'n'roll numbers helped by <b>Elza Aguiar</b> and João de Lima & his combo.<br />
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E não faltam as turmas de 'stay-out-night' que passam pela Boite Oasis. Ultimamente está ganhando ainda mais frequentadores entre os 'fans' do 'Rock and roll', que está pegando com todos os 'habituées' do Oasis, alguns dançando enquanto outros apreciam e marcam tempo batendo palmas. Está vendo a alegria do 'Rock and roll', dirigido pelo William Fourneaud, Elza Aguiar e o conjunto de João de Lima.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh4SrNk1YpLbqFr_LZCQq424DuEme9cMTuHjjAp3c4wwfroW5Dst7WMucT1V_QM1CdGuG4zfkbhoJ3vEU4CGgYHtIYfhgLZRGbXxKIguaToJ8EgAt2udrqFCHvXd3avPmRHzN-GWEC-tCX/s1600/19570224-ritmo.alucinante.4a.feira.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1088" data-original-width="976" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh4SrNk1YpLbqFr_LZCQq424DuEme9cMTuHjjAp3c4wwfroW5Dst7WMucT1V_QM1CdGuG4zfkbhoJ3vEU4CGgYHtIYfhgLZRGbXxKIguaToJ8EgAt2udrqFCHvXd3avPmRHzN-GWEC-tCX/s400/19570224-ritmo.alucinante.4a.feira.jpg" width="358" /></span></a></div>
<span style="font-family: arial;"><b><span style="color: orange;">24 February 1957</span></b> - Rock's first film ever. It was released in the USA on <b><span style="color: orange;">7 December 1956</span></b>, barely 2 months before arriving in Sao Paulo which was like being released simultaneously... that showed how much the <b>rock'n'roll</b> craze was being eagerly folllowed by the South American youth. '<b><span style="color: orange;">Rock, rock, rock</span></b>' (<b>Ritmo</b> <b>alucinante</b>) starred Tuesday Weld & Teddy Randazzo and featured <b>Chuck Berry</b> ('You can't catch me'), <b>Frankie Lymon & the Teenagers</b> ('I'm not a juvenile delinquent'), The Flamingos, <b>Connie</b> <b>Francis</b> etc.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYcEM2kcUggOKXPjBrAlRojJPiEqv_3LtN73c_4OnYOgYJSesxkNdSN_DN_SDjO36U9Ts13X32fnjtEGZxmkVPwCZkO2KY9gGFLt6hOxQhQD4PLzlCywNj9AGxi52sBQvcsk_qoO9Hi4sj/s1600/19570324-Mazzaroppi.rock%2527n%2527roll.silveira.froes.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="505" data-original-width="745" height="271" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYcEM2kcUggOKXPjBrAlRojJPiEqv_3LtN73c_4OnYOgYJSesxkNdSN_DN_SDjO36U9Ts13X32fnjtEGZxmkVPwCZkO2KY9gGFLt6hOxQhQD4PLzlCywNj9AGxi52sBQvcsk_qoO9Hi4sj/s400/19570324-Mazzaroppi.rock%2527n%2527roll.silveira.froes.jpg" width="400" /></span></a></div>
<span style="font-family: arial;"><b><span style="color: orange;">24 March 1957</span></b> - Playwright & humorist <b><span style="color: orange;">Silveira Sampaio</span></b> wrote a revue '<b><span style="color: orange;">Vovó, papai & rock'n'roll</span></b>' (Granddad, father & rock'n'roll)... that proves that the word '<b>rock'n'roll</b>' was already embedded in the Portuguese language by March 1957.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7E-l4j-9DLAioalBCfpfAj75qlnFVfss_rHvbM4uZVcuvInbJLw-4VAnp9ufcHa97pQ3AehZkjv6o4ZJ7H6qPBz0dHMblhCuEIP27P64WGxZEHsEpoefWKSnq_PSiS7gal5ELsaytPDCr/s1600/November-15-color22-411x395.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="379" data-original-width="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7E-l4j-9DLAioalBCfpfAj75qlnFVfss_rHvbM4uZVcuvInbJLw-4VAnp9ufcHa97pQ3AehZkjv6o4ZJ7H6qPBz0dHMblhCuEIP27P64WGxZEHsEpoefWKSnq_PSiS7gal5ELsaytPDCr/s1600/November-15-color22-411x395.jpg" /></span></a></div>
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Kids went crazy about <b><span style="color: #ffa400;">Elvis</span></b> at the premiere of '<b>Love me tender</b>' at the Paramount Theater in Manhattan on <b><span style="color: #ffa400;">15 November 1956</span></b>.</span></div>
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<span style="font-family: arial; margin-left: 1em; margin-right: 1em;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1E7zNJV1QgVB_LFswZRcouADeCaMLLrpLu0bUfaR7NpLkK19RfcjkEnRy0wVxNsan4MFX2lUC3ZwCP0Bc_lUxv-8e0l32btHLPmJ1a3f1IbgEH8QX0TjrOzX_kQgxOX3Nprp8SjzFjG_6/s1600/0d4da7e10575fcd0e2c5a44e3be46081.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="564" data-original-width="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1E7zNJV1QgVB_LFswZRcouADeCaMLLrpLu0bUfaR7NpLkK19RfcjkEnRy0wVxNsan4MFX2lUC3ZwCP0Bc_lUxv-8e0l32btHLPmJ1a3f1IbgEH8QX0TjrOzX_kQgxOX3Nprp8SjzFjG_6/s16000/0d4da7e10575fcd0e2c5a44e3be46081.jpg" /></a></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">in New York City's <b><span style="color: #ffa400;">Times Square</span></b>.</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiownubTArBE2NgdmwSD2xfVKMTIUgN1s0c2CmSxPONE4K6UheDW-z2sN3R-lNgHF69PEJokEpQH_-SwG16uBOh6ipOrLp2MxRD2nx0dkQ6q7HhNhuBcUeLATsZjsK3IU0qKSxgJ2M71H8M/s866/167420187_3938840516203722_4466455879233346812_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="866" data-original-width="608" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiownubTArBE2NgdmwSD2xfVKMTIUgN1s0c2CmSxPONE4K6UheDW-z2sN3R-lNgHF69PEJokEpQH_-SwG16uBOh6ipOrLp2MxRD2nx0dkQ6q7HhNhuBcUeLATsZjsK3IU0qKSxgJ2M71H8M/w449-h640/167420187_3938840516203722_4466455879233346812_n.jpg" width="449" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">downtown <b><span style="color: #ffa400;">Los Angeles</span></b>...</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVM1pIMzQj0prsDw6AJP6r3ossZQJlA_uaAbzl4bYEMCQP-dUDPW9Ou5uyF15cVVH4lyIIwidc5Y8uLOHUvYFVhH-cJBE4qs_afQ0rGBYpOTz4aCsHFk8v5CRRL4dILWD9iB6bsIbFTfqJ/s1061/167219779_3938827766204997_7028691150797212042_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1061" data-original-width="794" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVM1pIMzQj0prsDw6AJP6r3ossZQJlA_uaAbzl4bYEMCQP-dUDPW9Ou5uyF15cVVH4lyIIwidc5Y8uLOHUvYFVhH-cJBE4qs_afQ0rGBYpOTz4aCsHFk8v5CRRL4dILWD9iB6bsIbFTfqJ/w479-h640/167219779_3938827766204997_7028691150797212042_n.jpg" width="479" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikjd_cv2DEchYBhBNUTEvN649gD1cOLa9-uAK3mIh1fPHcM2cNIyNeQmFXKmRGkyzivnls9vLJ7QgQdLbgRSmLvg01brJLs_vUqLiRUy9nROxXw3UNj5Q8I3pjSWD454uqqw1yUBq-HkJ6/s1600/19570407-Love.me.tender.Elvis.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1284" data-original-width="817" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikjd_cv2DEchYBhBNUTEvN649gD1cOLa9-uAK3mIh1fPHcM2cNIyNeQmFXKmRGkyzivnls9vLJ7QgQdLbgRSmLvg01brJLs_vUqLiRUy9nROxXw3UNj5Q8I3pjSWD454uqqw1yUBq-HkJ6/s640/19570407-Love.me.tender.Elvis.jpg" width="407" /></span></a></div>
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<span style="font-family: arial;"><b><span style="color: orange;">7 April 1957</span></b> - Rock'n'roll sensation <b><span style="color: orange;">Elvis Presley</span></b> has his 1st movie '<b><span style="color: orange;">Love me tender</span></b>' (Ama-me com ternura) released in Brazil less than 6 months after its premiere at the <b>Paramount Theater</b> in New York on <b><span style="color: orange;">15 November 1956</span></b>.<br />
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<span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-S50hB8C3lJL7mitgVJB2iyFH-Ww6gIYCShi3PUwnmK0vABqtwJn63dwDbCJvad51vnNReg6tWrkGLDuxWr4_-a5t0dGOlEvp-WwreDZ4JuWFcL6T7MYoRt3pRtDEk8TuTtAWhhYIMJvb/s1600/Love-Me-Tender-USA-premiere-New-York.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="495" data-original-width="648" height="244" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-S50hB8C3lJL7mitgVJB2iyFH-Ww6gIYCShi3PUwnmK0vABqtwJn63dwDbCJvad51vnNReg6tWrkGLDuxWr4_-a5t0dGOlEvp-WwreDZ4JuWFcL6T7MYoRt3pRtDEk8TuTtAWhhYIMJvb/s320/Love-Me-Tender-USA-premiere-New-York.jpg" width="320" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGVM3R2t_ibn79YqrZLfC7i8_5ryDo5u_Z3rFoC07ghQQKtBCoFH-0Y0uR3wMiLIY5LoNR4xqGV0OMjFSPvO0q-l302iagYY25Y4KLJbZ7yPWwfJDJUkOQqE3FOAv94eiQOua_lJNKReF5/s1600/004-Paramount-October-28+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="794" data-original-width="527" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGVM3R2t_ibn79YqrZLfC7i8_5ryDo5u_Z3rFoC07ghQQKtBCoFH-0Y0uR3wMiLIY5LoNR4xqGV0OMjFSPvO0q-l302iagYY25Y4KLJbZ7yPWwfJDJUkOQqE3FOAv94eiQOua_lJNKReF5/s320/004-Paramount-October-28+%25282%2529.jpg" width="212" /></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhriFHLxn31sa_WqimBdAYA857WV5MFP1inwEH4rsy7fX8b8eaZ7jnCiziPoXnACitvOqbknJO9hDk1kDBmwKWM6Hp7cYyu5w2fgkEyETNWI8j3IqPaOZXjqdLOg9to2bhslGnlO7FJfIZM/s1600/19570512-Mansfield.girl.can%2527t.help.it.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1257" data-original-width="831" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhriFHLxn31sa_WqimBdAYA857WV5MFP1inwEH4rsy7fX8b8eaZ7jnCiziPoXnACitvOqbknJO9hDk1kDBmwKWM6Hp7cYyu5w2fgkEyETNWI8j3IqPaOZXjqdLOg9to2bhslGnlO7FJfIZM/s640/19570512-Mansfield.girl.can%2527t.help.it.jpg" width="422" /></span></a></div>
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<span style="font-family: arial;"><b><span style="color: orange;">12 May 1957</span></b> - Barely 6 months after its release in the USA '<b><span style="color: orange;">The girl can't help it</span></b>' reached Brazilian shores as '<b>Sabes o que quero</b>' (You know what I want). The movie was originally intended as a vehicle for American sex symbol Jayne Mansfield, with a satirical subplot involving teenagers and rock'n'roll music. The unintended result has been called the 'most potent' celebration of rock music ever captured on film. <b>Gene Vincent</b> sings his fundamental '<b><span style="color: orange;">Be-bop-a-lula</span></b>'; Julie London performs her red-hot '<b><span style="color: orange;">Cry me a river</span></b>'; <b>Eddie Cochrane</b> does '<b><span style="color: orange;">20-flight rock</span></b>' (Albert Pavão covered it as 'Vigésimo andar') but <b><span style="color: orange;">Little Richard </span></b>is the greatest of all the rock acts.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtnMXYRER09xBP513m3IDfhcb6015DvWw0ocE7J2Sr0oqEer-TjutCoy2TJS8aQStROPPTW_PTCJXDCL8t3yLCqdMz2voIxreK_gjr-Ig-hOIC7sfo9bpSupe3UbFazgpl9vxejNuiNeSj/s1600/19570825-cha.cha.bum.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="929" data-original-width="851" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtnMXYRER09xBP513m3IDfhcb6015DvWw0ocE7J2Sr0oqEer-TjutCoy2TJS8aQStROPPTW_PTCJXDCL8t3yLCqdMz2voIxreK_gjr-Ig-hOIC7sfo9bpSupe3UbFazgpl9vxejNuiNeSj/s400/19570825-cha.cha.bum.jpg" width="366" /></span></a></div>
<span style="font-family: arial;"><b><span style="color: orange;">25 August 1957</span></b> - Even though '<b><span style="color: orange;">Cha cha boom!</span></b>' (<b>A música proibida</b>) (1956) is not exactly a <b>rock-movie</b> it was made in response to the whole craze about 'new' rhythms like the cha-cha, mambo. Done by the same company that did '<b>Rock around the clock</b>' it stars Latin American band-leader <b><span style="color: orange;">Damaso Perez Prado</span></b>...<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgotw8iDh1J5KpzgX4AaT3vK8cJMvr5XNk05y4YOzmhiW-XiIhP30psyDePCVF4sEo4yACR_gndVxMLcaZ9JEn_64xQ85rO6zkOm98Qxqc7a_EbJzvc2XnG78hAs8lzYc6vnJL6eoXFljhF/s1600/cha-cha-cha-boom-movie-poster-1956.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="430" data-original-width="544" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgotw8iDh1J5KpzgX4AaT3vK8cJMvr5XNk05y4YOzmhiW-XiIhP30psyDePCVF4sEo4yACR_gndVxMLcaZ9JEn_64xQ85rO6zkOm98Qxqc7a_EbJzvc2XnG78hAs8lzYc6vnJL6eoXFljhF/s400/cha-cha-cha-boom-movie-poster-1956.jpg" width="400" /></span></a></div>
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Latin American rhythms</span></b> in the American Way... Mambo King <b><span style="color: orange;">Perez Prado</span></b> is the one on the right...</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJP7FILouFCjuPvESYXXbykJcp-5i7AnWTehDwH1Ku0MXZCpmBhH-nchM9izh9aekymgUeFtB3GJvfSnjXDsFr_j4NQE9EwoV3JxllVIOuUOB9j4MQ6aJNWXBfs4LA0HIrrrGv0gK6l0zN/s1600/19571020-Calypso.a.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="948" data-original-width="1134" height="535" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJP7FILouFCjuPvESYXXbykJcp-5i7AnWTehDwH1Ku0MXZCpmBhH-nchM9izh9aekymgUeFtB3GJvfSnjXDsFr_j4NQE9EwoV3JxllVIOuUOB9j4MQ6aJNWXBfs4LA0HIrrrGv0gK6l0zN/s640/19571020-Calypso.a.jpg" width="640" /></span></a></div>
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<span style="font-family: arial;"><b><span style="color: orange;">20 October 1957</span></b> - Before 1957 was through, another dance-craze movie is released: '<b><span style="color: orange;">Calypso heat wave</span></b>' (Ao compasso do calypso) produced by the same crowd who did 'Rock around the clock' and 'Cha-cha boom!'. See the well-behaved <b><span style="color: orange;">Hi-Lo's</span></b> and The Tarriers trying their emulate <b>Harry Belafonte </b>in '<b><span style="color: orange;">Banana boat song</span></b>'.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE_g5tG4QIHAXfyMRFFxTYruf3GS7pyQmzOJ2yAWNFhTeaX5UfcaN3s4gPyIGgg67msAWDo3z0HfJWIWenOxjA48TmaNXjOUOGifywQjwwtSYSDEP_tpI_X4l0o4D6hFPrEInP6u_TUXHR/s1600/19580601-25484-nac-0126-999-126-clas-pkgahwh+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="989" data-original-width="850" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE_g5tG4QIHAXfyMRFFxTYruf3GS7pyQmzOJ2yAWNFhTeaX5UfcaN3s4gPyIGgg67msAWDo3z0HfJWIWenOxjA48TmaNXjOUOGifywQjwwtSYSDEP_tpI_X4l0o4D6hFPrEInP6u_TUXHR/s400/19580601-25484-nac-0126-999-126-clas-pkgahwh+%25282%2529.jpg" width="343" /></span></a></div>
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<span style="font-family: arial;"><b><span style="color: orange;">1st June 1958</span></b> - a milder version of rock'n'roll was personified by <b><span style="color: orange;">Pat Boone</span></b>! He had a good voice, a goody-too-shoes appearance and could swing & rock just a little. Even though he covered Black rhythm'n'blues for <b><span style="color: orange;">Dot Records</span></b> his most successful singles were ballads like '<b><span style="color: orange;">April love</span></b>' - that became the movie '<b>Primavera do amor</b>' - or his cover of Gene Austin's 1931 hit '<b><span style="color: orange;">Love letters in the sand</span></b>'. </span></div>
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Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-85739014776689533882017-10-15T06:51:00.002-07:002018-02-09T01:34:19.086-08:00Bobby de Carlo 1960 - Chiquita <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF1S7TMyz7eUdK7Sf8_jQPtOowQeUfVrItwyfqckNJAv4TYgEnVWan4pw6tX65xZ_u1zabRwZ4zbwRGT8fcEIkM1-RlAZmIkbhH86KLK-WEcNoY7-qymD6dYsUJa5ZcpCQuzmJFOES4gGR/s1600/I0017349-Bobby.de.Carlo%2523340.Nov.1960.bb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="823" data-original-width="517" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF1S7TMyz7eUdK7Sf8_jQPtOowQeUfVrItwyfqckNJAv4TYgEnVWan4pw6tX65xZ_u1zabRwZ4zbwRGT8fcEIkM1-RlAZmIkbhH86KLK-WEcNoY7-qymD6dYsUJa5ZcpCQuzmJFOES4gGR/s400/I0017349-Bobby.de.Carlo%2523340.Nov.1960.bb.jpg" width="251" /></a></div>
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15 year-old Bobby de Carlo in 1960.</div>
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By mid-1960, Brazilian rock was growing as fast as a speeding bullet. <b>Celly Campello</b> was its undisputed queen, <b>Carlos Gonzaga</b> its king... and new faces were popping up every day. Weekly magazine <b>Radiolandia</b> carried this article about <b><span style="color: orange;">Chiquita</span></b> and <b><span style="color: orange;">Bobby de Carlo</span></b>, two new stars from very different background. </div>
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<b><span style="color: orange;">Roberto Caldeira dos Santos</span></b> aka <b>Bobby de Carlo</b> was born on <b><span style="color: orange;">30 June 1945</span></b>, in Sao Paulo-SP. He was a good Catholic boy who started working as an office-boy at a bank when he was 14 years old. He was also very musical and one day played his guitar at a teen-age party in which <b>Tony Campello</b> was a guest. Campello was impressed by his talent and took him for a test at EMI's Odeon where he was signed immediately to a contract. In no time, Odeon released <b>Bobby de Carlo</b>'s first single '<b><span style="color: orange;">Oh Eliana</span></b>', a cover of <b>Frankie</b> <b>Avalon</b>'s '<b>Dede Dinah</b>' which soared up the charts. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_s5dPEemECb1f-ycEJuGAqt17CzhKY9aATig_BwzBX79FSQ-Cy4w9zZ7wQp6I3rgqammj21qnGe9f857VpSB_wIZuLyuZsxGCQHOqPP8hg6NRxZxnSssEdYTVqF6KyOdcCmYeA8ohjdy_/s1600/I0017407-Bobby.de.carlo%2523340.Nov.1960.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1427" data-original-width="1181" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_s5dPEemECb1f-ycEJuGAqt17CzhKY9aATig_BwzBX79FSQ-Cy4w9zZ7wQp6I3rgqammj21qnGe9f857VpSB_wIZuLyuZsxGCQHOqPP8hg6NRxZxnSssEdYTVqF6KyOdcCmYeA8ohjdy_/s640/I0017407-Bobby.de.carlo%2523340.Nov.1960.JPG" width="529" /></a></div>
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Radiolandia #340, <b><span style="color: orange;">November 1960</span></b>. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT2SOo8PPy5Qa84ryovmyva-Jnl6laiofjWpS_pZ1UOW-g71fdr0cnK40SNnPft0g1jSBRDx6nz9dvGTF_wvjXTwsa3LUtZJGrjybV54Vj6nluB-ApOeoBUEk1w1NYqCaMofMLNXeh2jS-/s1600/I0017406-B.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1558" data-original-width="1176" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT2SOo8PPy5Qa84ryovmyva-Jnl6laiofjWpS_pZ1UOW-g71fdr0cnK40SNnPft0g1jSBRDx6nz9dvGTF_wvjXTwsa3LUtZJGrjybV54Vj6nluB-ApOeoBUEk1w1NYqCaMofMLNXeh2jS-/s640/I0017406-B.JPG" width="483" /></a></div>
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Chiquita and Bobby de Carlos were rock's new sensation in 1960. </div>
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RIO-50.523: Bobby de Carlo covers 'Dede Dinah' ('<b><span style="color: orange;">Oh Eliana</span></b>') b/w 'I like girls' ('Quero amar') accompanied by Mario Gennari Filho & his combo. </div>
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<b><span style="color: orange;">Francisca de Oliveira Paula Assis</span></b> was <b>Chiquita</b>'s real name. She was born in 1947, and had always been a hyper-active child who liked to listen to Brenda Lee's records especially 'Jambalaya'. She was 11 years old in 1958, when she impersonated Little Miss Dynamite at the Santa Paula Country Club in a party promoted by Colegio Sao Bento. Chiquita was an instant hit. </div>
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Next up, Chiquita did her 'Brenda Lee act' at Durval de Souza's kid show 'Programa Durvalino', on TV Record, Channel 7. So it happened that writer-song-translator Fred Jorge, who worked for EMI-Odeon saw Chiquita and thought she'd be the best next thing. He took her to Odeon and was signed by the label that had discovered Celly Campello, the queen of Brazilian rock. </div>
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By 1961, Chiquita had already recorded a few singles for Odeon like '<b>Rock das vogais</b>', '<b>Calipso do</b> <b>velho</b>', '<b>Bobby, Bobby, Bobby</b>', '<b>Cartão postal</b>' e '<b>Meu diploma</b>'.</div>
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RIO 50.820: <b><span style="color: orange;">Chiquita</span></b> covers Jo Ann Campbell's 'Bobby, Bobby, Bobby' b/w 'Psiu...' accompanied by Walter Wanderley and his combo. </div>
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<br />Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-60877932881225188932017-09-24T09:01:00.038-07:002022-09-28T03:21:35.047-07:00ANTONIO AGUILLAR, rock promoter 1962 - 1963 - 1964<div style="text-align: justify;">
<span style="font-family: arial;">Radio-man <b><span style="color: orange;">Antonio Aguillar</span></b> was the closest Sao Paulo rock got to New York's <b>rock pioneer</b> <b><span style="color: orange;">Alan Freed</span></b>. </span></div>
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<span style="font-family: arial;"><span face=""arial" , "helvetica" , sans-serif">Maybe it's going a bit too far to compare him with such a luminary as Alan Freed who actually came up with the name <b>Rock'n'roll</b> whereas Aguillar came up with nothing really original. </span><br />
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<span face=""arial" , "helvetica" , sans-serif">Aguillar started his professional life working as photographer at daily '<b>O Estado de S.Paulo</b>'. </span></span></div>
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<span style="font-family: arial;"><span face=""arial" , "helvetica" , sans-serif">In late <b>1956</b>, when he was covering the vandalism perpetrated against the seats of <b><span style="color: orange;">Cine Paulista </span></b>during the screening of '<b><span style="color: orange;">Rock around the clock</span></b>' (<b>Ao balanço das horas</b>) Aguillar was impressed by the sheer energy released in teenagers by a simple <b>rock movie</b> and thought seriously about entering this <b>brave new world</b> where he suspected there was money, excitement and glory.</span><br />
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<span face=""arial" , "helvetica" , sans-serif">By late <b>1960</b>, Aguillar left his job at 'Estadão' for <b>O.V.C.</b> (Organização Victor Costa) to organize what would become the audio-visual department of <b><span style="color: orange;">Radio Nacional</span></b> and <b><span style="color: orange;">TV Paulista</span></b>, <b>Channel 5</b>. </span><br />
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<span face=""arial" , "helvetica" , sans-serif">At the same time Aguillar was given the command of '<b>Clube dos Garotos</b>', a kid's show at Radio Nacional. </span></span></div><div style="text-align: justify;"><span style="font-family: arial;"><span face=""arial" , "helvetica" , sans-serif"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: arial;"><span face=""arial" , "helvetica" , sans-serif">By <b>November 1961</b>, Aguillar presented '<b><span style="color: orange;">Ritmos para a juventude</span></b>' (Rhythms for the young-set) from 4:00 to 5:00 pm from Monday through Friday; on <b>Saturdays</b> from 3:00 to 5:00 pm. </span><br />
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<span face=""arial" , "helvetica" , sans-serif">By mid-<b>1962</b> Aguillar's <b><span style="color: orange;">rock show</span></b> was the hottest stuff in São Paulo. </span><span face=""arial" , "helvetica" , sans-serif">He not only played discs but urged amateur young rock bands around town to <b>play live</b> on his Saturday radio-show. </span></span></div><div style="text-align: justify;"><span style="font-family: arial;"><span face=""arial" , "helvetica" , sans-serif"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: arial;"><span face=""arial" , "helvetica" , sans-serif">These sessions grew up in number and popularity until TV Paulista started broadcasting it at Channel 5. </span></span></div><div style="text-align: justify;"><span style="font-family: arial;"><span face=""arial" , "helvetica" , sans-serif"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: arial;"><span face=""arial" , "helvetica" , sans-serif">Soon, </span><b><span style="color: orange;">TV Excelsior</span></b><span face=""arial" , "helvetica" , sans-serif"> signed Aguillar to take his rock show to the station that had become the most popular in the country. </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZWjuFXFVsujiXsYUiDa8y84kJitp-lMgl7_RiN08pxVrmuu5XQhaZBrOYOTaiGbbtU3q2WoP4cHD34i7HT1wVcBBfEEFQvaFBCBqfYSxIBSJ4LkxBBjsunLpLAMAtQWvEy5FsUFy9WWxh/s1600/I0019059-Aguillar%2523367.JAN.1st.1962.JPG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1588" data-original-width="1158" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZWjuFXFVsujiXsYUiDa8y84kJitp-lMgl7_RiN08pxVrmuu5XQhaZBrOYOTaiGbbtU3q2WoP4cHD34i7HT1wVcBBfEEFQvaFBCBqfYSxIBSJ4LkxBBjsunLpLAMAtQWvEy5FsUFy9WWxh/s640/I0019059-Aguillar%2523367.JAN.1st.1962.JPG" width="466" /></span></a></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial; text-align: center;">Radiolandia #367, </span><b style="font-family: arial; text-align: center;"><span style="color: orange;">1st January 1962</span></b><span style="font-family: arial; text-align: center;"> - '</span><b style="font-family: arial; text-align: center;">Ritmos para a Juventude</b><span style="font-family: arial; text-align: center;">' was #1 with teenagers in São Paulo.</span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsPWkyRlRmxTBHrJ0hbkbgVE61Q1r4bR1gwg2NjKe3wKvcpgDDjdLq4RBvmTvAnW6PR2JxJ-ERxCo_UPHaF4OpZzJ5P9w-hNjXkLdNUPL6anPdCskDj9rdsCG9Ag0rypQtdQ5N-GEkjZ5N_BavZOuqW-a6_WBYauyL4ZnMBT4zNcZ2uU4M03UGwUXpow/s803/Paulista.Ritmos.para.a.juventude.1962%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="803" data-original-width="798" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsPWkyRlRmxTBHrJ0hbkbgVE61Q1r4bR1gwg2NjKe3wKvcpgDDjdLq4RBvmTvAnW6PR2JxJ-ERxCo_UPHaF4OpZzJ5P9w-hNjXkLdNUPL6anPdCskDj9rdsCG9Ag0rypQtdQ5N-GEkjZ5N_BavZOuqW-a6_WBYauyL4ZnMBT4zNcZ2uU4M03UGwUXpow/w398-h400/Paulista.Ritmos.para.a.juventude.1962%20(2).jpg" width="398" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">'Cinelândia' no.233, <b><span style="color: #ffa400;">1962</span></b>. </span></div></div>
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<span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5Mcvm8dTvNH1zstuxtzUr71wbKoz4hTZO93tDNKW2cGjg1_tCdFmWpL0eKLcBUNWTbHnmGStxaMNjPTUq5xrF3AnMVQqnTpTml_DZ8hf1UCppAFhxkDXHcEdVrptmCb59dv6S42ceh8WU/s1600/I0019357-1962.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1583" data-original-width="1146" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5Mcvm8dTvNH1zstuxtzUr71wbKoz4hTZO93tDNKW2cGjg1_tCdFmWpL0eKLcBUNWTbHnmGStxaMNjPTUq5xrF3AnMVQqnTpTml_DZ8hf1UCppAFhxkDXHcEdVrptmCb59dv6S42ceh8WU/s640/I0019357-1962.JPG" width="463" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSHqi5ltQtVXanjZUmDFacXWKRKTvLCNKwQU7OOWeCeRAANm97gpbZSCKv5M2Z6RXZB8KfEoxDpsvY1U6RW69XmoNNaKUcFuBKHJMmR-5LTN6iESLH6Bp8L4l7cMpbblzwgYg_9m6JFdMO/s1600/I0019358-7Alt%253D001606Lar%253D001170LargOri%253D002339AltOri%253D003212.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="395" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSHqi5ltQtVXanjZUmDFacXWKRKTvLCNKwQU7OOWeCeRAANm97gpbZSCKv5M2Z6RXZB8KfEoxDpsvY1U6RW69XmoNNaKUcFuBKHJMmR-5LTN6iESLH6Bp8L4l7cMpbblzwgYg_9m6JFdMO/s320/I0019358-7Alt%253D001606Lar%253D001170LargOri%253D002339AltOri%253D003212.JPG" width="79" /></a></span></div>
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Radiolandia #373, <b><span style="color: orange;">15 March 1962</span></b>.</span></div>
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<span face=""arial" , "helvetica" , sans-serif">By March <b><span style="color: orange;">1962</span></b>, Aguillar and his '<b>Ritmos para a Juventude</b>' at Radio Nacional Paulista had become so popular he made a splash organizing a big celebration at <b>Club Atletico Silvicultura</b> at far-away <b><span style="color: orange;">Horto Florestal</span></b>. The only way to reach the country-club was through the railway Estrada de Ferro Cantareira but that didn't prevent a small crowd of 2,500 people of reaching the place to see their favourite singers and performers. As not all the performers were rock'n'rollers Aguillar adapted the name of the party to '<b>Festival de Todos os Ritmos</b>' (All rhythms festival) and presented each participant with a 'Ritmos para a Juventude' trophy.</span><br />
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<span face=""arial" , "helvetica" , sans-serif"><b>Celly Campello</b> - best rock female singer</span></span></div><div style="text-align: justify;"><span style="font-family: arial;">Hamilton di Giorgio - best international song-writer & singer<br />
<span face=""arial" , "helvetica" , sans-serif"><b>Ronnie Cord</b> - best rock male singer</span><br />
<span face=""arial" , "helvetica" , sans-serif">Maria Regina - the smallest singer in the world</span><br />
<span face=""arial" , "helvetica" , sans-serif"><b>Sergio Murilo</b> - international revelation</span></span></div><div style="text-align: justify;"><span style="font-family: arial;">Sergio Reis - 'Será' (Chantecler)<br />
<span face=""arial" , "helvetica" , sans-serif"><b>The Jet Blacks</b> - best instrumental rock band</span><br />
<span face=""arial" , "helvetica" , sans-serif">The Jordans - revelation instrumental rock band</span><br />
<span face=""arial" , "helvetica" , sans-serif"><b>Carlos Gonzaga</b> - 'O twist' (The twist) (RCA)</span></span></div><div style="text-align: justify;"><span style="font-family: arial;">Carlos Ely - 'Cinderela' (RCA Camden)<br />
<span face=""arial" , "helvetica" , sans-serif"><b>Wilson Miranda</b> (Chantecler) as TV revelation</span><br />
<span face=""arial" , "helvetica" , sans-serif">Bobby de Carlo - 'Hey, Lili' (Lilly Lou) (Odeon)</span><br />
<span face=""arial" , "helvetica" , sans-serif"><b>Tony Campello</b> - Querida Susie' (Susie darling) (Odeon)</span></span></div><div style="text-align: justify;"><span style="font-family: arial;">Fernando Costa - 'Amor em cha cha cha' (Columbia)<br /><span face=""arial" , "helvetica" , sans-serif"><b>George Freedman</b> - 'Adivinhão' (RGE)</span><br /><span face=""arial" , "helvetica" , sans-serif">Mario Augusto - 'Amor de Terezinha' (Copacabana)</span><br />
<span face=""arial" , "helvetica" , sans-serif"><b>Baby Santiago</b> - for penning 'Rock do sacy' & 'Adivinhão'</span></span></div><div style="text-align: justify;"><span style="font-family: arial;"><span face=""arial" , "helvetica" , sans-serif">Ilze Aparecida (future Cidinha Santos) - 'Brotinho do rock' (California)</span><br /><span face=""arial" , "helvetica" , sans-serif">Cidinha - '24 mil desejos' (24 mila baci) (Mocambo)</span><br />
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<span face=""arial" , "helvetica" , sans-serif"><br /></span><span face=""arial" , "helvetica" , sans-serif"><b>Leila Silva</b> - best TV female singer</span></span></div><div style="text-align: justify;"><span style="font-family: arial;">Franquito - music & films revelation <br />
<span face=""arial" , "helvetica" , sans-serif"><b>Martha Mendonça</b> - 'Tu sabes' (Chantecler)</span></span></div><div style="text-align: justify;"><span style="font-family: arial;">Miltinho - best Brazilian music male singer<br /><span face=""arial" , "helvetica" , sans-serif"><b>Creusa Cunha</b> - 'Lembrança' (Un recuerdo) (Copacabana)</span></span></div><div style="text-align: justify;"><span style="font-family: arial;">Archimedes Messina for his work as a radio man and singer<br />
<span face=""arial" , "helvetica" , sans-serif"><b>Silvana</b> - 'Amor, fonte da vida' (Copacabana)</span><br /><span face=""arial" , "helvetica" , sans-serif">Carlos Nobre - 'Amor em serenata' (RCA)</span><br />
<span face=""arial" , "helvetica" , sans-serif"><b>Nerino Silva</b> - 'Minha sogra' (Chantecler)</span><br />
<span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">Agnaldo Rayol for 'Não pode ser' (Copacabana)</span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"><b>Roberto Vidal</b> - 'Maria Helena' (RCA Camden)</span></span></span></div><div style="text-align: justify;"><span style="font-family: arial;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">Fernando José - 'Diner' (RGE) </span></span></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b>Renato Guimarães</b> - 'Poema' (Chantecler)<br /><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">Nilton Cesar - for a Carnaval hit </span></span><br />
<span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">Wilson Roberto - for a Carnaval hit</span></span></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsgyK2SjMeicumqtWj-dRyplENUh0PjH2gWIDtw1vEtlrlby9GCqFb5FUnM7eYiJKwOtscZ9kDMteh3aRpsLmrHmFY91zf8TAp5e3nXmm61ZljAds7iBV_XQQIMdccgCJ41TzmfLlfqspQnBA1u6r6RIuFjJyLymIgREdZ5WWttbXMNmF7riAzjPHAlw/s874/paulista.aguilar.Radiolandia.1962.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="874" data-original-width="802" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsgyK2SjMeicumqtWj-dRyplENUh0PjH2gWIDtw1vEtlrlby9GCqFb5FUnM7eYiJKwOtscZ9kDMteh3aRpsLmrHmFY91zf8TAp5e3nXmm61ZljAds7iBV_XQQIMdccgCJ41TzmfLlfqspQnBA1u6r6RIuFjJyLymIgREdZ5WWttbXMNmF7riAzjPHAlw/w587-h640/paulista.aguilar.Radiolandia.1962.jpg" width="587" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi__1IVGJoG7oG6nPAf0fxfHMdQeH87-_WklYAx9yku-4OkjkzSddcAwnAL6OwPhXDNKBhubGimZ7omAQT8kI-tPa3RWlqsUEH6w1BEOKbfOUBSdaHXGW6jdxVBmd7ifdvVngHLnGyXrGXH/s1600/I0019656-Aguillar%2523379.JUN.1962.15th.Ritmos.JPG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1600" data-original-width="1139" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi__1IVGJoG7oG6nPAf0fxfHMdQeH87-_WklYAx9yku-4OkjkzSddcAwnAL6OwPhXDNKBhubGimZ7omAQT8kI-tPa3RWlqsUEH6w1BEOKbfOUBSdaHXGW6jdxVBmd7ifdvVngHLnGyXrGXH/w455-h640/I0019656-Aguillar%2523379.JUN.1962.15th.Ritmos.JPG" width="455" /></span></a></div>
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Radiolandia #379, <b><span style="color: orange;">1st June 1962</span></b>.</span></div>
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<span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGm06JQKXc8NG3Q-Jgo1k9tPpLQnzNOYkaTJvJnI3aa7zA5FdLpfhVau76q18sIi_ruBCn5A6-B9ZnL8YOkoebqfJVy61eqtU5bJyYC171MpDgNyaiXa2gRrAyjxTNtyLSP4l6aGl-NZgu/s1600/I0019657-Aguillar%2523379.JUN.15th.1962.ddd.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="507" data-original-width="351" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGm06JQKXc8NG3Q-Jgo1k9tPpLQnzNOYkaTJvJnI3aa7zA5FdLpfhVau76q18sIi_ruBCn5A6-B9ZnL8YOkoebqfJVy61eqtU5bJyYC171MpDgNyaiXa2gRrAyjxTNtyLSP4l6aGl-NZgu/s320/I0019657-Aguillar%2523379.JUN.15th.1962.ddd.jpg" width="221" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9lCwPd_JUQACo90xgTd_HEXXKKB8o2m-j1apvo-A0KdCyhSgEcnnWizYwCjsSoJqqB5TJRzMRs5JPtCkU-xYXXj6itzB6lNrnQKfLnkMnKLmt14H35r3eYQYinMz451-Xxv5M4J2_rW5u/s1600/I0019657-Aguillar%2523379.JUN.15th.1962.bb.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="475" data-original-width="331" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9lCwPd_JUQACo90xgTd_HEXXKKB8o2m-j1apvo-A0KdCyhSgEcnnWizYwCjsSoJqqB5TJRzMRs5JPtCkU-xYXXj6itzB6lNrnQKfLnkMnKLmt14H35r3eYQYinMz451-Xxv5M4J2_rW5u/s320/I0019657-Aguillar%2523379.JUN.15th.1962.bb.jpg" width="222" /></a></span></div>
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Radiolandia #379 - <b><span style="color: orange;">1st June 1962</span></b>.</span></div>
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<span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGj5Wh__A9zhSHJldrW0P6v_Q9AMFdiIa5-vqhUj0taVsCG47Gj9A2VO3LE2ztHNL8KbGEyb2pscxw5dUAVudVgQhSUohykx5tzhPBMUyYgcMBxVGDVmCFJlnxF081ReZXYbyJ9wBiOxJA/s1600/I0019833-Aguillar.1962.382.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1172" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGj5Wh__A9zhSHJldrW0P6v_Q9AMFdiIa5-vqhUj0taVsCG47Gj9A2VO3LE2ztHNL8KbGEyb2pscxw5dUAVudVgQhSUohykx5tzhPBMUyYgcMBxVGDVmCFJlnxF081ReZXYbyJ9wBiOxJA/s640/I0019833-Aguillar.1962.382.JPG" width="468" /></a><br />
'Radiolandia' #382 - <b><span style="color: orange;">1st August 1962</span></b>.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_PAB4h2qJsvFgqbiS8nMkkkxHuIq4Yt0uQHFw4VgKD0ezth_E5pr1rE5WwviErgv0IyEXtV_CQltROOOCNtnVHQjT9GuZ6uWCnZ7ofhAmGreZN0EIEIScCA3gb6zep_jobau5k-NRPBiR/s1600/I0019989-Aguillar%2523385.Sep.15th.1962.JPG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1522" data-original-width="1147" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_PAB4h2qJsvFgqbiS8nMkkkxHuIq4Yt0uQHFw4VgKD0ezth_E5pr1rE5WwviErgv0IyEXtV_CQltROOOCNtnVHQjT9GuZ6uWCnZ7ofhAmGreZN0EIEIScCA3gb6zep_jobau5k-NRPBiR/s640/I0019989-Aguillar%2523385.Sep.15th.1962.JPG" width="482" /></span></a></div>
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Radiolandia #385 - <b><span style="color: orange;">15 September 1962</span></b>; 'Ritmos para a Juventude' crosssed over to TV Paulista, channel 5. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1s_eIjhyphenhyphenCiB6lZbFyxcAveaXPlmKe5ir9xqktMQ_P7gt6x2mQB-df0PEJp3dSrip2Jd4BQqMfyErYpKR33QkcxHXHIpYkuapBX167A9wcjB5o8qg-9ucMvJLw4Ve9AaQI_CvczPXV0Ae5/s1600/I0019990-Aguillar%2523385.Sept.15th.1962Ritmos.JPG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1552" data-original-width="1150" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1s_eIjhyphenhyphenCiB6lZbFyxcAveaXPlmKe5ir9xqktMQ_P7gt6x2mQB-df0PEJp3dSrip2Jd4BQqMfyErYpKR33QkcxHXHIpYkuapBX167A9wcjB5o8qg-9ucMvJLw4Ve9AaQI_CvczPXV0Ae5/s640/I0019990-Aguillar%2523385.Sept.15th.1962Ritmos.JPG" width="474" /></span></a></div>
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<span style="font-family: arial;"><b>15 September 1962</b>; <b><span style="color: orange;">Neil Sedaka</span></b> is honoured at 'Ritmos para a Juventude' on Channel 5. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU-8zGTGYRLURULVHX72ovofZmLojqVPLRnScfeSe5FI9so7MukMqhNi7amavSM0HUfrSw6GWot4yZeCD47H4zUZn-mUWm4NFI_PAI-voB6HX0MkhMc91PfE03Jqb-Nc5J3aGMCe-4bQO8/s1600/I0020077-Theotonio%2523387.OCT.1st.1962.dd.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="108" data-original-width="642" height="67" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU-8zGTGYRLURULVHX72ovofZmLojqVPLRnScfeSe5FI9so7MukMqhNi7amavSM0HUfrSw6GWot4yZeCD47H4zUZn-mUWm4NFI_PAI-voB6HX0MkhMc91PfE03Jqb-Nc5J3aGMCe-4bQO8/s400/I0020077-Theotonio%2523387.OCT.1st.1962.dd.jpg" width="400" /></span></a></div>
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Radiolandia #387 - <b><span style="color: orange;">1st October 1962</span></b>; Theotonio Pavão says '<b>Ritmos para a juventude</b>' turned 1 year old on <b>30 September 1962</b>, and had a bash at Cine Piratininga, one of the largest in town. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzE5Bc-z5tigu3T6H7q4xxrM4l8bG-_B3IMPbQE4SnLUa_k9yKZIHNiNQTR61LxgQmrEVLMUJF9ziI1eNPhTpT8H76hBEbXQbAwXYMoT4JUnU2rsipAwVX17TgVWRmlzvemlstziRuxOJq/s1600/I0020705-Aguillar%2523396.MAR.1st.1963.Franquito.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="498" data-original-width="350" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzE5Bc-z5tigu3T6H7q4xxrM4l8bG-_B3IMPbQE4SnLUa_k9yKZIHNiNQTR61LxgQmrEVLMUJF9ziI1eNPhTpT8H76hBEbXQbAwXYMoT4JUnU2rsipAwVX17TgVWRmlzvemlstziRuxOJq/s400/I0020705-Aguillar%2523396.MAR.1st.1963.Franquito.jpg" width="281" /></span></a></div>
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Radiolandia #396, 1st March 1963 - Theotonio Pavão tells all about Aguillar's big event at Lapa's Cine Nacional on <b><span style="color: orange;">17 February 1963</span></b>.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy533sTbD0ipHtEbJUEM_mU1ovWvpYcGoSDi2J6x7EJ3wfUU5pfoIv_j4BrNuKMpDnqh9a95-13taSoNSdZf76l72SI3q8TlU1VpSSuTzvaJLKapaUtBQQVC38g7wQC6JFdZrKQoRtozap/s1600/I0020705-Aguillar%2523396.MAR.1st.1963.Nick.Savoia.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="377" data-original-width="441" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy533sTbD0ipHtEbJUEM_mU1ovWvpYcGoSDi2J6x7EJ3wfUU5pfoIv_j4BrNuKMpDnqh9a95-13taSoNSdZf76l72SI3q8TlU1VpSSuTzvaJLKapaUtBQQVC38g7wQC6JFdZrKQoRtozap/s320/I0020705-Aguillar%2523396.MAR.1st.1963.Nick.Savoia.jpg" width="320" /></span></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8PRBBMHCABCAlnqlPO8omuhODdFTebsTSIEA3O5gZ08fAauBcrte1GHzokK60WSRlBwbZ8d1tnNCKXs9J3d_pz5qX2-TdoBg8KlQ0caOmwzg50KwNJVtOnUPyPVYMBpTAgdfQHnZoZw1k/s1600/I0020705-Aguillar%2523399.Nick.Savoia.APR.15th.1963.Nick.Nick.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="53" data-original-width="482" height="35" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8PRBBMHCABCAlnqlPO8omuhODdFTebsTSIEA3O5gZ08fAauBcrte1GHzokK60WSRlBwbZ8d1tnNCKXs9J3d_pz5qX2-TdoBg8KlQ0caOmwzg50KwNJVtOnUPyPVYMBpTAgdfQHnZoZw1k/s320/I0020705-Aguillar%2523399.Nick.Savoia.APR.15th.1963.Nick.Nick.jpg" width="320" /></span></a></div>
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHki2eCQGdE0_Y1gLl5_xoVJL-9UdKkFl4wh11pZSrBYEmqUgssm5s2zvIoxMm4013-XmBEU501xObOEeUzqsDSJokNi7iVG9eMa9Lzi8DTcQiDlAQ-F5HYSrifuztmui1p8EBvikYUonK/s1600/Radio.Aug.63.Aguillar.2a.q..JPG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1536" data-original-width="1128" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHki2eCQGdE0_Y1gLl5_xoVJL-9UdKkFl4wh11pZSrBYEmqUgssm5s2zvIoxMm4013-XmBEU501xObOEeUzqsDSJokNi7iVG9eMa9Lzi8DTcQiDlAQ-F5HYSrifuztmui1p8EBvikYUonK/s640/Radio.Aug.63.Aguillar.2a.q..JPG" width="470" /></span></a></div></div>
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<span style="font-family: arial;"><b><span style="color: orange;">Antonio Aguilar</span></b><span face=""arial" , "helvetica" , sans-serif"> weds </span><b><span style="color: orange;">Marly Bucci</span></b><span face=""arial" , "helvetica" , sans-serif"> at the Catholic church Santo Antonio do Pary on </span><b><span style="color: orange;">27 July 1963</span></b><span face=""arial" , "helvetica" , sans-serif">.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvhAZbgkKOOJ7u2Eaue0Nd8g_OeNsJ07NImMCg7P7qNyqm-2Ghi87r2cHg7Kp-LZQsHrHdBGMXbKmLUZedyzAKsrJ-ZxMS9NDOZlKSCzCmOSJejJVAL7U3Q45WDByN48EQHlRFj8QieNx1/s1600/Radio.Aug.63.1a.Forneaud.aa.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="160" data-original-width="479" height="106" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvhAZbgkKOOJ7u2Eaue0Nd8g_OeNsJ07NImMCg7P7qNyqm-2Ghi87r2cHg7Kp-LZQsHrHdBGMXbKmLUZedyzAKsrJ-ZxMS9NDOZlKSCzCmOSJejJVAL7U3Q45WDByN48EQHlRFj8QieNx1/s320/Radio.Aug.63.1a.Forneaud.aa.jpg" width="320" /></span></a></div>
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columnist <b>Theotonio Pavão</b> at Radiolandia, <b><span style="color: orange;">1st August 1963</span></b>.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilwK_G1I3oF8v7pLQi-L_YNAvk1jZtEj75FOrPHGSm_XTEp3Kowf4W2HBaMwukS7Z-fGucjKuNQ4aSmN9G6w66pHpyCxHlPa0Bm_iq7iAJk2mj_YgXMRmEWPLAFscC7_xI0oHn_liw0HDz/s1600/Radio.Aug.63.1a.Forneaud.bb.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="180" data-original-width="478" height="120" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilwK_G1I3oF8v7pLQi-L_YNAvk1jZtEj75FOrPHGSm_XTEp3Kowf4W2HBaMwukS7Z-fGucjKuNQ4aSmN9G6w66pHpyCxHlPa0Bm_iq7iAJk2mj_YgXMRmEWPLAFscC7_xI0oHn_liw0HDz/s320/Radio.Aug.63.1a.Forneaud.bb.jpg" width="320" /></span></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaWOm9cobzucb9HeFeGRDgD7EuWT6k4MqdmFjoWgBfkqp9isxTaoqSpugYEFCe-skz7UhlzIHZRX0A5dFK7v0kKssjaY5vONZFhCp5Op3npU6XV4oozMBEQtXRZgTvobLV5wibaRyLoHgU/s1600/Radio.Aug.63.1a.Forneaud.ccc.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="101" data-original-width="486" height="66" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaWOm9cobzucb9HeFeGRDgD7EuWT6k4MqdmFjoWgBfkqp9isxTaoqSpugYEFCe-skz7UhlzIHZRX0A5dFK7v0kKssjaY5vONZFhCp5Op3npU6XV4oozMBEQtXRZgTvobLV5wibaRyLoHgU/s320/Radio.Aug.63.1a.Forneaud.ccc.jpg" width="320" /></span></a></div>
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DJ <b>Carlos Alberto Lopes</b> left Radio America (Estudio V) to Radio Record.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicKLRisPaEhRlCwAtFyxMbEl6UxGrqlpUfdo6w6yjd1dYbqBTbpxw91dPJLyN2r5EwcofiLd1IFOm7KRniCv6-5OCOyV7adzdDJsJSSLwkueLk6uO4NJc8-g8CIRC_iqRjR3EwqeaqLNEv/s1600/Radio-October.1963.1a.ccc.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="433" data-original-width="554" height="312" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicKLRisPaEhRlCwAtFyxMbEl6UxGrqlpUfdo6w6yjd1dYbqBTbpxw91dPJLyN2r5EwcofiLd1IFOm7KRniCv6-5OCOyV7adzdDJsJSSLwkueLk6uO4NJc8-g8CIRC_iqRjR3EwqeaqLNEv/s400/Radio-October.1963.1a.ccc.jpg" width="400" /></span></a></div>
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Radiolandia, <b><span style="color: orange;">1st October 1963</span></b>; more than 3,000 people swarmed at the doors of Channel 9 on Rua Nestor Pestana to see Antonio Aguillar rock-show. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivhONhsUTcQgBGstENGtcCqA8xPaA37NZkSU9Mcjkf5UVZqUn0-HjxME3uv-rNgVtogcesWp2MQW-Dg6PQiA6bhzrs3nMQmeKxBdLPjTOkvL9kIovDJSgw60LVaB8I4evLV8Th4Ukvep7N/s1600/Radio-October.1963.1a.bb.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="120" data-original-width="503" height="95" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivhONhsUTcQgBGstENGtcCqA8xPaA37NZkSU9Mcjkf5UVZqUn0-HjxME3uv-rNgVtogcesWp2MQW-Dg6PQiA6bhzrs3nMQmeKxBdLPjTOkvL9kIovDJSgw60LVaB8I4evLV8Th4Ukvep7N/s400/Radio-October.1963.1a.bb.jpg" width="400" /></span></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU7FV8vSUeMkMWlsnWvDiv8DvCp7OQn6rYMEdt8h5UyFcLaSFhVdnSk4A9pytvLYLIW5uACNjgAjeSLG6ulODbtN-lVq0SpUvcvCc01L6yKExVUWMuBzTGo77kxjMeLQfEFjn5OLi-R4iY/s1600/Radio-October.1963.1a.ab.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="282" data-original-width="501" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU7FV8vSUeMkMWlsnWvDiv8DvCp7OQn6rYMEdt8h5UyFcLaSFhVdnSk4A9pytvLYLIW5uACNjgAjeSLG6ulODbtN-lVq0SpUvcvCc01L6yKExVUWMuBzTGo77kxjMeLQfEFjn5OLi-R4iY/s400/Radio-October.1963.1a.ab.jpg" width="400" /></span></a></div>
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Antonio Aguillar TV rock-show at <b>TV Excelsior</b> on Tuesdays & Fridays from 12:00 noon to 1:00 pm; on Sundays 'Festival de Gala da Juventude' from 6:00 to 7:00 pm.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl-ARYrKC59QJRIiJc97qFSGDOA6xNiEYzvrr8cnplSstRAHHr5lg93uVfi6y3HYs33ObIhbq9h8Ve__5GJ_B_bos2m_HXFRqyQJyAMHMWtO9nPvZqemN7CjRvJShygC_ccLgb_d81Dwyb/s1600/Albert.Clevers.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="478" data-original-width="553" height="345" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl-ARYrKC59QJRIiJc97qFSGDOA6xNiEYzvrr8cnplSstRAHHr5lg93uVfi6y3HYs33ObIhbq9h8Ve__5GJ_B_bos2m_HXFRqyQJyAMHMWtO9nPvZqemN7CjRvJShygC_ccLgb_d81Dwyb/s400/Albert.Clevers.jpg" width="400" /></span></a></div>
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Radiolandia, <b><span style="color: orange;">1st October 1963</span></b>. <b>Albert Pavão</b> accompanied by <b>The Clevers, </b>disguised as Chinese peasants at Antonio Aguillar rock-show on <b>TV Excelsior</b>, Channel 9.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKuoDx_64SQOLwPucuKK0QxA3dBYbhL26IPxsAxJg-8GxJJX53EXI-ld9LFakEl5pAGo2xzPAcJ31CGwA4SIpfOUF0LG0JFtRp5R8rLnGj6QwPkgCTFIZys8xY4lZPqjrbGotJCgVUP8ma/s1600/Radio-October.1963.1a.eee.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="51" data-original-width="530" height="37" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKuoDx_64SQOLwPucuKK0QxA3dBYbhL26IPxsAxJg-8GxJJX53EXI-ld9LFakEl5pAGo2xzPAcJ31CGwA4SIpfOUF0LG0JFtRp5R8rLnGj6QwPkgCTFIZys8xY4lZPqjrbGotJCgVUP8ma/s400/Radio-October.1963.1a.eee.jpg" width="400" /></span></a></div>
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a young Antonio Aguillar working as a photographer for 'O Estado de S.Paulo'; <b><span style="color: orange;">Radiolandia</span></b> #345, <b><span style="color: orange;">1st February 1961</span></b> says Aguillar had just been signed by Organização Victor Costa to organize their audio-visual department. </span></div>
<div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><img border="0" data-original-height="1000" data-original-width="535" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0iAXHLkH8CJ4YcDzAmxr_0t2owlDM2BgKFo2jzdUNcVzTK5hNI00eYt_L6x3Q9LWjpuxqm9FG_07GCEfZPR0uaS2A6Y8xskF1SfX07zNIbBp8VfdZA-NjMAEDia3DiVGnGw4JAUyzsEyR/w214-h400/Radio-October.1963.1a.aa.jpg" width="214" /></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-UrtBn7oN0GijfebMlR9hEjye-BpVerso1C4hBcP7gA208d7b5pJYvVIyTAB46zZ7-Ojw5UiaWGVqwkjo6IZf8GwI1uu8S5Pq8kRrh7rpAwGHvl0N9MmIsYVBqv5uXKROvlKcGiZ_IGnJXLSW6cQIyVp7-o8e2PM21nW1mn7N1RhGelU3SRtmWuDxvw/s755/paulista.nosso.clubinho.1963.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="755" data-original-width="452" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-UrtBn7oN0GijfebMlR9hEjye-BpVerso1C4hBcP7gA208d7b5pJYvVIyTAB46zZ7-Ojw5UiaWGVqwkjo6IZf8GwI1uu8S5Pq8kRrh7rpAwGHvl0N9MmIsYVBqv5uXKROvlKcGiZ_IGnJXLSW6cQIyVp7-o8e2PM21nW1mn7N1RhGelU3SRtmWuDxvw/w239-h400/paulista.nosso.clubinho.1963.jpg" width="239" /></a></div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0iAXHLkH8CJ4YcDzAmxr_0t2owlDM2BgKFo2jzdUNcVzTK5hNI00eYt_L6x3Q9LWjpuxqm9FG_07GCEfZPR0uaS2A6Y8xskF1SfX07zNIbBp8VfdZA-NjMAEDia3DiVGnGw4JAUyzsEyR/s1600/Radio-October.1963.1a.aa.jpg" style="margin-left: 1em; margin-right: 1em;"></a></div><div class="separator" style="clear: both; text-align: justify;"><b style="font-family: arial;">Ademar Dutra</b><span style="font-family: arial;"> took over Aguillar's place at </span><b style="font-family: arial;">TV Paulista</b><span style="font-family: arial;">, Channel 5, when the latter was signed by </span><b style="font-family: arial;">TV Excelsior</b><span style="font-family: arial;">, Channel 9 - Radiolandia, </span><b style="font-family: arial;"><span style="color: orange;">1st October 1963</span></b><span style="font-family: arial;">. Ademarzinho as he was known presents Elvis Presley's '<b>Louras, morenas e ruivas</b>' sound-track album of 'It happened at the World's Fair' released in the USA on <b>3rd April 1963</b>. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3MSppG69gNi-Fk5aEB0VndGaAv8SMn6LJR7gLlOGPRRAveDAAqGABuxb0rJxVgePzby7PIF-Fm-VHXPtn9-yxeVk_jzLof07NImXMOtO37SfIpqb7HHndVC3cRaXzCwEIxOX4w-ZwD12P/s1600/Radio-October.1963.2a.a.Ademar.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="464" data-original-width="704" height="263" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3MSppG69gNi-Fk5aEB0VndGaAv8SMn6LJR7gLlOGPRRAveDAAqGABuxb0rJxVgePzby7PIF-Fm-VHXPtn9-yxeVk_jzLof07NImXMOtO37SfIpqb7HHndVC3cRaXzCwEIxOX4w-ZwD12P/s400/Radio-October.1963.2a.a.Ademar.jpg" width="400" /></span></a></div>
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Ademarzinho Dutra presents '<b>Clubinho das 5</b>' at TV Paulista, channel 5 - <b><span style="color: orange;">15 October 1963</span></b>.</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYSiG0cBU4SCRMPEpalFUW3E0xr5ui6cwEwiJQ7DZ7t8Yiu-yrihJ5SE9qMrRLbO-4OKBpfuwVcUvWtmnZn_sNXeNWtCA8pGuG_Vp5gmt0GahFMhv6lUpbwikui-gvPKJUPMoW0HhXIuf6c_Uw2AJr_jinzn53ycwTaKuzQUCSfey9X6VvCd_PSLklOA/s783/paulista.ademar.dutra..jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="512" data-original-width="783" height="262" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYSiG0cBU4SCRMPEpalFUW3E0xr5ui6cwEwiJQ7DZ7t8Yiu-yrihJ5SE9qMrRLbO-4OKBpfuwVcUvWtmnZn_sNXeNWtCA8pGuG_Vp5gmt0GahFMhv6lUpbwikui-gvPKJUPMoW0HhXIuf6c_Uw2AJr_jinzn53ycwTaKuzQUCSfey9X6VvCd_PSLklOA/w400-h262/paulista.ademar.dutra..jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWBcj_67thJefxrkX1KlGnCwvjSCXXNZJ9GO0-P83B9qhjS3vEHXBAqVGlYPmbw3kETxkVQiqBGMZLCwsumVMAY2mHv5HpGixoRc4mkgZM0cXwsbL_FiR_Ujh1th0WKDVHKE96ZChXbiPI2lRzwBJsdAL43bph6x3x1MFLVRSd2M3GUT_gTeDi2qSceA/s748/paulista.ademar.dutra.Radiolandia.410.1963.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="219" data-original-width="748" height="94" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWBcj_67thJefxrkX1KlGnCwvjSCXXNZJ9GO0-P83B9qhjS3vEHXBAqVGlYPmbw3kETxkVQiqBGMZLCwsumVMAY2mHv5HpGixoRc4mkgZM0cXwsbL_FiR_Ujh1th0WKDVHKE96ZChXbiPI2lRzwBJsdAL43bph6x3x1MFLVRSd2M3GUT_gTeDi2qSceA/w320-h94/paulista.ademar.dutra.Radiolandia.410.1963.jpg" width="320" /></a></div><span style="font-family: arial;">'Radiolândia' no.410, 1963. </span><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><div><div style="text-align: center;"><b><span style="font-family: arial;">1962 & 1963</span></b></div><span style="font-family: arial;"><br /></span></div><div><span style="font-family: arial;"><b><span style="color: orange;">1962</span></b> e <b><span style="color: orange;">1963</span></b> foram anos de transição e consolidação do <b><span style="color: orange;">rock'n'roll</span></b> como maneira de expressão da juventude brasileira, principalmente com o surgimento de novíssimos conjuntos instrumentais a começar por <b><span style="color: orange;">The Jet Blacks</span></b>, <b><span style="color: cyan;">The Jordans</span></b> e <b><span style="color: yellow;">The Clevers</span></b>. </span></div><div><span style="font-family: arial;"><br /></span></div><div><span style="font-family: arial;">Ao mesmo tempo, o bolero, as versões de músicas estrangeiras e até o tango ainda imperavam na Parada de Sucesso. </span></div><div><span style="font-family: arial;"><br /></span></div><div><span style="font-family: arial;"><b><span style="color: orange;">TV Excelsior</span></b>, inaugurada em 1960, se consolidava como a mais popular do país... uma verdadeira revolução nos meios de comunicação. Vivíamos tempos de mudança no vídeo.</span></div><span style="font-family: arial; text-align: left;"><br /></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkdFHcm7wXzwPIPd5PGJYqw6zFbckH80PhpJAyOJNZ-XPqntwpStPs0L-Z0QTOsN5jdeBNrlYNV5Dop9lSIwRKUenEKvrZbn3oyR5AqunqJ7TFWmDxiN_IXzCSaEbWk5t_l3YoG_XOIJzH/s1600/17755_377185795706850_445517704_n.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkdFHcm7wXzwPIPd5PGJYqw6zFbckH80PhpJAyOJNZ-XPqntwpStPs0L-Z0QTOsN5jdeBNrlYNV5Dop9lSIwRKUenEKvrZbn3oyR5AqunqJ7TFWmDxiN_IXzCSaEbWk5t_l3YoG_XOIJzH/s640/17755_377185795706850_445517704_n.jpg" width="450" /></span></a></div><div><span style="font-family: arial;">revista Melodias sobre os maiorais recebendo os troféus do programa do Antonio Aguillar, no Cine Nacional, na Lapa.</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdKfNcEtgVJ3JtD3IrYCReLg87WroWEE_gsGsxIVLr2RhBacQqODKLJa63lCQm-7IM8S24crcL_yotLFW8bHP0SKM5NC_KAKCGOI7cyRP1Pd0prj3SCr5sNWtP80qO6XYGXlSlGXPXmu4w/s1600/folder_setembro_v_red.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" height="372" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdKfNcEtgVJ3JtD3IrYCReLg87WroWEE_gsGsxIVLr2RhBacQqODKLJa63lCQm-7IM8S24crcL_yotLFW8bHP0SKM5NC_KAKCGOI7cyRP1Pd0prj3SCr5sNWtP80qO6XYGXlSlGXPXmu4w/s400/folder_setembro_v_red.jpg" width="400" /></span></a></div><div style="text-align: center;"><span style="font-family: arial;">'<b>Quanto Setembro vier</b>' (<b><span style="color: orange;">Come September</span></b>) fazia sucesso entre os adolescentes...</span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi54vnEUmuvV8-FXoxLr8hF7nucGZT1Q93qOegO42vXAg_ogFixZyVkoEyvLo0iI56OMu5CBEQq-syACe1iPDyM2BlYHq6FNRD4GFsR3GWDIHtM0qswgFqw7K9mEFixziFgGFOEfthY7SSOdfq4vQE4PEHIiZ97vaMQnXt4l--oNQOT9LxPvpQnsly6NA/s1394/noite.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1148" data-original-width="1394" height="527" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi54vnEUmuvV8-FXoxLr8hF7nucGZT1Q93qOegO42vXAg_ogFixZyVkoEyvLo0iI56OMu5CBEQq-syACe1iPDyM2BlYHq6FNRD4GFsR3GWDIHtM0qswgFqw7K9mEFixziFgGFOEfthY7SSOdfq4vQE4PEHIiZ97vaMQnXt4l--oNQOT9LxPvpQnsly6NA/w640-h527/noite.jpg" width="640" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><b style="font-family: arial;">Tommy Standen</b><span style="font-family: arial;"> gravou 'Regina' de Serafim da Costa Almeida para a gravadora Albatróz - 'Diário da Noite', 2 Outubro 1963.</span></div></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEMY6U0BOPIICiEBEZux1K0OHvAXPUrZjO-TODqePYaMpkqYjsEl25bN-Rfy09PeWfbMFS3PGVbMFbXgK1nwbiqDI3j__5oXGKmHpsnbGEuqgiPhB14u6tBy2yjRZoZvGakHNAGZT5gbpR/s4393/DSC05391+%25282%2529.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4393" data-original-width="3045" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEMY6U0BOPIICiEBEZux1K0OHvAXPUrZjO-TODqePYaMpkqYjsEl25bN-Rfy09PeWfbMFS3PGVbMFbXgK1nwbiqDI3j__5oXGKmHpsnbGEuqgiPhB14u6tBy2yjRZoZvGakHNAGZT5gbpR/w444-h640/DSC05391+%25282%2529.JPG" width="444" /></a></div><span style="font-family: arial;">By <b><span style="color: #ffa400;">May 1964</span></b>, Aguillar was 'poached' by TV Record to do his rock-show at Teatro Record that was something akin to Paris Olympia in the 50s & 60s. This was his 1st Saturday rock show at Teatro Record which would be recorded on video-tape and shown on Sunday at 1:00 pm. </span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9um2RRlWZWhMNnSjY26JHF-FNsqvadJg5FJJqXZPa3uRcN49_cu4b7tybvp-oYKSccfEwumEwoei5tU88Lup0I-aQmcOM3uJDG-RDJDSlpB43fr3WiHKUxqP4o2BqphdVeQ2JDzfcBsxS/s2939/DSC05391+%25284%2529.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="902" data-original-width="2939" height="196" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9um2RRlWZWhMNnSjY26JHF-FNsqvadJg5FJJqXZPa3uRcN49_cu4b7tybvp-oYKSccfEwumEwoei5tU88Lup0I-aQmcOM3uJDG-RDJDSlpB43fr3WiHKUxqP4o2BqphdVeQ2JDzfcBsxS/w640-h196/DSC05391+%25284%2529.JPG" width="640" /></a></div><span style="font-family: arial;"><b>Antonio Aguilar</b> who had always been his own man at TV Paulista and TV Excelsior had to swallow <b><span style="color: #ffa400;">Eliana Pittman</span></b> as a co-presenter who was imposed by the TV management. <b><span style="color: #ffa400;">Fred</span></b> <b><span style="color: #ffa400;">Jorge</span></b> at Aguilar's right was the programme producer. Folk dancer and singer Orlando Alvarado wears a white suit and <b>The <span style="color: #ffa400;">Vikings</span></b> brothers are on the extreme right. </span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiL_L30ZJN1WaitFwTz7wlLQ8tHgZt7cAUrL4CBXU3OxHDto2YFA-v6xHPz3OjUHlg4QhnF7c8zv5u9mNLwb8JGVZXA6m7NCiO5_ycrUF2nTmeSIwOJa77leRDG7mgBTkMott2mMraG4dCS/s2063/DSC05393+%25282%2529.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="943" data-original-width="2063" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiL_L30ZJN1WaitFwTz7wlLQ8tHgZt7cAUrL4CBXU3OxHDto2YFA-v6xHPz3OjUHlg4QhnF7c8zv5u9mNLwb8JGVZXA6m7NCiO5_ycrUF2nTmeSIwOJa77leRDG7mgBTkMott2mMraG4dCS/w640-h293/DSC05393+%25282%2529.JPG" width="640" /></a></div><span style="font-family: arial;">Eliana Pittman, <b><span style="color: #ffa400;">Marcos Roberto</span></b> disguised as Napoleon and Antonio Aguilar at 'Reino da Juventude' first broadcast. </span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji7UXwhH0So4pDLW107EIqMjbQ0uQS6wr-GPPx89UIT2v7RfXVoB5cUoHeAsvb2Af9ji46HyIr6vaceQl3mrj8mp8t0fINw2-4cM8Sz1W9x6wUt5P3gHN5nvNhjeaKu8m2mC9vQxMTlgxP/s1495/DSC05391+%25285%2529.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1329" data-original-width="1495" height="356" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji7UXwhH0So4pDLW107EIqMjbQ0uQS6wr-GPPx89UIT2v7RfXVoB5cUoHeAsvb2Af9ji46HyIr6vaceQl3mrj8mp8t0fINw2-4cM8Sz1W9x6wUt5P3gHN5nvNhjeaKu8m2mC9vQxMTlgxP/w400-h356/DSC05391+%25285%2529.JPG" width="400" /></a></div><span style="font-family: arial;"><b><span style="color: #ffa400;">Ronnie Cord</span></b> was at the peak of his popularity in <b><span style="color: #ffa400;">May 1964</span></b>. He'd started in late 1960 covering Bryan Hyland's '<b>Itsy bitsy teenie mini yellow polka-dot bikini</b>' and then in early 1964 he went <b><span style="color: #ffa400;">#1</span></b> again with '<b><span style="color: #ffa400;">Rua Augusta</span></b>' to be followed later by another cover of 'Itsy bitsy...' this time sung in Portuguese '<b><span style="color: #ffa400;">Biquini de bolinha amarelinha</span></b>'... Little did Ronnie know he would lose his crown and scepter as the Brazilian King of Rock'n'roll to Roberto Carlos in another 18 months. </span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvk2IadSFHgVCGvx4Sht5KaUFBu3OO3wMCdFGUbcdUcXPk0LCqPW7DWHeRV-iBa_wcG6pvYX-bKlToLC_H9MqzEnqWEBJLXR6Kw9HyFh_hM5Bs88jGfgP47gkqTv3l_Z0ci9widHJbJh6w/s4475/DSC05394+%25282%2529.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4475" data-original-width="3035" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvk2IadSFHgVCGvx4Sht5KaUFBu3OO3wMCdFGUbcdUcXPk0LCqPW7DWHeRV-iBa_wcG6pvYX-bKlToLC_H9MqzEnqWEBJLXR6Kw9HyFh_hM5Bs88jGfgP47gkqTv3l_Z0ci9widHJbJh6w/w434-h640/DSC05394+%25282%2529.JPG" width="434" /></a></div><span style="font-family: arial;"><b># 85</b>, <b>August 1964</b> - monthly magazine '<b>Melodias</b>' published more photos of Antonio Aguilar's 'Reino da Juventude' 1st programme at TV Record, Channel 7. It took 3 months for this article to be published at 'Melodias'... </span><span style="font-family: arial;"><br /></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOvMy9_rapwLnVpXOxZYtFUQxqLI6Le8nZ0qnJOJHY7DCPKOB0uu4MPnnYFLNQg3RhSoOdS2qL12LHbeRdEiMl3nXvS6bweYlxUGy6R4AVLgyssy0SlXoPH1guydDxUaylJffZaDSXwHvl/s1600/aguillar-e-roberto-carlos-1962.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1050" data-original-width="787" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOvMy9_rapwLnVpXOxZYtFUQxqLI6Le8nZ0qnJOJHY7DCPKOB0uu4MPnnYFLNQg3RhSoOdS2qL12LHbeRdEiMl3nXvS6bweYlxUGy6R4AVLgyssy0SlXoPH1guydDxUaylJffZaDSXwHvl/s640/aguillar-e-roberto-carlos-1962.jpg" width="479" /></span></a></div>
<div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><b><span style="color: orange;">Roberto Carlos</span></b> is welcomed by Antonio Aguilar at his '<b><span style="color: orange;">Reino da Juventude</span></b>' at Teatro Record in <b><span style="color: orange;">May</span></b> <b><span style="color: orange;">1964</span></b>. <b>The Clevers</b>' <b>Risonho</b> (lead-guitar), <b>Netinho</b> on drums & <b>Mingo</b> (rhythm-guitar) are seen in the background. Little did Roberto Carlos know he would become a big star on this very stage in 18 months.</span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3M1aUf-Pi3-yOnmIr3CP1EngGTgQ5CQMTPOgJReCW5e0edSHT33Pi4FfOg6s4w07EO9mUnZ5cBJT7b7_h9D4GuY24TyrKS404tcP2TyNEXOPHiDIhsWduNyvXzg30dB3Owp3s6h4CmMIp/s1015/DSC05391+%25283%2529.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1015" data-original-width="804" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3M1aUf-Pi3-yOnmIr3CP1EngGTgQ5CQMTPOgJReCW5e0edSHT33Pi4FfOg6s4w07EO9mUnZ5cBJT7b7_h9D4GuY24TyrKS404tcP2TyNEXOPHiDIhsWduNyvXzg30dB3Owp3s6h4CmMIp/w253-h320/DSC05391+%25283%2529.JPG" width="253" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5eDnj3v4eoC71LEksciiOVWtQQpKuUaOqJjWsFWOFHUE0Zq130G_2GIscs4R2MPdWtMVQMGKFyjENKT9AMccySDbPEkKFoAiDMWolJ_n0RvMOPmadqg4h1zs8dcVZ1iioHGwC1vce1Sew/s640/aguilar.rita.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="516" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5eDnj3v4eoC71LEksciiOVWtQQpKuUaOqJjWsFWOFHUE0Zq130G_2GIscs4R2MPdWtMVQMGKFyjENKT9AMccySDbPEkKFoAiDMWolJ_n0RvMOPmadqg4h1zs8dcVZ1iioHGwC1vce1Sew/s16000/aguilar.rita.jpg" /></a></div><div class="separator" style="clear: both; text-align: justify;">Aguilar leads <b><span style="color: #ffa400;">Rita Pavone</span></b> by the hand while she sings '<b><span style="color: #ffa400;">Datemi un martello</span></b>' accompanied by <b><span style="color: #ffa400;">The Clevers</span></b> at his Saturday-afternoon TV show 'Reino da Juventude' on TV Record, Channel 7, on 20 June 1964. Rita actually broke her written contratct that forbade her to sing anywhere else but her own recitals on Teatro Record.</div></span></div>
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Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-83179835120540749472017-09-24T01:46:00.003-07:002020-06-14T02:34:10.141-07:00VS an independent label <div dir="ltr" style="text-align: left;" trbidi="on">
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<b><span style="color: orange;">RGE</span></b> - Radio Gravações Elétricas - a recording studio that produced and distributed commercial jingles to radio stations all over Brazil became an independent label in 1956. Following RGE's example, <b><span style="color: orange;">VS</span></b> - Som Industrial Vilela Santos Ltda. opened shop in mid 1963. Radio man <b>Ataliba</b> <b>Santos</b> was its boss; <b>Guido Bianchi</b> its production manager and <b><span style="color: orange;">Rogerio Duprat </span></b>its artistic director. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj82XOSY3dEYi6Q0NyRMXZBvNo4C5Fvt8SeaR0q75CSqQd58eFl4VA7bl82xaQvezUxK9nozeeN5fddtu3InaG9ETd7In_VFMWb4QXGvm16b21pi2JkX2NJq9M4l62_n3QM118t4fb72yCk/s1600/nelson-luiz-so-na-solido-compacto-ep-39-D_NQ_NP_930321-MLB20744133098_052016-F.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="458" data-original-width="455" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj82XOSY3dEYi6Q0NyRMXZBvNo4C5Fvt8SeaR0q75CSqQd58eFl4VA7bl82xaQvezUxK9nozeeN5fddtu3InaG9ETd7In_VFMWb4QXGvm16b21pi2JkX2NJq9M4l62_n3QM118t4fb72yCk/s200/nelson-luiz-so-na-solido-compacto-ep-39-D_NQ_NP_930321-MLB20744133098_052016-F.jpg" width="198" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgI6yuFJbyCHFahcy76mgozSqpFJ0TAgGZFbNacaJxwr0zd3_L8AQubMKeyWhYG3_7pxi7Csqa5PDITTctmeIsULaUIe9L6cDQzEca6_QUdRJeD1RzeW9LFpGN5J9-60DXCpvl9MkcYPbW/s1600/nelson-luiz-so-na-solido-compacto-ep-39-D_NQ_NP_932221-MLB20744133115_052016-F.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="458" data-original-width="462" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgI6yuFJbyCHFahcy76mgozSqpFJ0TAgGZFbNacaJxwr0zd3_L8AQubMKeyWhYG3_7pxi7Csqa5PDITTctmeIsULaUIe9L6cDQzEca6_QUdRJeD1RzeW9LFpGN5J9-60DXCpvl9MkcYPbW/s200/nelson-luiz-so-na-solido-compacto-ep-39-D_NQ_NP_932221-MLB20744133115_052016-F.jpg" width="200" /></a></div>
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Nelson Luiz sings 'Só na solidão' b/w 'Amanhã quero ser mais feliz', VS's first release. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPtSAwpcB7AZFSdCgoYn49wBNLJ4lumgZ4-L3gY2lQ-toBIp7l2pTxmwuULyTH7AZbNw_kfxfGljCFRjvkuC_g_n4ERUgBGMK_BPbW7ViJt95QaNDVYa28qBQYSLhvvOGk_bs2FdvzcA9n/s1600/VS.Radio.Sept.63.2a..jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="557" data-original-width="501" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPtSAwpcB7AZFSdCgoYn49wBNLJ4lumgZ4-L3gY2lQ-toBIp7l2pTxmwuULyTH7AZbNw_kfxfGljCFRjvkuC_g_n4ERUgBGMK_BPbW7ViJt95QaNDVYa28qBQYSLhvvOGk_bs2FdvzcA9n/s320/VS.Radio.Sept.63.2a..jpg" width="287" /></a></div>
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Radiolandia, <b><span style="color: orange;">15 September 1963</span></b>, columnist Theotônio Pavão. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-F5EQOTvB1tgjZGU6ZtSG9gF6sHGSI0q1HC2_5-T6izccd6N1sb4Nrzqz6QGhzuF2vTKGJfDxjDN-8NkupqFrRdpfC24czY787E7si8UMJduEpnXsuUjvVpfuB6ZlQyJjf-ZzZ2Il_ypx/s1600/Radio-October.1963.1a.ff.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="137" data-original-width="501" height="87" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-F5EQOTvB1tgjZGU6ZtSG9gF6sHGSI0q1HC2_5-T6izccd6N1sb4Nrzqz6QGhzuF2vTKGJfDxjDN-8NkupqFrRdpfC24czY787E7si8UMJduEpnXsuUjvVpfuB6ZlQyJjf-ZzZ2Il_ypx/s320/Radio-October.1963.1a.ff.jpg" width="320" /></a></div>
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Radiolandia, <b><span style="color: orange;">1st October 1963</span></b>; Theotonio introduces The Hits, a rock band. </div>
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Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-48631764405910421052017-09-21T05:46:00.001-07:002018-11-06T05:57:09.965-08:00Johnny Talon, a US meteor rocks on Brazilian skies...<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Radiolandia presents Johnny Talon to its readers in <b><span style="color: orange;">August 1963</span></b>. Johnny traveled from his native USA to Brazil and stayed in Rio de Janeiro for a while. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">He then moved up to Sao Paulo where he used to be invited to appear as special guest on rock shows on TV - having recorded an E.P. for RGE, a local label. </span></div>
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Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com1tag:blogger.com,1999:blog-5767580881300124989.post-30476572460797743212017-09-21T03:15:00.003-07:002017-09-21T03:21:39.237-07:00Roberto Carlos by Celia Vilela <div class="separator" style="clear: both; text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif;">Celia Vilela writes about new face Roberto Carlos for 'Radiolandia' on <b><span style="color: orange;">15 August 1963</span></b>. Vilela says Roberto plays the piano, writes songs and debuted as an actor in Carlos Hugo Christensen's '<b>Esse Rio que eu amo</b>' in 1962.</span></div>
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<br />Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-6401180841462289952017-09-17T02:53:00.013-07:002021-10-13T03:37:17.483-07:00The Jet Blacks discography <div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfjZQJSEUS0NfLIkg9_zG09e24M-EyoVeoYLT2iJJGxMrI8O9x-qbORmDo3QHOAZ-NWKxzcGIXQCRP-g9U-4KbYJNR7g3Bvr1UFgmxbMXL2nSaR5zF5kMq2zYahF_kXNhYboACsTe1rsoj/s1600/78-rpm-jovem-guarda-apache-the-jet-blacks-hava-naguila-D_NQ_NP_18913-MLB20163266999_092014-F.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="827" data-original-width="845" height="195" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfjZQJSEUS0NfLIkg9_zG09e24M-EyoVeoYLT2iJJGxMrI8O9x-qbORmDo3QHOAZ-NWKxzcGIXQCRP-g9U-4KbYJNR7g3Bvr1UFgmxbMXL2nSaR5zF5kMq2zYahF_kXNhYboACsTe1rsoj/s200/78-rpm-jovem-guarda-apache-the-jet-blacks-hava-naguila-D_NQ_NP_18913-MLB20163266999_092014-F.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha_YzqTVbeWPm0tJxcyevKQPvukWSGFNAAv-7jvHgG636nasB5RYXpFxd5TePzF_-Tm_s85SATI8ubgF9OUFcBcBy64BJGwAfO8JgZyrNmZyd8vz3ojU6u2jnoCqCsAXRAjgXyA_VoP0df/s1600/78-rpm-jovem-guarda-apache-the-jet-blacks-hava-naguila-D_NQ_NP_18915-MLB20163267637_092014-F.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="864" data-original-width="905" height="190" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha_YzqTVbeWPm0tJxcyevKQPvukWSGFNAAv-7jvHgG636nasB5RYXpFxd5TePzF_-Tm_s85SATI8ubgF9OUFcBcBy64BJGwAfO8JgZyrNmZyd8vz3ojU6u2jnoCqCsAXRAjgXyA_VoP0df/s200/78-rpm-jovem-guarda-apache-the-jet-blacks-hava-naguila-D_NQ_NP_18915-MLB20163267637_092014-F.jpg" width="200" /></a></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;">78-0704 'Apache' b/w 'Hava Naguila'; where it all started for The Jet Blacks, <b><span style="color: #ffa400;">1963</span></b>.</div><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIHrZuKDoeHvhr7wP0rRpQliAN-CjeMyTpkW1pDi3jJIj36rbPuWV5-g5hfA4fbKjnCtdKSaEWBDgodXdpoYgaZCO_pme4VmIcmzTzUH8cUkGaBRznehLMQ3-_4E2wYEI7aNr7cUpVgpLu/s1600/Radio.Spt.63.2a.quin.aa.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="386" data-original-width="694" height="221" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIHrZuKDoeHvhr7wP0rRpQliAN-CjeMyTpkW1pDi3jJIj36rbPuWV5-g5hfA4fbKjnCtdKSaEWBDgodXdpoYgaZCO_pme4VmIcmzTzUH8cUkGaBRznehLMQ3-_4E2wYEI7aNr7cUpVgpLu/s400/Radio.Spt.63.2a.quin.aa.jpg" width="400" /></a></div><div class="separator" style="clear: both;">The Jet Blacks at Radiolandia - <b><span style="color: #ffa400;">15 September 1963</span></b>.</div><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-uwvoGp5NRPPL1tSLX9R27vTVHKCcu69hY_wYN7HdBn0kMxqje_PqfS-CyxAnFQ9CnsZN8TcEnFPAv3BR0fpjCOcyQiqjppj-kiF2ryn9bzAPzUP32DL6GApZi7O-viSgcqf17j0aytiX/s1600/Radio.Spt.63.2a.quin.bb.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="412" data-original-width="366" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-uwvoGp5NRPPL1tSLX9R27vTVHKCcu69hY_wYN7HdBn0kMxqje_PqfS-CyxAnFQ9CnsZN8TcEnFPAv3BR0fpjCOcyQiqjppj-kiF2ryn9bzAPzUP32DL6GApZi7O-viSgcqf17j0aytiX/s320/Radio.Spt.63.2a.quin.bb.jpg" width="284" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">
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(6022) 'Wonderful land' b/w 'Les cavaliers du feu' <b><span style="color: #ffa400;">1964</span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSN0pvq6ybiI1xWYGlwuAiota_Ov0n__urLYc32hFNVXn4YvoFyrMxPC_PwuCCvDALVLr9es3wCE0heCzprTl1EXAeM048d_C24cb_M1Ym8cYuV0qSGWQbXYXtoMNkHpjpPIqdlCrf2qPz/s1600/the-jet-blacks-compacto-7-suzie-q-tema-para-jovens-enamor-D_NQ_NP_7927-MLB5306824669_102013-F.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1026" data-original-width="1042" height="196" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSN0pvq6ybiI1xWYGlwuAiota_Ov0n__urLYc32hFNVXn4YvoFyrMxPC_PwuCCvDALVLr9es3wCE0heCzprTl1EXAeM048d_C24cb_M1Ym8cYuV0qSGWQbXYXtoMNkHpjpPIqdlCrf2qPz/s200/the-jet-blacks-compacto-7-suzie-q-tema-para-jovens-enamor-D_NQ_NP_7927-MLB5306824669_102013-F.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaVcLGLqnSPNpR9CaOg11vB5PtHCI3KXRuur4rkH7kWKKXgXfOSnY08ZDFNMWzL0PSuwSPGhBwx4PhJ5n-SgFZmGYbimNb8UZbxtA7XGTu7g9mLvhEGXpMrx2f0yN1CZ58JtULYUQvYFG7/s1600/the-jet-blacks-compacto-7-suzie-q-tema-para-jovens-enamor-D_NQ_NP_7946-MLB5306824828_102013-F.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1013" data-original-width="1013" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaVcLGLqnSPNpR9CaOg11vB5PtHCI3KXRuur4rkH7kWKKXgXfOSnY08ZDFNMWzL0PSuwSPGhBwx4PhJ5n-SgFZmGYbimNb8UZbxtA7XGTu7g9mLvhEGXpMrx2f0yN1CZ58JtULYUQvYFG7/s200/the-jet-blacks-compacto-7-suzie-q-tema-para-jovens-enamor-D_NQ_NP_7946-MLB5306824828_102013-F.jpg" width="200" /></a></div>
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(6080) 'Theme for young lovers' b/w 'Susie Q' <b><span style="color: #ffa400;">1966</span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLt1P_JLY4wPLzkrHPwrLHY9yLBmxAlrV7yhjQtdY_uOWEVRb15xnaQjVxQ61NjnkBw8WNkkC-9KmdjdqBn0tEuLJuxu80SkRmpSloPyiCO_nNdKx0XA5jSL6gwCybDXSAeA-2oelJeDds/s1600/compacto-the-jet-blacks-shame-and-scandal-D_NQ_NP_403101-MLB20275363544_042015-F.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="413" data-original-width="410" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLt1P_JLY4wPLzkrHPwrLHY9yLBmxAlrV7yhjQtdY_uOWEVRb15xnaQjVxQ61NjnkBw8WNkkC-9KmdjdqBn0tEuLJuxu80SkRmpSloPyiCO_nNdKx0XA5jSL6gwCybDXSAeA-2oelJeDds/s200/compacto-the-jet-blacks-shame-and-scandal-D_NQ_NP_403101-MLB20275363544_042015-F.jpg" width="198" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKHxld10hhoCGMs8nyitOZx_qxkVyS2-FqqKwdOpmplFpMvThyTXQl-DRPVvI6-WFx_1VJkD86loLDWUtIViA0IZhfNeFrdO-7jTt1c50DyL88nzaf5Vg_F_X-0A2JeeZrSd78Zm5C7DBK/s1600/D_NQ_NP_609101-MLB20275363563_042015-OD.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="418" data-original-width="411" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKHxld10hhoCGMs8nyitOZx_qxkVyS2-FqqKwdOpmplFpMvThyTXQl-DRPVvI6-WFx_1VJkD86loLDWUtIViA0IZhfNeFrdO-7jTt1c50DyL88nzaf5Vg_F_X-0A2JeeZrSd78Zm5C7DBK/s200/D_NQ_NP_609101-MLB20275363563_042015-OD.jpg" width="196" /></a></div>
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(6158) Shame and scandal in the family bw 'La danse de Zorba'.</div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbNRYgKy_0TY9NTji2qlcgKyX9CJ9Lo9l-OqCfblek1JqAHZKvy1DRTXpxAnYXmc77fDKJreBO4eSpc8iY-2buJwu1ic9kSVDOfKZ_vWQ3LGPgnEA5x9J_D9FILHm2tDo6LJacoaSdfGzk/s761/chapeu+%25282%2529.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="753" data-original-width="761" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbNRYgKy_0TY9NTji2qlcgKyX9CJ9Lo9l-OqCfblek1JqAHZKvy1DRTXpxAnYXmc77fDKJreBO4eSpc8iY-2buJwu1ic9kSVDOfKZ_vWQ3LGPgnEA5x9J_D9FILHm2tDo6LJacoaSdfGzk/w200-h198/chapeu+%25282%2529.PNG" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV-sobyTvvVPFFEUdyr2swbhajW7LsFKaKi6kLZGDVHB0ba9ZY7awFnq5hDOzVU5CBRtL2AaWxJx9JkwDdtV6ajsFIgELzjq9NdbOT8OlAlbZX7n5IcO8mni9tsCh3kYWg_H8d7jFk91ZC/s724/chapeuzinho+%25282%2529.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="723" data-original-width="724" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV-sobyTvvVPFFEUdyr2swbhajW7LsFKaKi6kLZGDVHB0ba9ZY7awFnq5hDOzVU5CBRtL2AaWxJx9JkwDdtV6ajsFIgELzjq9NdbOT8OlAlbZX7n5IcO8mni9tsCh3kYWg_H8d7jFk91ZC/w200-h200/chapeuzinho+%25282%2529.PNG" width="200" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;">(6224) 'Chapèuzinho vermelho' (Lil' Red Riding Hood) b/w 'The savage', </span><b style="text-align: left;"><span style="color: #ffa400;">1966</span></b><span style="text-align: left;">.</span></div></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCp695D0Uo0ZwtdSJARwdussZh1SlBH0tLLRq9QoOAuzUh3Y_5Ze-l5BtIdx_PXp2C89eVOtFZKcG-FLtUTgzpf8wHg2W4Mqib-1qrtvEg7T_sa-2e3Bmq8qhmJvCjbLo1sU1TBoL4FdGY/s1600/the-jet-blacks-compacto-largo-1967-saiba-esperar-D_NQ_NP_384015-MLB25217923371_122016-F.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="610" data-original-width="611" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCp695D0Uo0ZwtdSJARwdussZh1SlBH0tLLRq9QoOAuzUh3Y_5Ze-l5BtIdx_PXp2C89eVOtFZKcG-FLtUTgzpf8wHg2W4Mqib-1qrtvEg7T_sa-2e3Bmq8qhmJvCjbLo1sU1TBoL4FdGY/s200/the-jet-blacks-compacto-largo-1967-saiba-esperar-D_NQ_NP_384015-MLB25217923371_122016-F.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKGuPxdNX0GQilWJ-9CfKCwpO7Q05tddxUoRxtY8hYNw-wivBBTP4qRr1JTFGthCNyV-Y3MZphRSgWrB_wHuPxHr42XGAAy26dqGQnQkZ0h8ms9m5OTZBv-8RPFykmF3kTbvSR4c1zAjl5/s1600/the-jet-blacks-compacto-largo-1967-saiba-esperar-D_NQ_NP_154015-MLB25217924697_122016-F.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="610" data-original-width="609" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKGuPxdNX0GQilWJ-9CfKCwpO7Q05tddxUoRxtY8hYNw-wivBBTP4qRr1JTFGthCNyV-Y3MZphRSgWrB_wHuPxHr42XGAAy26dqGQnQkZ0h8ms9m5OTZBv-8RPFykmF3kTbvSR4c1zAjl5/s200/the-jet-blacks-compacto-largo-1967-saiba-esperar-D_NQ_NP_154015-MLB25217924697_122016-F.jpg" width="199" /></a></div>
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(6334) J.S.Bach's 'Largo' b/w 'Saiba esperar' (Hamilton di Giorgio) <b><span style="color: #ffa400;">1967</span></b></div>
<div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbKephD9w3Yqb1KQUFt74iD0PJKtfBSpN11CdfPCFK6BfVjcmpoEmCjfzqVgnJLgobbCtYoLADmViHU_4jaS5LCnrFFOxghJd_N26vpyu8KSARi5OSctdUPYKo4h7jB0hE5-9kVYYVkC2P/s495/jet.blacks.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="494" data-original-width="495" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbKephD9w3Yqb1KQUFt74iD0PJKtfBSpN11CdfPCFK6BfVjcmpoEmCjfzqVgnJLgobbCtYoLADmViHU_4jaS5LCnrFFOxghJd_N26vpyu8KSARi5OSctdUPYKo4h7jB0hE5-9kVYYVkC2P/w200-h200/jet.blacks.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnzlSiGFSg5zotGJfTev9eKQftvNrux_K2fNAsnHZlcg24O3U9Wf-BnjX69eHhFH9qE4nA4F38ofncLYqmPqnUlFeFmTrGap3B7eVkf-WYGHBC7h0jo9G3ojFhORwrMwKbgzeoUGpBgZcf/s496/jet.blacks.one.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="495" data-original-width="496" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnzlSiGFSg5zotGJfTev9eKQftvNrux_K2fNAsnHZlcg24O3U9Wf-BnjX69eHhFH9qE4nA4F38ofncLYqmPqnUlFeFmTrGap3B7eVkf-WYGHBC7h0jo9G3ojFhORwrMwKbgzeoUGpBgZcf/w200-h200/jet.blacks.one.jpg" width="200" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: left;">(6244) 'Abre a porta, Chapeuzinho' (The hair on my chinny chin-chin) b/w 'Além das estrelas', </span><b style="text-align: left;"><span style="color: #ffa400;">1967</span></b><span style="text-align: left;">.</span></div><div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilyiTgGFK0D-nmC3YB1I2Xb_vnXVutIpA-0uGnzy6fJJ6WoNR39d6Xwlkx7tfi3cVDoyCndHu3h5nDzNu_Ft2ctoKMhxhb43hwrW3TGAihBUc1QupgkTjFP0yNk93BvDROseskz5QRjHpS/s1600/the-jet-blacks-1968-mrs-robinson-compacto-ep-98-D_NQ_NP_893721-MLB20841759339_072016-F.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="696" data-original-width="696" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilyiTgGFK0D-nmC3YB1I2Xb_vnXVutIpA-0uGnzy6fJJ6WoNR39d6Xwlkx7tfi3cVDoyCndHu3h5nDzNu_Ft2ctoKMhxhb43hwrW3TGAihBUc1QupgkTjFP0yNk93BvDROseskz5QRjHpS/s200/the-jet-blacks-1968-mrs-robinson-compacto-ep-98-D_NQ_NP_893721-MLB20841759339_072016-F.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXzmEXESryemOK6LRI3Hvdsir2nIs9z-Vi3W4LC6I_Lv8wfMNWL536kOKPCGdR3CIN6nJ_dXpN3NoTahT7-rEarkuycOICQBAjHoeBcVlcHNT4sca31EY1xN-xCB2kUIrJ1GksBlluYceQ/s1600/the-jet-blacks-1968-mrs-robinson-compacto-ep-98-D_NQ_NP_747721-MLB20841759792_072016-F+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="637" data-original-width="632" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXzmEXESryemOK6LRI3Hvdsir2nIs9z-Vi3W4LC6I_Lv8wfMNWL536kOKPCGdR3CIN6nJ_dXpN3NoTahT7-rEarkuycOICQBAjHoeBcVlcHNT4sca31EY1xN-xCB2kUIrJ1GksBlluYceQ/s200/the-jet-blacks-1968-mrs-robinson-compacto-ep-98-D_NQ_NP_747721-MLB20841759792_072016-F+%25282%2529.jpg" width="198" /></a></div>
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(6046) 'Mrs Robinson' b/w 'Largo tudo e venho te buscar' <b><span style="color: #ffa400;">1968</span></b> (serial number out of sequence).</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7rBBhe3BLLC5-BWJRWq8rn9ri6JJMHOsJ2Z9yut_Z6jP-R2YvkxdkCzLHEx9Ic-FL1aiZvzP9ReA-I9i-OT4eIHOwGYUgqjdmZx49CCfqlXiuVBjkLYelDht37D2DTonnys7h4MVs3Xe9/s1600/the-jet-blacks-compacto-robertinha-D_NQ_NP_13828-MLB3885117716_022013-F.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="678" data-original-width="677" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7rBBhe3BLLC5-BWJRWq8rn9ri6JJMHOsJ2Z9yut_Z6jP-R2YvkxdkCzLHEx9Ic-FL1aiZvzP9ReA-I9i-OT4eIHOwGYUgqjdmZx49CCfqlXiuVBjkLYelDht37D2DTonnys7h4MVs3Xe9/s200/the-jet-blacks-compacto-robertinha-D_NQ_NP_13828-MLB3885117716_022013-F.jpg" width="199" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc7Mr646Ga_wYdA2o96gFBQQXJoHTHohUZpqt7PhM7qn8oJsecGqueykOS5ihHDmBmyZExB1On8Ks-2SgUon-eEEb33nmhcFy1byfqkDtCJfR70NjrevUdgP6d_GRpufubsVb5bc8_uBfg/s1600/the-jet-blacks-compacto-robertinha-D_NQ_NP_14090-MLB3885129732_022013-F.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="693" data-original-width="701" height="197" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc7Mr646Ga_wYdA2o96gFBQQXJoHTHohUZpqt7PhM7qn8oJsecGqueykOS5ihHDmBmyZExB1On8Ks-2SgUon-eEEb33nmhcFy1byfqkDtCJfR70NjrevUdgP6d_GRpufubsVb5bc8_uBfg/s200/the-jet-blacks-compacto-robertinha-D_NQ_NP_14090-MLB3885129732_022013-F.jpg" width="200" /></a></div>
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(6338) 'Robertinha' b/w 'Ária da 4a. corda', <b><span style="color: #ffa400;">1968</span></b>.<br /></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmCwqC7ev7LNzi7gkP5dM9uOhV_1zDVUCKahEpcQGQLHZ0iLJ1PSUjU-tIBvcWHetoKSMXmOnm_IbG66l1NFxH4xSoAPjx_j4Zg86eyC12h5Et28MXCMRVNCQShyALTQ0qrePHpUypna_3/s1600/1200x630bb.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="630" data-original-width="630" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmCwqC7ev7LNzi7gkP5dM9uOhV_1zDVUCKahEpcQGQLHZ0iLJ1PSUjU-tIBvcWHetoKSMXmOnm_IbG66l1NFxH4xSoAPjx_j4Zg86eyC12h5Et28MXCMRVNCQShyALTQ0qrePHpUypna_3/s320/1200x630bb.jpg" width="320" /></a></div>
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E.P.s</div>
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<br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqJJAR-XvQZNGtCoB2CSfqg0e_vu3aeTx9fXGIUMR72RS7NNHsxEAKACT1JkYpUBqUmIv5_qST1bj1euH3-X0wSDT2XA4XduhUlp7ARDy97skwfdzLwQPS6yuTbiMkonPyDtVUOc5gYJuP/s903/245363976_4428110717271146_440575006323326553_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="868" data-original-width="903" height="192" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqJJAR-XvQZNGtCoB2CSfqg0e_vu3aeTx9fXGIUMR72RS7NNHsxEAKACT1JkYpUBqUmIv5_qST1bj1euH3-X0wSDT2XA4XduhUlp7ARDy97skwfdzLwQPS6yuTbiMkonPyDtVUOc5gYJuP/w200-h192/245363976_4428110717271146_440575006323326553_n.jpg" width="200" /></a></div><div class="separator" style="clear: both; text-align: center;">C-33-572</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8yMmAUc38FD8Nu197Amv2wv-VXGbh-CNwdDqmuoYeXsVEiX1DL_aRanteKbt5noKJZfnQ2G32DJjcNyyMui-aUEdeJMB4jGXLwBResVKgBv3sHGNyH6NkjD_54b_8JznavSMfI5xrzqa1/s1600/the-jet-blacks-vol4-compacto-vinil-D_NQ_NP_709366-MLB26622753850_012018-F+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1123" data-original-width="1137" height="197" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8yMmAUc38FD8Nu197Amv2wv-VXGbh-CNwdDqmuoYeXsVEiX1DL_aRanteKbt5noKJZfnQ2G32DJjcNyyMui-aUEdeJMB4jGXLwBResVKgBv3sHGNyH6NkjD_54b_8JznavSMfI5xrzqa1/s200/the-jet-blacks-vol4-compacto-vinil-D_NQ_NP_709366-MLB26622753850_012018-F+%25282%2529.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhGI5ckSdxaPJKC4uDnr5anWq3D3Zof3qHGd5WByeyQysglKuyzkO1Pk6zaKOzA_Aq5vgO8DDvrqcHyVHTxu0ImZyzsvo0PX6VAd67Y4fMojHvQDlT5jwD14TKKWrz8Q1CwthygZZFLs3f/s1600/the-jet-blacks-vol4-compacto-vinil-D_NQ_NP_763321-MLB26622764209_012018-F+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1036" data-original-width="1004" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhGI5ckSdxaPJKC4uDnr5anWq3D3Zof3qHGd5WByeyQysglKuyzkO1Pk6zaKOzA_Aq5vgO8DDvrqcHyVHTxu0ImZyzsvo0PX6VAd67Y4fMojHvQDlT5jwD14TKKWrz8Q1CwthygZZFLs3f/s200/the-jet-blacks-vol4-compacto-vinil-D_NQ_NP_763321-MLB26622764209_012018-F+%25282%2529.jpg" width="193" /></a></div>
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C-33-576</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWPvdvZH2bRurFwPKf_I77TXqAxKSHpGbAxlsZU0BpuVO6IttLk_2LGa26whq8G3s0HVHkl5s20IZagnsKKl0v45P0xydWXR1b6FXwNK_BAPws7qrKwOYHUdeU2x7yh5J12pj3hBbxht5U/s706/245439215_4428192707262947_8373514138845958276_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="704" data-original-width="706" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWPvdvZH2bRurFwPKf_I77TXqAxKSHpGbAxlsZU0BpuVO6IttLk_2LGa26whq8G3s0HVHkl5s20IZagnsKKl0v45P0xydWXR1b6FXwNK_BAPws7qrKwOYHUdeU2x7yh5J12pj3hBbxht5U/w200-h199/245439215_4428192707262947_8373514138845958276_n.jpg" width="200" /></a></div><div class="separator" style="clear: both; text-align: center;">C-33-650.</div></div>
Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0tag:blogger.com,1999:blog-5767580881300124989.post-74933977641808609042017-07-30T13:23:00.003-07:002019-01-16T02:35:26.000-08:00Terry Winter aka TOMMY STANDEN <div dir="ltr" style="text-align: left;" trbidi="on">
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<b>Terry Winter</b> started charting in 1971, when his one-year-in-the-can '<b><span style="color: orange;">You'll notice me</span></b>' was finally noticed by the record-buying public to dent the top 10 circa <b><span style="color: orange;">November 1971</span></b>.<br />
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Terry Winter started as <b><span style="color: orange;">Tommy Standen</span></b> having recorded a single for RCA Victor in <b><span style="color: orange;">1967</span></b>. 'O quente' (the hot number) followed the lead of <b>Eduardo Araujo</b>'s '<b>O bom</b>' that had been #1 number in the charts and described the life of a free-wheeling play boy who only thought about himself. As Tommy was a good looking fellow he sang at most rock'n'roll shows around TV and got away with it.<br />
<br />
Standen had actually written much better songs that were recorded by <b>Ronnie Von</b> in his debut album: '<b><span style="color: orange;">Soldadinho de chumbo</span></b>' and '<b><span style="color: orange;">Pequeno principe</span></b>' with words provided by <b>Fred Jorge</b>.<br />
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As the 1960s edged towards the end Standen was signed by <b>Beverly</b>, a subsidiary of Copacabana Discos where he recorded mostly in English using his own name. '<span style="color: orange;"><b>Tomorrow, tomorrow</b></span>' written by the Gibb Brothers was released by Beverly in <b><span style="color: orange;">1969</span></b>, to compete with the Bee Gees.<br />
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In <b><span style="color: orange;">1970</span></b>, Tommy Standen decided to change his name to <b><span style="color: orange;">Terry Winter</span></b>, write his own material in English and record it for <b><span style="color: orange;">New Records</span></b> a made-up name Beverly thought would look better on the label. It took almost a year for Beverly to release '<b><span style="color: orange;">You'll notice me</span></b>' as a single in late <b>1971</b>. It soon entered the charts and gave rise to a new pop star that would be a major star in <b>1972</b> with '<b>Summer holiday</b>' topping the charts in Brazil, Mexico and other countries.<br />
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<b><span style="color: orange;">You'll notice me</span></b> </div>
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Tell me that my love is alone and I want you to know </div>
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I love you so, </div>
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oh yeah!<br />
<br />
pa pa pa pa pa pa pa pa </div>
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<br /></div>
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The moment I have someone to share some love with me </div>
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you'll notice me<br />
<br />
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The moment I have someone to share some love with me </div>
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you'll notice me </div>
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Then my love is made up for you, </div>
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and I know just what I can do. </div>
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I know you're in love </div>
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and you say that your love is not for me,<br />
anyway, you'll notice me<br />
baby, you'll notice me<br />
ah, you'll notice me. </div>
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Ah, you'll notice me.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7lA_lsWFePhdt78ky4uaKcRLesBLkSKuRl71aDxpLU97jQOrr2uwQII5MpNN1WCvsAftHN4py-gKeY9SxYtwSBZ6RCgBK688egJZB67WLVWWyCIifjsB1spvmKEEHzyHlT983HeYkkdIC/s1600/Terry-Winter.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="508" data-original-width="498" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7lA_lsWFePhdt78ky4uaKcRLesBLkSKuRl71aDxpLU97jQOrr2uwQII5MpNN1WCvsAftHN4py-gKeY9SxYtwSBZ6RCgBK688egJZB67WLVWWyCIifjsB1spvmKEEHzyHlT983HeYkkdIC/s200/Terry-Winter.jpg" width="195" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzv7_iLLLbTiZ9akk5AjNcvPkkkUaE4Ci5XQMdq-KwLa5U486Px0K0Cd5YHC4DZL1bhakLbIIGBIifBozHKazGS2DUGJtxCWeyILhHNcNoty49ZgOOIsgax9EQHuV6q1ARAQFZ0FMXrkij/s1600/terry-winter-summer-holiday-compacto-vinil-new-records-1972-D_NQ_NP_721905-MLB25073807635_092016-F.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="458" data-original-width="457" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzv7_iLLLbTiZ9akk5AjNcvPkkkUaE4Ci5XQMdq-KwLa5U486Px0K0Cd5YHC4DZL1bhakLbIIGBIifBozHKazGS2DUGJtxCWeyILhHNcNoty49ZgOOIsgax9EQHuV6q1ARAQFZ0FMXrkij/s200/terry-winter-summer-holiday-compacto-vinil-new-records-1972-D_NQ_NP_721905-MLB25073807635_092016-F.jpg" width="199" /></a></div>
<b style="text-align: justify;">Terry Winter</b><span style="text-align: justify;"> wrote '</span><b style="text-align: justify;">You'll notice me</b><span style="text-align: justify;">' using the pseudonym </span><b style="text-align: justify;"><span style="color: orange;">Bart Baraboskin</span></b><span style="text-align: justify;"> which is an anagram on </span><b style="text-align: justify;">Burt Bacharach</b><span style="text-align: justify;"> whom Terry revered as a musical genius; for '<b>Summer holiday</b>' he switched to <b><span style="color: orange;">Tony Temple</span></b>. </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLXxC3stgzVcEW-hGYVB6JAlrK0uMR9JFC7BgEv7tZ2VaUBXYm-nqT_UN5LhBY5g9A_nYlI3r9KBhRjewf8uIlurzVSOWZmFmHIfjXSOaGaNBtMlxELdQ4oFxDatqrQrxgmPdBqM-LPUXT/s1600/Billboard.19.Sept.1972.Terry.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="312" data-original-width="165" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLXxC3stgzVcEW-hGYVB6JAlrK0uMR9JFC7BgEv7tZ2VaUBXYm-nqT_UN5LhBY5g9A_nYlI3r9KBhRjewf8uIlurzVSOWZmFmHIfjXSOaGaNBtMlxELdQ4oFxDatqrQrxgmPdBqM-LPUXT/s1600/Billboard.19.Sept.1972.Terry.PNG" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzhBZ4sUadWW5RTPk2dTbTmGeVRevdviBx873q2zvNxIbZ-_teEH-O5b3-3eo6fM5sa_VxicfYbXXAuDLjv10wYk3rs4O9t-7bxlf16_vuDLbFhvV7N01VbPUuvkCHCk-pvR-Qr7FN3DwQ/s1600/Billboard.28.October.1972.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="221" data-original-width="177" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzhBZ4sUadWW5RTPk2dTbTmGeVRevdviBx873q2zvNxIbZ-_teEH-O5b3-3eo6fM5sa_VxicfYbXXAuDLjv10wYk3rs4O9t-7bxlf16_vuDLbFhvV7N01VbPUuvkCHCk-pvR-Qr7FN3DwQ/s1600/Billboard.28.October.1972.PNG" /></a></div>
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Terry Winter charted well with '<b>You'll notice me</b>' which became '<b><span style="color: orange;">Descubrirás que yo existo</span></b>' and '<b>Summer holiday</b>' (Fiesta de verano) all over South America in 1972-1973</div>
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<b><span style="color: orange;">Discos Beverly</span></b> was upbeat when it advertised on <b><span style="color: orange;">13 January 1973</span></b>, at Billboard. <b>Terry Winter</b> had actually already left Beverly for <b>RCA Victor</b>. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaQxF1Nmm23UDGh0gXkv_PLjKJCEjDU-hmZIr9j7Jfay9lE7b17BCDNeBh7F3FtCD-xlNQwvp7ablQF9cEKU3guxjssxNVHCDqOIohqBr6Dc3nxqOCTySktlbutJaNx7ecaLlADkOw6taT/s1600/Tommy+Standen+-+Bee+Gees.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="400" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaQxF1Nmm23UDGh0gXkv_PLjKJCEjDU-hmZIr9j7Jfay9lE7b17BCDNeBh7F3FtCD-xlNQwvp7ablQF9cEKU3guxjssxNVHCDqOIohqBr6Dc3nxqOCTySktlbutJaNx7ecaLlADkOw6taT/s200/Tommy+Standen+-+Bee+Gees.jpg" width="200" /></a></div>
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When <b><span style="color: orange;">Beverly</span></b> released <b>Terry Winter</b>'s single '<b>You'lll notice me</b>' in late <b><span style="color: orange;">1971</span></b>, little did they realize this would start a new trend. That of Brazilian song-writers writing material in English to compete with the imported stuff. Just 2 years before, in <b><span style="color: orange;">1969</span></b>, <b>Tommy Standen</b> covered the Bee Gees' <b><span style="color: orange;">Tomorrow,</span></b> <b><span style="color: orange;">tomorrow</span></b>' but obviously could not compete with the Gibb Brothers. </div>
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Terry Winter when he was Tommy Standen; with wife Miriam Conceição Baraboskin & 2 children in November 1972 at the height of his success as Terry Winter. Miriam was Nick Savoia's step-sister.</div>
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Carlus Maximushttp://www.blogger.com/profile/10891970202214164966noreply@blogger.com0